The following is a list of the musical compositions of Domenico Cimarosa (1749-1801).
Giovanni Paisiello was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart, Salieri and Rossini.
Leonardo Leo, more correctly Lionardo Oronzo Salvatore de Leo, was a Baroque composer.
Luigi Marchesi was an Italian castrato singer, one of the most prominent and charismatic to appear in Europe during the second half of the eighteenth century.
Giuseppe Gazzaniga was a member of the Neapolitan school of opera composers. He composed fifty-one operas and is considered to be one of the last Italian opera buffa composers.
Luigi Ricci, was an Italian composer, particularly of operas. He was the elder brother of Federico Ricci, with whom he collaborated on several works. He was also a conductor.
Giuseppe Farinelli was an Italian composer active at the end of the 18th century and the beginning of the 19th century who excelled in writing opera buffas. Considered the successor and most successful imitator of Domenico Cimarosa, the greatest of his roughly 60 operas include I riti d'Efeso, La contadina bizzarra and Ginevra degli Almieri. More than 2/3 of his operas were produced between 1800-1810 at the height of his popularity. With the arrival of Gioachino Rossini his operas became less desirable with the public, and by 1817 his operas were no longer performed. His other compositions include 3 piano forte sonatas, 3 oratorios, 11 cantatas, 5 masses, 2 Te Deums, a Stabat mater, a Salve regina, a Tantum ergo, numerous motets, and several other sacred works.
Vincenzo Fabrizi was an Italian composer of opera buffa.
Giovanni Bertati was an Italian librettist.
The Teatro San Moisè was a theatre and opera house in Venice, active from 1620 to 1818. It was in a prominent location near the Palazzo Giustinian and the church of San Moisè at the entrance to the Grand Canal.
Marcello Bernardini was an Italian composer and librettist. Little is known of him, save that he wrote 37 operas in his career. His father was most likely the composer Rinaldo di Capua.
Giacomo Domenico Mario Antonio Pasquale Giuseppe Tritto was an Italian composer, known primarily for his fifty-four operas. He was born in Altamura, and studied in Naples; among his teachers were Nicola Fago, Girolamo Abos, and Pasquale Cafaro. Amongst his pupils were the young Vincenzo Bellini around 1821, plus Ferdinando Orlandi. He died in Naples.
Giuseppe Lillo was an Italian composer. He is best known for his operas which followed in the same vein of Gioachino Rossini. He also produced works for solo piano, a small amount of sacred music, and some chamber music.
Carlo Franchi was an Italian opera composer known for his opere buffe. He belonged to the Neapolitan school of composers and it is likely that he was born in or near Naples, where his first opera La vedova capricciosa had its premiere in 1765. Subsequent works were performed in Rome, Venice, Mantua, Turin, Florence, and outside Italy in places such as Dresden and Lisbon.
Antonio Palomba (20 December 1705 – 1769) was an Italian opera librettist, poet, harpsichordist, and music educator. He also worked as a notary. Born in Naples, he became a teacher of the harpsichord at the Teatro della Pace in 1749. Most of his more than 50 opera libretti were comedic works written for composers of the Neapolitan school. He also wrote some works for performance in Florence, Bologna and abroad. He died in Naples in 1769; one of the victims of a fever epidemic in the city. Many of his libretti were set more than once to music, and composers continued to use his libretti up into the 1830s.
Michele Gabellone was an Italian composer best known for his operas.
Ferdinando Orlandi, also referred to as Orland and Orlando. Little is known of his early life and his year of birth is also cited as 1777. He was an Italian musician and teacher of singing who composed cantatas and sacred music, but was particularly known for his operas, not all of which have survived. He was born and died in Parma.
Luigi Mosca was Italian composer of operas and sacred music and a noted singing teacher. He composed eighteen operas, most of which were originally for theatres in Naples, but played throughout Italy in their day.
Domenico Gilardoni (1798–1831) was an Italian opera librettist, most well known for his collaborations with the composers Vincenzo Bellini and Gaetano Donizetti.
Luigi Capotorti was an Italian composer of both sacred and secular music. He was the maestro di cappella of several Neapolitan churches; the composer of ten operas, five of which premiered at the Teatro San Carlo in Naples; and a teacher of composition and singing whose students included Stefano Pavesi and Saverio Mercadante. Born in Molfetta, he studied violin and composition at the Conservatorio di Sant'Onofrio in Naples and spent his entire career in that city. In his later years, Capotorti retired to San Severo, where he died at the age of 75.
Savino Monelli was an Italian tenor prominent in the opera houses of Italy from 1806 until 1830. Amongst the numerous roles he created in world premieres were Giannetto in Rossini's La gazza ladra, Enrico in Donizetti's L'ajo nell'imbarazzo and Nadir in Pacini's La schiava in Bagdad. He was born in Fermo where he initially studied music. After leaving the stage, he retired to Fermo and died there five years later at the age of 52.