No Room at the Inn (The Leftovers)

Last updated
"No Room at the Inn"
The Leftovers episode
Episode no.Season 2
Episode 5
Directed by Nicole Kassell
Written by
Featured music
Cinematography byTodd McMullen
Editing byHenk Van Eeghen
Production code4X6055
Original air dateNovember 1, 2015 (2015-11-01)
Running time56 minutes
Guest appearances
Episode chronology
 Previous
"Orange Sticker"
Next 
"Lens"
List of episodes

"No Room at the Inn" is the fifth episode of the second season of the American supernatural drama television series The Leftovers , based on the novel of the same name by Tom Perrotta. It is the fifteenth overall episode of the series and was written by series creator Damon Lindelof and co-executive producer Jacqueline Hoyt, and directed by Nicole Kassell. It was first broadcast on HBO in the United States on November 1, 2015.

Contents

The series is set four years after the "Sudden Departure" – an event which saw 2% of the world's population (approximately 140 million people) disappear and profoundly affected the townspeople. The season features the characters moving to the town of Jarden, Texas, where no one vanished during the Departure. In the episode, Matt takes Mary out of Miracle for an MRI scan in Austin, Texas, where he is surprised by a discovery.

According to Nielsen Media Research, the episode was seen by an estimated 0.625 million household viewers and gained a 0.3 ratings share among adults aged 18–49. The episode received critical acclaim, with Christopher Eccleston's performance receiving universal acclaim.

Plot

Matt (Christopher Eccleston) follows the same routine with Mary (Janel Moloney) every day, hoping they can recapture her temporary recovery. As days pass and nothing happens, Matt begins to feel desperate. He decides to take her to Austin, Texas for an MRI scan. At the clinic, he is shocked when he discovers that Mary is pregnant. As the hospital had to give her a special treatment as Matt wasn't aware of her pregnancy, he is informed he will have to accept liability, to which a happy Matt agrees.

While returning to Miracle, Matt stops to help a man and his son with a car breaking down. However, the man punches Matt, stealing his and Mary's wristbands, which allows them to enter Miracle without problem. Matt suddenly sees Mary talking, telling him that the baby will not survive unless they re-enter Miracle. She returns to her catatonic state, with Matt determined to take them back to Miracle. However, the man cut the car's engine, forcing Matt to take Mary on her wheelchair.

Matt and Mary are denied access due to their lack of wristbands, although the officer allows them to enter a center to get replacements. Matt's replacement wristband is denied and he gets into a fight with an impatient man who insults Mary. Kevin (Justin Theroux) and John (Kevin Carroll) pick him up from detention. John confronts Matt over his role over her pregnancy, claiming Mary did not consent to sex, refusing to believe that she had recovered. As Kevin is a new resident and John will refuse to sponsor him, Matt is denied access to a wristband.

At a refugee camp outside Miracle, a man offers Matt help in sneaking in, but demands $1,000. With no money, Matt asks a woman for help. The woman agrees to pay him if he punches a man with an oar, who is willing to the task as long as it is as hard as possible. With a crowd watching, Matt hits the man, breaking the oar with the impact and knocking him unconscious. While the total is not $1,000, the man still agrees to help Matt. The man instructs him to sneak through a drainpipe. As they walk, a thunderstorm causes the drainpipe to flood, causing them to fall back.

Kevin and Nora (Carrie Coon) meet with Matt outside Miracle. They place Matt and Mary in their car's trunk, sneaking them inside Miracle, seizing that the local police has left the area for a possible sighting of Evie and her friends. As they drive, they stop when they see a car crash, where a man died. Matt discovers that the man was the person who robbed his wristbands. He notices the son nearby, who is offering his wristband. With a change of heart, Matt gives up his wristband to the boy, taking him to the town while Kevin and Nora take Mary with her wristband. Confronted once again by John, Matt reaffirms that Mary woke up in Miracle, which he will always maintain. He then hands the kid to John, telling him he will not return until Mary awakens and prove that her miraculous recovery happened. He returns to the refugee camp where he decides to free a naked man who has been locked in a pillory. In order to so, a naked Matt will have to take his place, which he accepts to do.

Production

Development

In October 2015, the episode's title was revealed as "No Room at the Inn" and it was announced that series creator Damon Lindelof and co-executive producer Jacqueline Hoyt had written the episode while Nicole Kassell had directed it. This was Lindelof's fourteenth writing credit, Hoyt's fourth writing credit, and Kassell's first directing credit. [1]

Reception

Viewers

The episode was watched by 0.625 million viewers, earning a 0.3 in the 18-49 rating demographics on the Nielson ratings scale. This means that 0.3 percent of all households with televisions watched the episode. [2] This was a 20% increase from the previous episode, which was watched by 0.519 million viewers with a 0.3 in the 18-49 demographics. [3]

Critical reviews

Christopher Eccleston received universal acclaim for his performance in the episode. Christopher Eccleston Thor 2 cropped.png
Christopher Eccleston received universal acclaim for his performance in the episode.

"No Room at the Inn" received critical acclaim. The review aggregator website Rotten Tomatoes reported a 100% approval rating with an average rating of 9.4/10 for the episode, based on 10 reviews. The site's consensus states: "'No Room at the Inn' is one of The Leftovers' most provocative episodes to date, showcasing Christopher Eccleston's ability to bring his character's moral complexity to life." [4]

Matt Fowler of IGN gave the episode an "amazing" 9.3 out of 10 and wrote in his verdict, "'No Room at the Inn' wasn't as shattering as last season's Matt episode simply because it wasn't our first time watching Matt's life get shattered. These were familiar beats. Superb beats, but recognizable. Though this episode certainly wasn't lacking in imagination for all the things it hurled at Matt. Including, most importantly, Mary's pregnancy. A thing he'd always wanted now coming back in a less-than-ideal way. Again, very Monkey's Paw. A 'blessing' that now stands to alienate Matt from his own family and the town. At least Mary's now with Nora, who's the one person most likely to buy Matt's story. Especially since he'd already told (most of) it to her. Matt episodes are always going to be about pushing through hardships in order to find... more hardships. But then also learning to see the good in those hardships." [5]

Joshua Alston of The A.V. Club gave the episode an "A–" grade and wrote, "The episode is beautifully conceived and bravely acted as usual, but the show is definitely hitting the ceiling in terms of how many separate stories it can focus on. If The Leftovers is going to continue to be this elegiac, it has to be focused." [6]

Alan Sepinwall of HitFix wrote, "Like so many hours of this great second season, 'No Room at the Inn' was unyielding in its focus not only on a single character, but one so in the grips of a form of mania that it becomes hard to watch the episode and not feel gripped by it yourself." [7] Jeff Labrecque of Entertainment Weekly wrote, "'No Room at the Inn' is Matt's season 2 showcase, and it digs even deeper into the minister's strengths and flaws, his better angels and demons." [8]

Kelly Braffet of Vulture gave the episode a perfect 5 star rating out of 5 and wrote, "Matt really wants to believe that the world is good... He believes so firmly that he'll find redemption that I always find myself wanting to believe he will, too. Somehow." [9] Nick Harley of Den of Geek gave the episode a 4 star rating out of 5 and wrote, "Once again, The Leftovers presents an hour focused on one member of their ensemble cast, and once again, the show is better for it. I think that says a lot about the characters that Tom Perrotta and Damon Lindelof have created, we can spend extended periods of time isolated away from other stories and not be bored or anxious for other characters to appear; we cherish the time spent with the characters that we are given." [10]

Robert Ham of Paste gave the episode a 8.7 out of 10 wrote, "One of England's best character actors, he is perfect throughout, bringing to life that strange alien-like presence that so many men raised in strict religious households carry with them. They are almost encouraged to act like they aren't of this world. Watching Eccleston embody that almost makes cheering him forward up the ladder and into the stocks worth it. Almost." [11] Jen Chaney of The New York Times wrote, "Sunday's The Leftovers was the most compelling hour so far of season two, and that's a bold statement considering how outstanding the second season has been." [12]

Accolades

TVLine named Christopher Eccleston as an honorable mention as the "Performer of the Week" for the week of November 7, 2015, for his performance in the episode. The site wrote, "With his unresponsive, wheelchair-bound wife and his religious zealotry, The Leftovers' Matt has never exactly had an easy time of it. But even his unshakable faith was tested by the calamities that befell him in 'No Room at the Inn.' As the reverend careened from jubilation to indignation and finally desperation, Christopher Eccleston opened a window to Matt's feelings through which we almost didn't want to look, they were so painful and exhausting. As the episode ended, though Matt didn't seem to think that he'd earned a break — he'd replaced a man who'd been shackled in the tourist trap just outside of Miracle — we were convinced that his portrayer had at the very least earned an Honorable Mention." [13]

Related Research Articles

<i>The Leftovers</i> (TV series) 2014 American supernatural television series

The Leftovers is an American supernatural drama television series created by Damon Lindelof and Tom Perrotta that aired on HBO from June 29, 2014, to June 4, 2017. Based on Perrotta's 2011 novel, the series begins three years after the "Sudden Departure", a global event that resulted in 2% of the world's population disappearing. The lives of police chief Kevin Garvey and his family, along with grieving widow Nora Durst and her brother, Reverend Matt Jamison, are the focal points of the series as they struggle to adjust to life after the Departure.

"Axis Mundi" is the first episode of the second season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. It is the eleventh overall episode of the series and was written by series creator Damon Lindelof and co-executive producer Jacqueline Hoyt, and directed by executive producer Mimi Leder. It was first broadcast on HBO in the United States on October 4, 2015.

"A Matter of Geography" is the second episode of the second season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. It is the twelfth overall episode of the series and was written by series creators Damon Lindelof and Tom Perrotta, and directed by executive producer Mimi Leder. It was first broadcast on HBO in the United States on October 11, 2015.

"Off Ramp" is the third episode of the second season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. It is the thirteenth overall episode of the series and was written by series creator Damon Lindelof and co-producer Patrick Somerville, and directed by Carl Franklin. It was first broadcast on HBO in the United States on October 18, 2015.

"Orange Sticker" is the fourth episode of the second season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. It is the fourteenth overall episode of the series and was written by series creator Damon Lindelof and executive producer Tom Spezialy, and directed by Tom Shankland. It was first broadcast on HBO in the United States on October 25, 2015.

"Lens" is the sixth episode of the second season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. It is the sixteenth overall episode of the series and was written by series creators Damon Lindelof and Tom Perrotta, and directed by Craig Zobel. It was first broadcast on HBO in the United States on November 8, 2015.

"A Most Powerful Adversary" is the seventh episode of the second season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. It is the seventeenth overall episode of the series and was written by series creator Damon Lindelof and co-producer Patrick Somerville, and directed by executive producer Mimi Leder. It was first broadcast on HBO in the United States on November 15, 2015.

"International Assassin" is the eighth episode of the second season of the HBO drama television series The Leftovers, and the 18th overall. The episode's script was written by Damon Lindelof and Nick Cuse and directed by Craig Zobel. It aired in the United States on November 22, 2015.

"Ten Thirteen" is the ninth episode of the second season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. It is the nineteenth overall episode of the series and was written by series creator Damon Lindelof and supervising producer Monica Beletsky, and directed by Keith Gordon. It was first broadcast on HBO in the United States on November 29, 2015.

"I Live Here Now" is the tenth episode and season finale of the second season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. It is the twentieth overall episode of the series and was written by series creators Damon Lindelof and Tom Perrotta, and directed by executive producer Mimi Leder. It was first broadcast on HBO in the United States on December 6, 2015.

"The Book of Kevin" is the first episode of the third season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. It is the 21st overall episode of the series and was written by series creator Damon Lindelof and supervising producer Patrick Somerville, and directed by executive producer Mimi Leder. It was first broadcast on HBO in the United States on April 16, 2017.

"Crazy Whitefella Thinking" is the third episode of the third season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. It is the 23rd overall episode of the series and was written by series creator Damon Lindelof and executive producer Tom Spezialy, and directed by executive producer Mimi Leder. It was first broadcast on HBO in the United States on April 30, 2017.

"G'Day Melbourne" is the fourth episode of the third season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. It is the 24th overall episode of the series and was written by Tamara P. Carter and Haley Harris from a story by series creator Damon Lindelof, and directed by Daniel Sackheim. It was first broadcast on HBO in the United States on May 7, 2017.

"It's a Matt, Matt, Matt, Matt World" is the fifth episode of the third season of the HBO drama television series The Leftovers, and the 25th overall. The episode was written by Damon Lindelof and Lila Byock and directed by Nicole Kassell. It aired in the United States on May 14, 2017.

"Two Boats and a Helicopter" is the third episode of the first season of the HBO drama television series The Leftovers. The episode was written by Damon Lindelof and Jacqueline Hoyt and directed by Keith Gordon. It aired in the United States on July 13, 2014.

"B.J. and the A.C." is the fourth episode of the first season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. The episode was written by series creator Damon Lindelof and Elizabeth Peterson, and directed by Lesli Linka Glatter and Carl Franklin. It was first broadcast on HBO in the United States on July 20, 2014.

"Gladys" is the fifth episode of the first season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. The episode was written by series creators Damon Lindelof and Tom Perrotta, and directed by Mimi Leder. It was first broadcast on HBO in the United States on July 27, 2014.

"Solace for Tired Feet" is the seventh episode of the first season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. The episode was written by series creator Damon Lindelof and supervising producer Jacqueline Hoyt, and directed by Mimi Leder. It was first broadcast on HBO in the United States on August 10, 2014.

"The Garveys at Their Best" is the ninth episode of the first season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. The episode was written by supervising producer Kath Lingenfelter and series creator Damon Lindelof, and directed by Daniel Sackheim. It was first broadcast on HBO in the United States on August 24, 2014.

"The Prodigal Son Returns" is the tenth episode and season finale of the first season of the American supernatural drama television series The Leftovers, based on the novel of the same name by Tom Perrotta. The episode was written by series creators Damon Lindelof and Tom Perrotta, and directed by Mimi Leder. It was first broadcast on HBO in the United States on September 7, 2014.

References

  1. "(#15/205) "No Room at the Inn"". The Futon Critic. Retrieved March 23, 2023.
  2. Metcalf, Mitch (November 3, 2015). "SHOWBUZZDAILY's Top 100 Sunday Cable Originals & Network Update: 11.1.2015". Showbuzz Daily. Archived from the original on September 26, 2018. Retrieved March 23, 2023.
  3. Metcalf, Mitch (October 27, 2015). "SHOWBUZZDAILY's Top 100 Sunday Cable Originals & Network Update: 10.25.2015". Showbuzz Daily. Archived from the original on April 27, 2019. Retrieved March 23, 2023.
  4. "The Leftovers: Season 2, Episode 5". Rotten Tomatoes . Archived from the original on December 16, 2017. Retrieved March 23, 2023.
  5. Fowler, Matt (November 2, 2015). "The Leftovers: "No Room at the Inn" Review". IGN . Archived from the original on February 2, 2018. Retrieved March 23, 2023.
  6. Alston, Joshua (November 2, 2015). "The Leftovers introduces another sorrowful mystery". The A.V. Club . Archived from the original on March 15, 2023. Retrieved March 23, 2023.
  7. Sepinwall, Alan (November 1, 2015). "Review: 'The Leftovers' – 'No Room at the Inn': Show me the way to go home". HitFix . Archived from the original on December 28, 2017. Retrieved March 23, 2023.
  8. Labrecque, Jeff (November 2, 2015). "The Leftovers recap: No Room at the Inn". Entertainment Weekly . Archived from the original on March 17, 2023. Retrieved March 23, 2023.
  9. Braffet, Kelly (November 1, 2015). "The Leftovers Recap: The Book of Matt". Vulture . Archived from the original on May 18, 2022. Retrieved March 23, 2023.
  10. Harley, Nick (November 2, 2015). "The Leftovers: No Room at the Inn Review". Den of Geek . Archived from the original on February 15, 2023. Retrieved March 23, 2023.
  11. Ham, Robert (November 2, 2015). "The Leftovers: "No Room at the Inn"". Paste . Archived from the original on March 23, 2023. Retrieved March 23, 2023.
  12. Chaney, Jen (November 1, 2015). "'The Leftovers' Season 2, Episode 5: Laughing With God". The New York Times . Archived from the original on March 11, 2016. Retrieved March 23, 2023.
  13. "TVLine's Performer of the Week: Fargo's Jean Smart". TVLine . November 7, 2015. Archived from the original on May 24, 2022. Retrieved March 23, 2023.