| At Your Birthday Party | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | March 1969 | |||
| Recorded | October 1968 - February 1969 | |||
| Studio | American Recording, Studio City, California | |||
| Genre | ||||
| Length | 41:26 | |||
| Label | ABC Dunhill | |||
| Producer | Gabriel Mekler | |||
| Steppenwolf chronology | ||||
| ||||
| Singles from At your Birthday Party | ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
At Your Birthday Party is the third studio album by Canadian-American rock band Steppenwolf. The album was released in March 1969, by ABC Dunhill Records.
It was the first Steppenwolf album to feature bass player Nick St. Nicholas; and the last album to feature guitarist Michael Monarch, who left the band in August 1969. Although it was less critically acclaimed than their successful first two albums, Steppenwolf and The Second , it contains a few well-known hits, such as "It's Never Too Late" and "Jupiter's Child", as well as "Rock Me," which had been featured in the 1968 film Candy . Although the band would be very successful in the early 1970s, At Your Birthday Party would be their last top ten album and features their last top ten single. The album showcases Steppenwolf coming out of, but not yet completely abandoning, the psychedelia of The Second and stepping into the distinctive hard rock of their later releases.
The album's cover was designed by art director Gary Burden. The original LP was a gatefold with a punched-out front cover; the punchout revealed a photo of the band which comprised the inner sleeve's recto. This photo of the band was shot by Henry Diltz, and it shows the band sitting in the remnants of amplifiers and equipment in a charred house which had belonged to Canned Heat. (A 1969 fire ripped through Canned Heat's house and rehearsal studio on Lookout Mountain Ave in Laurel Canyon, Los Angeles, California.) Original lead guitarist Michael Monarch did not show up for the photo shoot. Steppenwolf producer Gabriel Mekler bore a physical resemblance to Monarch, and it was decided that Mekler would take Monarch's place in the photo. Mekler was able to hide himself all the more in the photo by sporting a pair of sunglasses. Initially, not too many noticed. Monarch was still in the band, however. (A dispelled myth is that Monarch was no longer in the band at the time of the photo shoot; he was in the band until the latter part of 1969, and the album came out in early 1969.) The LP was reissued on CD by MCA in late 1980s. MCA decided to not use the photo for their CD re-issue and opted only for the original unfinished war mouse painting, originally intended as the LP's cover. The resulting CD artwork indeed looks bare as a result. The surrounding black-and-white image of the LP's gate-fold sleeve was made by importing images of cartoon mouse heads onto the bodies of soldiers within an image of a U.S. Civil War trenched battlefield. The black-and-white portion of the album art was a collage made by Gary Burden, who planned to enlist Rick Griffin to paint a final version of the album art, but Dunhill Records declined to pay for the painting and so used Burden's black-and-white prototype. [4]
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Don't Cry" | Gabriel Mekler | 3:11 |
| 2. | "Chicken Wolf" | John Kay, Michael Monarch | 2:58 |
| 3. | "Lovely Meter" | Mekler | 3:10 |
| 4. | "Round and Down" | Monarch | 3:19 |
| 5. | "It's Never Too Late" | Kay, Nick St. Nicholas | 4:07 |
| 6. | "Sleeping Dreaming" | St. Nicholas | 1:07 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 7. | "Jupiter Child" | Jerry Edmonton, Kay, Monarch | 3:28 |
| 8. | "She'll Be Better" | Edmonton, Mekler | 5:32 |
| 9. | "Cat Killer" | John Goadsby | 1:37 |
| 10. | "Rock Me" | Kay | 3:45 |
| 11. | "God Fearing Man" | Monarch | 3:55 |
| 12. | "Mango Juice" | Edmonton, Goadsby, Monarch | 3:01 |
| 13. | "Happy Birthday" | Mekler | 2:16 |
Album - Billboard (United States) [5]
| Year | Chart | Position |
|---|---|---|
| 1969 | Billboard 200 | 7 |
Singles - Billboard (United States) [6]
| Year | Single | Chart | Position |
|---|---|---|---|
| 1969 | "Rock Me" | Billboard Hot 100 | 10 |
| 1969 | "It's Never Too Late" | Billboard Hot 100 | 51 |
Steppenwolf was a Canadian-American rock band that was prominent from 1968 to 1972. The group was formed in late 1967 in Los Angeles by lead singer John Kay, keyboardist Goldy McJohn, and drummer Jerry Edmonton, all formerly of the Canadian band the Sparrows. Guitarist Michael Monarch and bass guitarist Rushton Moreve were recruited via notices placed in Los Angeles-area record and musical instrument stores.
Three Dog Night is the debut album by American rock band Three Dog Night. The album was originally released by Dunhill Records on October 16, 1968. The album is known for featuring the band's Top 5 hit single, their cover of Harry Nilsson's song "One".
Suitable for Framing is the second studio album by American rock band Three Dog Night. The album was released on the Dunhill record label on June 11, 1969 and was the first of two albums released by the band that year.
Nick St. Nicholas is a German bandleader, bass guitarist, singer and songwriter; best known for his partnership in Steppenwolf.
Steppenwolf is the debut studio album by Canadian-American rock band Steppenwolf, released on January 29, 1968, on ABC Dunhill Records. It includes songs written by band members and songs written by others such as the Willie Dixon blues classic "Hoochie Coochie Man", retitled "Hootchie Kootchie Man".
The Second is the second studio album by Canadian-American rock band Steppenwolf, released in October 1968 on ABC Dunhill Records. The album contains one of Steppenwolf's most famous songs, "Magic Carpet Ride". The background of the original ABC LP cover was a shiny "foil", in contrast to later LP issues and the modern CD sleeve.
Early Steppenwolf is a collection of live recordings by Steppenwolf when they were still known as "The Sparrow" [nee: "The Sparrows"]. It was released in July 1969 on the ABC Dunhill Records label.
Monster is the fourth studio album by Canadian-American rock band Steppenwolf. The album was released in November 1969, by ABC Dunhill Records. It was their first LP with new lead guitarist Larry Byrom instead of Michael Monarch. The album was Steppenwolf's most political album, making references to important issues at the time, such as the Vietnam War.
Steppenwolf 7 is the fifth studio album by Canadian-American rock band Steppenwolf. The album was released in November 1970, by Dunhill Records. It is the first Steppenwolf album with new bass player George Biondo. The album’s numerical title reflects the fact that it was the band’s seventh album release for ABC/Dunhill records . While the album featured Steppenwolf's trademark rock and roll sounds, none of the songs were able to make the top 40. The album featured a cover of Hoyt Axton's "Snowblind Friend", their second cover of one of his antidrug songs. Along with "Who Needs Ya", it was one of two singles from the album which made the charts, but fell short of the top 40. The album track "Renegade" is autobiographical for lead vocalist John Kay, recounting his flight with his mother from the Soviet occupation zone to the West in 1948. The intro to "Earschplittenloudenboomer" is spoken by Kay partially in German.
For Ladies Only is the sixth studio album by Canadian-American rock band Steppenwolf. The album was released in November 1971, by Dunhill Records. It is a political concept album mainly about feminism but with several more conventional songs about romance as well, both unusual themes for Steppenwolf. Some critics saw the album as sexist, citing the lyrics of the songs and a photo of a car shaped like a penis alongside the Hollywood Walk of Fame in the gatefold. The album saw the band hinting toward the progressive rock movement that was popular at the time with more complex arrangements and sophisticated keyboard playing, particularly on the title track. Like their previous album, it was accompanied by two minor hit singles which fell just short of the Top 40.
Steppenwolf Live is primarily a collection of recordings from a single concert early in 1970 at the Santa Monica Civic Auditorium by Steppenwolf staged in support of their 1969 album Monster. Released in April 1970 by Dunhill Records, it contains Steppenwolf's well-known hits: "Born to Be Wild", "Magic Carpet Ride" and "The Pusher", as well as most of the songs from Monster, including three previous top 40 hits, as well as the top 40 hit "Hey Lawdy Mama" from this album.
16 Greatest Hits is a compilation album by Steppenwolf, released in 1973. It features some of their most famous songs, including "Born to Be Wild", "The Pusher", and "Magic Carpet Ride", and "Hey Lawdy Mama." The album consisted of the 11 tracks from the previous Gold: Their Great Hits album, in the same order as on the two sides of that earlier album, with the addition of the final two tracks on side 1, and the final three tracks on side 2.
Richard Allen Podolor was an American musician, record producer and songwriter. His career started as a session musician in the 1950s, and he was best known as the producer of Three Dog Night.
Crosby–Nash Live is a 1977 live album released by Crosby & Nash. It was remastered and re-released in 2000 with one previously unreleased recording ("Bittersweet"), and one previously unreleased recording and song.
Gold: Their Great Hits is a greatest hits album released by the Canadian-American hard rock band Steppenwolf. The album, released in 1971, charted at #24 on the Billboard Pop Albums charts and was certified "gold" by the RIAA on April 12, 1971. Initial pressings of the album came in a gatefold sleeve, with a detachable poster of the band.
Gabriel Mekler was an American songwriter, musician, and record producer who attained fame in the 1960s, helming albums for Steppenwolf, Three Dog Night, and Janis Joplin. He also collaborated with R&B singer Etta James for two critically acclaimed albums in the early 1970s, mixing blues, soul, and then topped it off with Genya Ravan production jazz and rock.
Bubblegum, Lemonade &... Something for Mama is the second solo album released by Cass Elliot under the billing "Mama Cass". It was recorded in 1969 and arranged and produced by Steve Barri. The album was originally released in June 1969, with only 11 tracks. It was released again in November 1969, under a new title and with a different album cover as Make Your Own Kind of Music/It’s Getting Better. "Make Your Own Kind of Music" had just become a hit and was added to the album.
Their 16 Greatest Hits is the third compilation album by the American rock band the Grass Roots. It was originally released by Dunhill Records in September 1971 shortly after the success of "Sooner or Later" earlier that year. The album also included many other hit singles that were released from 1966 to 1971. The album was released on both stereo LP & tape as well as in Quadraphonic Sound on both LP & tape. This album was the only Quadraphonic album released by The Grass Roots.
Leaving It All Behind is the fifth studio album by the American rock band the Grass Roots, released in November 1969 by Dunhill Records. Following the departure of Creed Bratton, who left in April 1969, seasoned musician Dennis Provisor joined the group solidifying the new direction of the band. Terry Furlong and Brian Naughton became alternating touring guitarists for the group. In a return to grace for the group member composers, it contained six songs written by the group. The album was intended to move the group further in a soulful direction that was being rewarded by more charting singles. The A and B side singles released were "I'd Wait a Million Years", "Heaven Knows" b/w "Don't Remind Me", and "Walking Through The Country" b/w "Truck Drivin' Man". At the end of this run "Something's Comin' Over Me" was released as a B side to "Come On And Say It", a charting single written by the group that appeared on the band's next compilation album, More Golden Grass. The album charted at No. 36, making it the group's highest-charting studio album.
"Rock Me" is a song by the Canadian-American hard rock band Steppenwolf. It was released on their 1969 album At Your Birthday Party. It was written by the band's lead singer John Kay, and was the band's fifth American single release. The song was produced by Gabriel Mekler and released as a single in 1969, originally as the B-side to "Jupiter Child", but the sides were later flipped. It peaked at #10 on the Hot 100 on April 19, 1969 and #6 on both WLS and WCFL. It was both Billboard's and Cashbox's top debut the week of March 1, 1969. The song is considered the highlight of the album though it had been released for the soundtrack well ahead of the album. The song followed on the heels of the band's two 1968 hits, "Born to Be Wild" which peaked at #2 and "Magic Carpet Ride" which peaked at #3. Cash Box particularly praised the "pulverizing vocal performance."
