Abbreviation | 4As |
---|---|
Formation | 1919 |
Location |
|
President | Gabrielle Carteris |
Affiliations | AFL–CIO |
The Associated Actors and Artistes of America (4As), established in 1919, [1] is the federation of trade unions for performing artists in the United States. [2]
The union was established by the merger of the Actors' Equity Association and the White Rats of America. By the mid-1940s, its affiliates were:
As of 2022, the following unions belong to the 4As:
The organization is a member of the AFL–CIO. The 4As splits its votes in AFL-CIO elections based on the wishes of each member union. The current AAAA member unions of the AFL–CIO are: AEA, AGMA, GIAA, and SAG-AFTRA. The well-known performer and civil rights activist Theodore Bikel was President of the 4As until his death in 2015. [4]
On June 1, 2014, Department for Professional Employees, AFL–CIO (DPE) took over administrative functions of the 4As, as per an April 15, 2014, agreement between the DPE and the 4As. As part of the agreement, AGVA and GIAA affiliated with the DPE. AGMA, already a DPE affiliate, AGVA, and GIAA remain AFL-CIO affiliates through the 4As. The other two 4As members, AEA and SAG-AFTRA, previously received direct charters from the AFL-CIO. DPE President Paul Almeida became the Executive Secretary of the 4As .
The following are the 4As officers as of July 15, 2024:
The Actors' Equity Association (AEA), commonly called Actors' Equity or simply Equity, is an American labor union representing those who work in live theatrical performance. Performers appearing in live stage productions without a book or through-storyline may be represented by the American Guild of Variety Artists (AGVA). The AEA works to negotiate quality living conditions, livable wages, and benefits for performers and stage managers. A theater or production that is not produced and performed by AEA members may be called "non-Equity".
The Screen Actors Guild (SAG) was an American labor union which represented over 100,000 film and television principal and background performers worldwide. On March 30, 2012, the union leadership announced that the SAG membership voted to merge with the American Federation of Television and Radio Artists (AFTRA) to create SAG-AFTRA.
Equity, formerly officially titled the British Actors' Equity Association, is the trade union for the performing arts and entertainment industries in the United Kingdom.
The American Federation of Television and Radio Artists (AFTRA) was a performers' union that represented a wide variety of talent, including actors in radio and television, radio and television announcers and newspersons, singers and recording artists, promo and voice-over announcers and other performers in commercials, stunt persons and specialty acts—as the organization itself publicly stated, "AFTRA's membership includes an array of talent". On March 30, 2012, the members of AFTRA and of the Screen Actors Guild (SAG) voted to merge and form SAG-AFTRA.
AAAA may refer to:
The American Federation of Actors (AFA) was an early actors union in the United States.
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An Equity card is proof of membership in the Actors' Equity Association of the United States or Equity in the United Kingdom.
The American Guild of Musical Artists (AGMA) is the labor union of singers, dancers, and staging staff in opera, ballet and concert dance, and concert choral performance in the United States. A national union with a membership of over 6,000 artists, AGMA provides forceful advocacy and defense of its members' employment and artistic rights. AGMA negotiates and enforces over 65 collective bargaining agreements throughout the country, ensuring fair and safe working conditions and enhancing the quality of life of its members. AGMA has a direct charter from the AFL–CIO and is affiliated with the AFL–CIO Branch of Associated Actors and Artists of America and the Department for Professional Employees (DPE). AGMA is also a part of the Coalition of Broadway Unions and Guilds (COBUG).
The American Guild of Variety Artists (AGVA) is an American entertainment union representing performers in variety entertainment, including circuses, Las Vegas showrooms and cabarets, comedy showcases, dance revues, magic shows, theme park shows, and arena and auditorium extravaganzas. There is some overlap between the jurisdictions of AGVA and Actors' Equity.
The Department for Professional Employees, AFL–CIO (DPE) is a semi-autonomous "trade" department of the AFL–CIO, and serves as an advocate for professional workers within the federation, and before legislative bodies, the press and the public.
Rhoda ElaineWilliams was an American actress who voiced Drizella Tremaine in Walt Disney's Cinderella.
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Sumi Haru was an American film and television actress, producer, actor, journalist, poet, and the first national vice-president of the Screen Actors Guild (SAG). Haru is best known for such films and television shows as Krakatoa, East of Java, MASH, The Beverly Hillbillies and Hill Street Blues.
The Screen Actors Guild - American Federation of Television and Radio Artists is an American labor union that reflects the 2012 merger of SAG and AFTRA. It represents approximately 160,000 media professionals worldwide. SAG-AFTRA is a member of the AFL-CIO, the largest federation of unions in the United States. SAG-AFTRA is also a member of the International Federation of Actors (FIA).
The 1919 Actors' Equity Association strike officially spanned from August 7, 1919, to September 6, 1919. In the late 19th and early 20th centuries, the theatre industry was revolutionized by powerful management groups that monopolized and centralized the industry. These groups created harsh working conditions for the actors. On May 26, 1913, actors decided to unionize, and they formed the Actors' Equity Association. After many failed attempts to negotiate with the producers and managers for fair treatment and a standard contract, Equity declared a strike against the Producing Managers' Association on August 7, 1919. During the strike, the actors walked out of theaters, held parades in the streets, and performed benefit shows. Equity received support from the theatrical community, the public, and the American Federation of Labor, and on September 6, 1919, the actors won the strike. The producers signed a contract with the AEA that contained nearly all of Equity's demands. The strike was important because it expanded the definition of labor and altered perceptions about what types of careers could organize. The strike also encouraged other groups within the theatre industry to organize.
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