Baby Scratch My Back

Last updated
"Baby Scratch My Back"
Single by Slim Harpo
B-side "I'm Gonna Miss You (Like the Devil)"
Released1965 (1965)
Recorded1965
Studio J. D. Miller, Crowley, Louisiana
Genre Country blues [1]
Length2:47
Label Excello
Songwriter(s) James Moore a.k.a. Slim Harpo
Producer(s) J. D. Miller

"Baby Scratch My Back" is a 1965 rhythm and blues song by blues singer Slim Harpo. It is mostly an instrumental piece with occasional monologue and harmonica fills by Harpo. [2] Although it had some success with rock audiences (reaching number 16 on Billboard's Hot 100 chart), "Baby Scratch My Back" was a number one hit in 1966 on the magazine's Hot Rhythm & Blues Singles chart. [3] It was Harpo's most commercially successful single [2] and was subsequently recorded by several musicians. [4]

Contents

Background

The backing has been described as "a laconic, loping beat with tremolo laden guitar, wood block maracas, and snapping snare drum sound". [5] The "chicken scratch" guitar was played by James Johnson. [6]

Harpo referred to it as "an attempt at rock and roll for me". [2] Several rock groups had recorded some of his songs, including the Rolling Stones ("I'm a King Bee") and the Kinks ("Got Love If You Want It"). Music writer Todd Everett noted "Harpo evidently figured that he had a future in rock and roll". [2]

Influences

Related Research Articles

Swamp blues is a type of Louisiana blues that developed in the Black communities of Southwest Louisiana in the 1950s. It incorporates influences from other genres, particularly zydeco and Cajun. Its most successful proponents include Slim Harpo and Lightnin' Slim, who enjoyed national rhythm and blues hits.

<span class="mw-page-title-main">Slim Harpo</span> American blues musician (1924–1970)

Slim Harpo was an American blues musician, a leading exponent of the swamp blues style, and "one of the most commercially successful blues artists of his day". He played guitar and was a master of the blues harmonica, known in blues circles as a "harp". His most successful and influential recordings included "I'm a King Bee" (1957), "Rainin' in My Heart" (1961), and "Baby Scratch My Back" (1966), which reached number one on Billboard's R&B chart and number 16 on its broader Hot 100 singles chart.

Blues rock is a fusion genre and form of rock music that relies on the chords/scales and instrumental improvisation of blues. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock. From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal.

Swamp pop is a music genre indigenous to the Acadiana region of south Louisiana and an adjoining section of southeast Texas. Created in the 1950s by young Cajuns and Creoles, it combines New Orleans–style rhythm and blues, country and western, and traditional French Louisiana musical influences. Although a fairly obscure genre, swamp pop maintains a large audience in its south Louisiana and southeast Texas homeland, and it has acquired a small but passionate cult following in the United Kingdom, and Northern Europe

<span class="mw-page-title-main">Guitar Slim</span> American musician (1926–1959)

Eddie Jones, known as Guitar Slim, was an American guitarist in the 1940s and 1950s, best known for the million-selling song "The Things That I Used to Do", for Specialty Records. It is listed in the Rock and Roll Hall of Fame's 500 Songs That Shaped Rock and Roll. Slim had a major impact on rock and roll and experimented with distorted tones on the electric guitar a full decade before Jimi Hendrix.

<span class="mw-page-title-main">Freddie King</span> American blues guitarist and singer (1934–1976)

Freddie King was an American blues guitarist, singer and songwriter. He is considered one of the "Three Kings of the Blues Guitar". Mostly known for his soulful and powerful voice and distinctive guitar playing, King had a major influence on electric blues music and on many later blues guitarists.

<span class="mw-page-title-main">Johnny "Guitar" Watson</span> American musician (1935–1996)

John Watson Jr., often known professionally as Johnny "Guitar" Watson, was an American musician. A flamboyant showman and electric guitarist in the style of T-Bone Walker, his recording career spanned 40 years, and encompassed rhythm and blues, funk and soul music.

<span class="mw-page-title-main">Boogie Chillen'</span> Single by John Lee Hooker

"Boogie Chillen'" or "Boogie Chillun" is a blues song first recorded by John Lee Hooker in 1948. It is a solo performance featuring Hooker's vocal, electric guitar, and rhythmic foot stomps. The lyrics are partly autobiographical and alternate between spoken and sung verses. The song was his debut record release and in 1949, it became the first "down-home" electric blues song to reach number one in the R&B records chart.

<span class="mw-page-title-main">Lazy Lester</span> American blues harmonica player (1933–2018)

Leslie Johnson, known as Lazy Lester, was an American blues musician who sang and played the harmonica and guitar. In a career spanning the 1950s to 2018, he pioneered swamp blues, and also played harmonica blues, rhythm and blues and Louisiana blues.

<span class="mw-page-title-main">Lightnin' Slim</span> Musical artist

Otis Verries Hicks, known as Lightnin' Slim, was an American blues musician who played Louisiana blues and swamp blues for Excello Records.

"Shake Your Hips" is a song written by Louisiana bluesman Slim Harpo. He recorded it in February 1966 for producer J. D. Miller for a follow-up single to his hugely successful "Baby Scratch My Back". Miller's Excello Records released it as a single in June 1966 and in October, the song became the lead track for Slim Harpo's 1966 album Baby Scratch My Back, which was a long-term release in Excello's catalogue.

<span class="mw-page-title-main">New Orleans blues</span> Variation of Louisiana blues

New Orleans blues is a subgenre of blues that developed in and around the city of New Orleans, influenced by jazz and Caribbean music. It is dominated by piano and saxophone, but also produced guitar bluesmen.

<span class="mw-page-title-main">The Things That I Used to Do</span> 1953 blues standard by Guitar Slim

"The Things That I Used to Do" is a blues standard written by Guitar Slim. He recorded it at Cosimo Matassa's J&M Recording Studio in New Orleans, where the young Ray Charles arranged and produced the session. Specialty Records released the song as a single in 1953 and it became a bestseller the following year. Specialty founder Art Rupe believed that the appeal would be limited to the Southern U.S. rural audience. However, urban rhythm and blues radio stations in the North began airing the song and built it into a national hit. As a result, Guitar Slim became in great demand as a performer and played at venues such as the Apollo Theater in New York City.

Excello Records was an American blues independent record label, started by Ernie Young in Nashville, Tennessee, United States, in 1953 as a subsidiary of Nashboro, a gospel label.

<span class="mw-page-title-main">I'm a King Bee</span> Song written by Slim Harpo

"I'm a King Bee" is a swamp blues song written and first recorded by Slim Harpo in 1957. It has been performed and recorded by numerous blues and other artists since. In 2008, Slim Harpo's original recording received a Grammy Hall of Fame Award.

Cornelius Green III, known professionally as Lonesome Sundown, was an American blues musician, best known for his swamp blues recordings for Excello Records in the 1950s and early 1960s.

Silas Hogan was an American blues musician who played swamp blues and Louisiana blues. His most notable recordings are "Airport Blues" and "Lonesome La La". He was the front man of the Rhythm Ramblers. Hogan was inducted into the Louisiana Blues Hall of Fame.

<span class="mw-page-title-main">Reconsider Baby</span> Blues standard written by Lowell Fulson

"Reconsider Baby" is a blues song written and recorded by Lowell Fulson in 1954. Performed in the West Coast blues style, it was Fulson's first record chart hit for Checker Records, a subsidiary of Chess Records. With memorable lyrics and a driving rhythm, "Reconsider Baby" became a blues standard and has been recognized by the Blues Foundation and Rock and Roll Halls of Fame.

Gabriel Perrodin, known as Guitar Gable, was an American Louisiana blues, swamp blues and swamp pop musician. He was best known for recording the original version of "This Should Go On Forever", and his part in the vibrant swamp blues and pop scene in Louisiana in the 1950s and early 1960s.

James Dent Dotson, sometimes known as Jimmy "Louisiana" Dotson, was an American blues singer, guitarist and drummer. His best known track was "I Need Your Love", a song he co-wrote with Jerry West. Over a sixty-year career, Dotson played alongside Silas Hogan, Lightnin' Slim, Slim Harpo, Lazy Lester, Albert King, O. V. Wright, Rufus Thomas, Ivory Joe Hunter, Buddy Guy, Son Seals, and Isaac Hayes. He released three singles on different record labels between 1959 and 1963.

References

  1. Marsh, Dave (1989). The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made. Plume. p. 529. ISBN   0-452-26305-0.
  2. 1 2 3 4 Everett, Todd (1989). The Best of Slim Harpo (Album notes). Slim Harpo. Santa Monica, California: Rhino Records. pp. 2–3. OCLC   299857016. R2 70169.
  3. 1 2 Whitburn, Joel (1988). Top R&B Singles 1942–1988 . Menomonee Falls, Wisconsin: Record Research. pp.  181, 161. ISBN   0-89820-068-7.
  4. "Slim Harpo: 'Baby Scratch My Back' Also Performed By". AllMusic . Retrieved May 5, 2020.
  5. Marshall, James "The Hound" (1994). The Best of Excello Records (Album notes). Various artists. Los Angeles: Excello Records. p. 5. OCLC   70696292. CD 3001.
  6. John Wirt, "James Johnson, Slim Harpo guitarist and 'chicken scratch' creator, dies at 82", The Advocate, April 18, 2022. Retrieved April 18, 2022
  7. Dahl, Bill (1996). "Frank Frost". In Erlewine, Michael; Bogdanov, Vladimir; Woodstra, Chris; Koda, Cub (eds.). All Music Guide to the Blues: The Experts' Guide to the Best Blues Recordings. All Music Guide to the Blues . San Francisco: Miller Freeman Books. p. 89. ISBN   0-87930-424-3.