Back from the Grave, Volume 9

Last updated
Back from the Grave, Volume 9
Back from the Grave, Volume 9 (LP).jpg
Compilation album
Released2015
Recorded1960s
Genre
Label Crypt
chronology
Back from the Grave, Volume 8
(1996)
Back from the Grave, Volume 9
(2015)
Back from the Grave, Volume 10
(2015)
CD edition
Back from the Grave, Volumes 9 and 10 CD.JPEG
Back from the Grave, Volume 9, 30 tracks

Back from the Grave, Volume 9, released on LP and CD in 2015, is the ninth installment in the Back from the Grave series of garage rock compilations. [1] [2] [3] [4] [5] [6] Like all the entries in the series it was assembled by Tim Warren of Crypt Records. [7] As indicated in the subheading which reads "Raw Blastin' Mid 60s Punk," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. [1] [7] [8] [9] In typical fashion, the set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll. [1] [7] [8] [9]

Contents

The packaging contains liner notes written by Chris Bishop of Garage Hangover.com which convey basic information about each song and group, such as origin, recording date, and biographical sketches, as well as photographs of the bands. [9] The album cover artwork features a satirical cartoon by Olaf Jens depicting noticeably gleeful revivified zombies who, on this occasion, have returned from "rock and roll heaven" on "retro" flying saucers and are targeting their customary victims: followers of supposedly "heretical" genres of music which have come to prominence over the years, which in this case include heavy metal, hardcore punk (insinuating that it is not true punk), rap, and modern pop-country—all done with a noticeable disdain for iPhones, music downloads, and other popular specimens of current technology and fashion (i.e. "exposed undies"), but are presented as "minor figures" in Jens' Sistine Chapel-like diorama depicting a global TNT-blasted apocalypse initiated as a result of the zombies' cleansing in their quest to permanently re-establish the reign of "true" rock & roll. [1] [8] [9]

The album begins with the driving protopunk of "Circuit Breaker," by the Pastels, from Pasco, Washington. [9] The High Spirits from Saint Louis Park, Minnesota, follow with a version of the Zombies' "It's Alright With Me," which at midpoint shifts from a slow tempo accelerating in cadence, then rising to an organ-drenched climax consummated by a bee-sting guitar solo accompanied by cathartic screams. [9] The Emeralds from Greenwood, Indiana are featured on the gritty blues-based "Like Father Like Son," which recounts a woeful tale partially based on A Tale of Two Cities , by Victorian novelist Charles Dickens, in which the character Jerry Cruncher is a porter by day and a grave robber at night, whose lyrics snidely remark: "...my son goes to the church where they wear the black capes where you're taught not to have your fun..." [9] Also included is the 1965 demo acetate version of "It's a Cry'n Shame" by The Gentlemen, from Dallas, Texas. [9] Knoll Allen And The Noble Savages are heard on the highly primitive sexually-charged "Animal." [9] "No Room For Your Love," by the Starfyres, closes out the set. [9]

The CD additionally contains all tracks of the Volume 10 LP. It is enclosed in a Digipak which features a wraparound of the same cartoon by Olaf Jens that appears on the LP. In the foldout of one of two the booklets enclosed is another satirical cartoon by Olaf Jens taken from the front cover of the Volume 10 LP. [10] Each booklet's information corresponds to the tracks on one of the LPs, the first for Volume 9 and the second for Volume 10. [10]

Track listing

Side one

  1. The Pastels: "Circuit Breaker"
  2. The High Spirits: "It's Alright with Me"
  3. The Warlocks: "Beware"
  4. The Emeralds: "Like Father Like Son"
  5. The Why-Nots: "Tamborine"
  6. The Turncoats: "Something Better"
  7. The Classics: "I'm Hurtin'"

Side two

  1. The Raevins: "The Edge of Time"
  2. Lord Charles & The Prophets: "Don't Ask Me no Questions"
  3. The Gentlemen, "It's a Cry'n Shame"
  4. The Shakles: "Whizz #7"
  5. Unknown Artist: "When I Feel Better"
  6. Knoll Allen and the Noble Savages: "Animal"
  7. The Donshires: "Sad and Blue"
  8. The Starfyres: "No Room for Your Love" [11]

Catalogue and release information

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Back from the Grave, Volume 7 is the seventh installment in the Back from the Grave series of garage rock compilations assembled by Tim Warren of Crypt Records and is available on LP and CD. It was originally released in 1988 as a double-LP containing 34 tracks, and has been newly re-mastered and re-issued in 2015. Though most of the LP's tracks had appeared on parts 3 and 4 of the Back from the Grave CD-specific sub-series, in 2015, it was released on CD with the re-mastered material and closely matches the song content of the original LP as part of an effort to bring the LP's and CD's of the series into multi-medium coherence. In keeping with all of the entries in the series, and as indicated in the subheading which reads "Raw Blastin' Mid 60s Punk," this collection generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll, usually consisting of songs displaying the rawer and more aggressive side of the genre often characterized by the use of fuzztone-distorted guitars and rough vocals.

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Back from the Grave, Volume 10, released on LP and CD in 2015, is the tenth and to this date latest installment in the Back from the Grave series of garage rock compilations. As indicated in the subheading which reads "Snarling Snotty Mid 60s Teenage Garage Punk Hoot!," this collection consists of many songs which display the rawer and more aggressive side of the genre and are often characterized by the use of fuzztone-distorted guitars and rough vocals. In typical fashion, the set generally excludes psychedelic, folk rock, and pop-influenced material in favor of basic primitive rock and roll.

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Last of the Garage Punk Unknowns, Volumes 1 & 2: American Garage Teenage Hoot 1965-1967 is a compilation album of 1960s garage rock available on compact disc and is the first installment in the CD version of the Last of the Garage Punk Unknowns series created and compiled by Tim Warren for Crypt Records. It was released and 2015 and combines volumes 1 and 2 of the LP counterparts in the series. As indicated on the front sleeve, most of the songs were recorded by American groups between 1965 and 1967. Packaging includes detailed liner notes that include basic information about each song and group, such as origin and recording date. The albums also include photographs of included groups, and cover artwork reflects the mid-1960s style graphic presentation popular on record sleeves of the time.

Last of the Garage Punk Unknowns is a series compilation albums of 1960s garage rock created and compiled by Tim Warren and released by Crypt Records in 2015 and 2016. The series consists of a total of eight LP's and four CD's which each combine each of the corresponding LP's onto one compact disc. Like Crypt Records' Back from the Grave series, the Last of the Garage Punk Unknowns entries include the raw and aggressive numbers characterized by the use of fuzztone-distorted guitars and rough vocals, yet the songs tend to be more melodic and inclusive of the diversity of the genre. As indicated on the front sleeves, most of the songs were recorded by American groups, between 1965 and 1967. The series tends to follow the packaging format established by the Back from the Grave series in that each volume includes detailed liner notes that include basic information about each song and group, such as origin and recording date. The albums also include photographs of included groups, and cover artwork reflects the mid-1960s style graphic presentation popular on record sleeves of the time.

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Last of the Garage Punk Unknowns, Volumes 7 & 8: Heartbroken American Garage Jangle Misery 1965–1967 is a compilation album of 1960s garage rock available on compact disc and is part of the Last of the Garage Punk Unknowns series created and compiled by Tim Warren for Crypt Records. It was released and 2015 and combines volumes 7 and 8 of the LP counterparts in the series. Most of the set focuses on downcast and moody rock songs and ballads. Several of the tracks display folk rock influence. Packaging includes detailed liner notes that include basic information about each song and group, such as origin and recording date. The album also includes photographs of musical groups, and cover artwork reflects the mid-1960s style graphic art popular on record sleeves of the time.

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