James Harry McShane was a Northern Irish singer who held both British and Italian citizenship. He achieved recognition as the lead singer of the Italian new wave band Baltimora, most notably with their 1985 hit song "Tarzan Boy".
"Somebody's Watching Me" is a song recorded and written by American singer Rockwell, released by the Motown label in December 1983, as the lead single from his debut studio album of the same name. It features guest vocals by Michael Jackson and Jermaine Jackson. The song became a major commercial success internationally, topping the charts in Belgium, France, and Spain, and reaching the top 5 in Canada, West Germany, the Netherlands, New Zealand, South Africa, Sweden, Switzerland, and the United States. In the UK, it reached No. 6 and is Rockwell's only top 40 hit on the UK Singles Chart. Rolling Stone magazine called the song "an international and enduring smash hit that, more than 30 years later, remains the perennial paranoia-rock anthem and Halloween mix go-to song."
"Someone to Call My Lover" is a song by American singer-songwriter Janet Jackson from her seventh studio album, All for You (2001). Written and produced by Jackson and Jimmy Jam and Terry Lewis, the song was released as the album's second single on June 12, 2001, by Virgin Records. Using a guitar riff from America's "Ventura Highway" and the melody from Erik Satie's "Gymnopédie No. 1", "Someone to Call My Lover" talks about being determined to find a perfect match.
Robots in Disguise are an English electropunk band composed of Dee Plume, Sue Denim and a changing line-up of backing musicians. The group released four studio albums between 2000 and 2011.
"Disco Duck" is a satirical disco novelty song performed by Rick Dees and His Cast of Idiots. At the time, Dees was a Memphis disc jockey. It became a number-one hit on the Billboard Hot 100 for one week in October 1976. It also made the top 20 on the Billboard Hot Soul Singles chart, peaking at number 15. "Disco Duck" was initially released in the south by Estelle Axton's Fretone label, but it was later released by RSO Records for national and international distribution. The song earned a 1977 People's Choice Award for Favorite New Song.
Hunting High and Low is the debut studio album by the Norwegian synth-pop band a-ha, first released on 10 June 1985 by Warner Bros. Records in Norway and the United States, an then released in the United Kingdom and Europe on 25 October 1985. The album was a huge commercial success, reaching high positions on charts worldwide. The album was recorded at Eel Pie Studios in Twickenham, London, and produced by Tony Mansfield, John Ratcliff and Alan Tarney.
"They Don't Care About Us" is a song by American singer Michael Jackson, released on April 16, 1996, as the fifth single from his ninth album, HIStory: Past, Present and Future, Book I (1995). It is a protest song and remains one of the most controversial pieces Jackson ever composed. In the US, media scrutiny surrounding allegations of antisemitic lyrics were the catalyst for Jackson issuing multiple clarifications, an apology, defense from director Spike Lee and re-releasing an edited version of the song. Jackson countered allegations of antisemitism, arguing that reviews had misinterpreted the context of the song, either unintentionally or deliberately.
Too Low for Zero is the seventeenth studio album by English musician Elton John, released in 1983. The album marked a comeback for John, whose previous four albums had failed to yield many enduring international hit singles, and had disappointing sales compared to his string of hit records released during the first half of the 1970s.
"I Knew You Were Waiting (For Me)" is a song released by American singer Aretha Franklin and English singer George Michael as a duet in 1987. The song was a number one hit in the United States and the United Kingdom. Billboard listed "I Knew You Were Waiting (For Me)" as Franklin's all-time biggest Hot 100 single. The song was Franklin's biggest hit on the Billboard Adult Contemporary chart, reaching number two. The song was written by Simon Climie and Dennis Morgan and produced by Narada Michael Walden. Franklin and Michael won a 1987 Grammy Award for Best R&B Performance by a Duo or Group with Vocal for "I Knew You Were Waiting (For Me)".
"Bye, Bye, Baby " is a popular song written by Bob Crewe and Bob Gaudio. The Four Seasons' version of the song made it to No. 1 in Canada and No. 12 on the US Billboard Hot 100 in 1965. On the original issue of the single, the title was "Bye Bye Baby". However, on the album, The 4 Seasons Entertain You, and on later issues of the song, the name was changed to the longer, more familiar one. The song is about saying goodbye, not because the person is unloved but rather because the relationship is adulterous.
Dee D. Jackson is an English singer and musician who was primarily associated with the space disco genre. In the 1970s, she worked as a film producer in Munich before moving into music, working with Giorgio Moroder, Jimmy McShane and Keith Forsey. She is perhaps best known for "Automatic Lover" (1977), the lead single from her concept album Cosmic Curves (1978).
"Money, Money, Money" is a song recorded by Swedish pop group ABBA, written by Benny Andersson and Björn Ulvaeus with Anni-Frid Lyngstad singing lead vocals. It was released on 1 November 1976, as the second single from their fourth album, Arrival (1976). The B-side, "Crazy World", was recorded in 1976 during the sessions for the ABBA album. The song is sung from the viewpoint of a woman who, despite hard work, can barely keep her finances in surplus, and therefore desires a well-off man.
"How Deep Is Your Love" is a pop ballad written and recorded by the Bee Gees in 1977 and released as a single in September of that year. It was ultimately used as part of the soundtrack to the film Saturday Night Fever. It was a number-three hit in the United Kingdom and Australia. In the United States, it topped the Billboard Hot 100 on 25 December 1977 and stayed in the Top 10 for 17 weeks. It spent six weeks atop the US adult contemporary chart. It is listed at No. 27 on Billboard's All Time Top 100. Alongside "Stayin' Alive" and "Night Fever", it is one of the group's three tracks on the list. The song was covered by Take That for their 1996 Greatest Hits album, reaching No. 1 on the UK Singles Chart for three weeks.
"Let's Hear It for the Boy" is a song by Deniece Williams that appeared on the soundtrack to the feature film Footloose. The song was released as a single from both the soundtrack and her album of the song's same name Columbia Records. It was written by Tom Snow and Dean Pitchford and produced by George Duke. The song became Williams' second number one on the US Billboard Hot 100 on May 26, 1984. It also topped Billboard's dance and R&B charts and on the Cash Box Top 100. It peaked at number two on the UK Singles Chart, behind "Wake Me Up Before You Go-Go" by Wham!. It was nominated for an Academy Award for Best Original Song, and was certified platinum in the US and gold in Canada and the UK by the Recording Industry Association of America, Music Canada and the British Phonographic Industry, respectively. The music video was released in mid-April 1984. The song features background vocals from George Merrill and Shannon Rubicam, who would go on to form the duo Boy Meets Girl.
"Don't Go Breaking My Heart" is a duet by English musician Elton John and English singer Kiki Dee, released by The Rocket Record Company on 25 June 1976. It was written by John with Bernie Taupin under the pseudonyms "Ann Orson" and "Carte Blanche", respectively, and intended as an affectionate pastiche of the Motown style, notably the various duets recorded by Marvin Gaye and singers such as Tammi Terrell and Kim Weston. John and Taupin originally intended to record the song with Dusty Springfield, but ultimately withdrew the offer; Springfield's partner Sue Cameron later said this was because she was too ill at the time.
"Grease" is a song written by Barry Gibb and recorded by Frankie Valli : it was released as a single in May 1978. It is the title song for the musical motion picture Grease of that year, which was in turn based on the 1971 stage play Grease. The song celebrates the greaser lifestyle, and it sold over seven million copies worldwide and appeared twice on the film's soundtrack, first as the opening track and again as the closing track. "Grease" is one of four songs written specifically for the film that had not been in the stage production.
"The Legend of Xanadu" is a single by Dave Dee, Dozy, Beaky, Mick & Tich that reached number one in the UK Singles Chart in 1968 and was the group's biggest hit. It was written by songwriters Ken Howard and Alan Blaikley. As was the case with many of the group's recordings, it features novelty elements — a trumpet section and the distinctive sound of a whip cracking in the chorus. The musical accompaniment was directed by John Gregory. The single was certified gold in November 1968.
Belle Epoque was the name of a female vocal trio, based in Paris, France. The group first rose to popularity during the late 1970s with a disco remake of the song "Black Is Black", originally a hit in 1966 for the Spanish group Los Bravos.
"The Minute You're Gone" is a song written by Jimmy Gateley, a Nashville, Tennessee based fiddle player and singer, for Sonny James in 1963. This song originally made No. 95 in the US charts and No. 9 in the country charts for Sonny James in 1963.
"Get Up and Boogie" is a song by German disco act Silver Convention from their 1976 second album of the same name. The song was written and composed by Sylvester Levay and Stephan Prager, and produced by Prager. The song was released as the lead single from the album Get Up and Boogie in 1976.
