B.J. and the A.C.

Last updated
"B.J. and the A.C."
The Leftovers episode
Episode no.Season 1
Episode 4
Directed by
Written by
Produced by
Featured music
Cinematography byTodd McMullen
Editing by
  • David Eisenberg
  • Colby Parker Jr.
Production code4X5704
Original air dateJuly 20, 2014 (2014-07-20)
Running time51 minutes
Episode chronology
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"B.J. and the A.C." is the fourth episode of the first season of the American supernatural drama television series The Leftovers , based on the novel of the same name by Tom Perrotta. The episode was written by series creator Damon Lindelof and Elizabeth Peterson, and directed by Lesli Linka Glatter and Carl Franklin. It was first broadcast on HBO in the United States on July 20, 2014.

Contents

The series is set four years after the "Sudden Departure" – an event which saw 2% of the world's population (approximately 140 million people) disappear and profoundly affected the townspeople. The characters of police chief Kevin Garvey and his family (wife Laurie, son Tom, daughter Jill and father Kevin Sr.) are focal points, alongside grieving widow Nora Durst, her brother Reverend Matt Jamison, and the mysterious cult-like organization the Guilty Remnant (GR), led by Patti Levin. In the episode, the baby Jesus doll goes missing as Mapleton approaches Christmas, with Kevin being assigned to find it. Meanwhile, Tom and Christine go on the run from authorities.

According to Nielsen Media Research, the episode was seen by an estimated 1.62 million household viewers and gained a 0.8 ratings share among adults aged 18–49. The episode received positive reviews from critics, who praised the performances and character development, although some deemed the themes of the episode as too heavy-handed.

Plot

At a factory, workers build baby dolls that are packaged and sent to many locations. One of these is sent to Mapleton during Christmas, where it is placed on the local nativity display as the baby Jesus. A few days later, the baby Jesus goes missing.

Kevin (Justin Theroux) warns Patti (Ann Dowd) that GR is not welcome at a forthcoming Christmas dance, which is a fundraiser for a new library, threatening that he will not protect them as people want to enjoy time with their families. Patti's only response is "There is no family" before leaving. Kevin instructs police officers to arrest any GR who show up at the area, also suspecting that Jill (Margaret Qualley) and Aimee (Emily Meade) were involved. Meanwhile, Tom (Chris Zylka) and Christine (Annie Q.) are staying at a hostel, with Tom frustrated that Wayne hasn't reached them out through his burner phone. A man tries to attack Christine until Tom hits him, forcing him to take her to a hospital.

Lucy (Amanda Warren) tells Kevin that the public wants the baby Jesus back. Instead of finding the original, she tells him to buy a new one and roughing it up to appear lost. As he is buying it, he changes his mind and decides to find the original baby Jesus. He stops the Adam (Max Carver) and Scott Frost (Charlie Carver), suspecting them of being involved and warning them that they should confess if they don't want trouble. That night, the twins meet with Jill and Aimee by a fire, revealing that they took the baby Jesus. In the hospital, the staff suspects Tom is abusive to Christine, as he is angry that she told people of her pregnancy and connection to Wayne, forcing him to flee the hospital. He returns later and convinces her to leave with him.

Kevin is visited by Meg (Liv Tyler) and Laurie (Amy Brenneman) at his house. Meg reads a note from Laurie, stating that she wants a divorce. It's also revealed to the audience that Kevin is not Tom's biological father. Kevin refuses to comply unless Laurie says it. This is witnessed by Jill, who brings a gift for Laurie as Kevin tells them to leave their house. Outside, Laurie opens the gift, which turns out to be a lighter. By the next day, Kevin finds the baby Jesus on his doorstep just as the Frost twins leave in a car. He goes to the dance with the baby Jesus, where he announces it to a confused audience.

As Kevin walks through the school hallways, he meets Nora (Carrie Coon). Nora confesses that her husband was cheating on her, while Kevin confesses he cheated on his wife. Their encounter is short but they are clearly attracted to each other. Kevin goes outside to discover GR members on the edge of the school limits. The officers decide to ignore the protocol and arrest each one of them, including Patti. During this, other GR members break into houses, stealing photos of people who departed. Kevin goes to place the baby Jesus on the nativity display, only to discover that Matt (Christopher Eccleston) already placed another doll, which explained the audience's confusion. Kevin drives off, throwing the baby Jesus near a forest.

Production

Development

In June 2014, the episode's title was revealed as "B.J. and the A.C." and it was announced that series creator Damon Lindelof and Elizabeth Peterson had written the episode while Lesli Linka Glatter and Carl Franklin had directed it. This was Lindelof's fourth writing credit, Peterson's first writing credit, Glatter's first directing credit, and Franklin's first directing credit. [1]

Writing

Originally, the episode featured more prominently the soldier whom Tom and Christine meet in the bus, which would cover around half of the episode's runtime. Lindelof considered that they made a mistake in giving the character such a big amount of time, feeling that the audience would lose interest in the series. [2] This caused the production to be shut down for two weeks while the episode was rewritten. Due to Lesli Linka Glatter's commitment to Homeland , Carl Franklin directed the new re-filmed episode, earning a co-directing credit. [3]

Reception

Viewers

The episode was watched by 1.62 million viewers, earning a 0.8 in the 18-49 rating demographics on the Nielson ratings scale. This means that 0.8 percent of all households with televisions watched the episode. [4] This was a 17% increase from the previous episode, which was watched by 1.38 million viewers with a 0.7 in the 18-49 demographics. [5]

Critical reviews

"B.J. and the A.C." received generally positive reviews from critics. The review aggregator website Rotten Tomatoes reported a 82% approval rating with an average rating of 6.2/10 for the episode, based on 11 reviews. The site's consensus states: "A slight comedown from previous installments, 'B.J. and the A.C.' still contains enough engaging scenes and visual panache to compensate for its heavy-handed plotting." [6]

Matt Fowler of IGN gave the episode a "great" 8.5 out of 10 and wrote in his verdict, "While not as potent as last week's single-character study, 'B.J. and the A.C.' opened the show up a bit more by revealing more details about Kevin and Laurie's marriage, Tom's situation, and Kevin's philandering. All while throwing a nefarious coat of 'ick' over the Guilty Remnant, as they invaded people's homes to spread their nihilism. Again, no big answers, but enough engaging moments of coincidence to make you wonder if Tom's 'holy' mission is legit." [7]

Sonia Saraiya of The A.V. Club gave the episode a "C+" grade and wrote, "Well, tonight's episode of The Leftovers takes the idea of subtlety and tosses it out the window — along with a baby (and the bathwater, if we want to keep our idioms intact). It is not inherently a bad episode, but girl, it is very heavy-handed. I found myself cringing through a lot of it, even though there were moments that managed to speak to me." [8]

Alan Sepinwall of HitFix wrote, "Whatever decisions and alterations happened behind the scenes, the finished product is another strong episode of The Leftovers – not as intense as last week's (or, for that matter, next week's), but an effective holiday portrait of the shattered Garvey family." [3] Jeff Labrecque of Entertainment Weekly wrote, "Overall, I liked this episode as much as some people are going to be offended by it. It raised the stakes, established the conflict that is now inevitable, and set the course for the rest of the show. Merry Christmas." [9]

Kelly Braffet of Vulture gave the episode a 3 star rating out of 5 and wrote, "I really want to like The Leftovers. It's not perfect, but it's generally smart, stylish without being slick, and has a hell of a cast. One thing it's not, though, is subtle." [10] Nick Harley of Den of Geek gave the episode a 4.5 star rating out of 5 and wrote, "The Leftovers continues to improve as Lindelof continues to go against his instincts and just let us know things. The show also is utilizing its smaller moments to maximum benefit. Slowly but surely, The Leftovers is becoming appointment television. Let the internet thinkpieces flow." [11]

Matt Brennan of Slant Magazine wrote, "In 'B.J.', The Leftovers finds its firmest footing yet, by dint of the episode's powerful suggestion that 'religion' is just a minefield of ghosts." [12] Michael M. Grynbaum of The New York Times wrote, "There's a clunkiness here that undercuts the visual smarts — why, for instance, the bluesy soul song played over the doll-making sequence? Sure, it's a jarring aural-visual contrast, but it felt manipulative and a bit smug, as if the show is too enamored of its own capacity to disturb." [13]

Related Research Articles

<span class="mw-page-title-main">Lesli Linka Glatter</span> American film and television director

Lesli Linka Glatter is an American film and television director. She is best known for her work on the AMC drama series Mad Men and the Showtime series Homeland. For her work in these two shows, she has received eight Primetime Emmy Award nominations and 7 Directors Guild of America Awards nominations, winning the later 3 times. She has also received a nomination for Academy Award for Best Live Action Short Film for Tales of Meeting and Parting (1985).

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"Pilot" is the series premiere of the HBO drama television series The Leftovers. It aired in the United States on June 29, 2014. The series is based on Tom Perrotta's novel of the same name. It received mostly positive reviews, with critics praising its themes and the performances of the cast.

"A Matter of Geography" is the second episode of the second season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. It is the twelfth overall episode of the series and was written by series creators Damon Lindelof and Tom Perrotta, and directed by executive producer Mimi Leder. It was first broadcast on HBO in the United States on October 11, 2015.

"Off Ramp" is the third episode of the second season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. It is the thirteenth overall episode of the series and was written by series creator Damon Lindelof and co-producer Patrick Somerville, and directed by Carl Franklin. It was first broadcast on HBO in the United States on October 18, 2015.

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"A Most Powerful Adversary" is the seventh episode of the second season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. It is the seventeenth overall episode of the series and was written by series creator Damon Lindelof and co-producer Patrick Somerville, and directed by executive producer Mimi Leder. It was first broadcast on HBO in the United States on November 15, 2015.

"International Assassin" is the eighth episode of the second season of the HBO drama television series The Leftovers, and the 18th overall. The episode's script was written by Damon Lindelof and Nick Cuse and directed by Craig Zobel. It aired in the United States on November 22, 2015.

"I Live Here Now" is the tenth episode and season finale of the second season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. It is the twentieth overall episode of the series and was written by series creators Damon Lindelof and Tom Perrotta, and directed by executive producer Mimi Leder. It was first broadcast on HBO in the United States on December 6, 2015.

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"Penguin One, Us Zero" is the second episode of the first season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. The episode was written by series creator Damon Lindelof and supervising producer Kath Lingenfelter, and directed by executive producer Peter Berg. It was first broadcast on HBO in the United States on July 6, 2014.

"Gladys" is the fifth episode of the first season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. The episode was written by series creators Damon Lindelof and Tom Perrotta, and directed by Mimi Leder. It was first broadcast on HBO in the United States on July 27, 2014.

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"Cairo" is the eighth episode of the first season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. The episode was written by supervising producer Curtis Gwinn and Carlito Rodriguez, and directed by Michelle MacLaren. It was first broadcast on HBO in the United States on August 17, 2014.

"The Garveys at Their Best" is the ninth episode of the first season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. The episode was written by supervising producer Kath Lingenfelter and series creator Damon Lindelof, and directed by Daniel Sackheim. It was first broadcast on HBO in the United States on August 24, 2014.

"The Prodigal Son Returns" is the tenth episode and season finale of the first season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. The episode was written by series creators Damon Lindelof and Tom Perrotta, and directed by Mimi Leder. It was first broadcast on HBO in the United States on September 7, 2014.

References

  1. ↑ "The Leftovers Ep 4: B.J. and the A.C." HBO. Archived from the original on November 8, 2022. Retrieved March 16, 2023.
  2. ↑ Sepinwall, Alan (September 29, 2015). "Damon Lindelof: 'I was really depressed' writing 'Leftovers' season 1". HitFix . Archived from the original on March 17, 2023. Retrieved March 16, 2023.
  3. 1 2 Sepinwall, Alan (July 20, 2014). "Review: 'The Leftovers' – 'B.J. and the A.C.': A Garvey family Christmas". HitFix . Archived from the original on March 17, 2023. Retrieved March 16, 2023.
  4. ↑ Bibel, Sara (July 22, 2014). "Sunday Cable Ratings: 'True Blood' Wins Night, 'The Last Ship', 'The Strain', 'Witches of East End', 'Ray Donovan' & More". TV by the Numbers. Archived from the original on October 11, 2014. Retrieved March 16, 2023.
  5. ↑ Kondolojy, Amanda (July 15, 2014). "Sunday Cable Ratings: 'True Blood' Tops Night + 'The Strain', 'Keeping Up With the Kardashians', 'The Last Ship' & More". TV by the Numbers. Archived from the original on October 11, 2014. Retrieved March 16, 2023.
  6. ↑ "The Leftovers: Season 1, Episode 4". Rotten Tomatoes . Archived from the original on March 17, 2023. Retrieved March 16, 2023.
  7. ↑ Fowler, Matt (July 20, 2014). "The Leftovers: "B.J. and the A.C." Review". IGN . Archived from the original on March 17, 2023. Retrieved March 16, 2023.
  8. ↑ Saraiya, Sonia (July 20, 2014). "The Leftovers: "B.J. and the A.C."". The A.V. Club . Archived from the original on March 17, 2023. Retrieved March 16, 2023.
  9. ↑ Labrecque, Jeff (July 21, 2014). "The Leftovers recap: B.J. and The A.C." Entertainment Weekly . Archived from the original on March 17, 2023. Retrieved March 16, 2023.
  10. ↑ Herzog, Kenny (July 21, 2014). "The Leftovers Recap: You Are Hereby Summoned". Vulture . Archived from the original on March 17, 2023. Retrieved March 16, 2023.
  11. ↑ Harley, Nick (July 22, 2014). "The Leftovers: B.J. and the A.C. review". Den of Geek . Archived from the original on March 17, 2023. Retrieved March 16, 2023.
  12. ↑ Brennan, Matt (July 21, 2014). "The Leftovers Recap: Season 1, Episode 4, "B.J. and the A.C."". Slant Magazine . Archived from the original on March 17, 2023. Retrieved March 16, 2023.
  13. ↑ Grynbaum, Michael (July 20, 2014). "'The Leftovers' Recap: What Kind of Despair Drives Self-Inflicted Pain?". The New York Times . Archived from the original on March 17, 2023. Retrieved March 16, 2023.
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