Bahag is a loincloth that was commonly used by men throughout the pre-colonial Philippines. It is worn shirtless with no other extra garments. They were either made from barkcloth or from hand-woven textiles. Before the colonial period, bahag were a common garment for commoners and the serf class (the alipin caste). [1] Bahag survives in some indigenous tribes of the Philippines today - most notably the Cordillerans in Northern Luzon. [2]
The specific way to wear it involves first pulling the long piece of cloth (usually around 2 to 3 m (6 ft 7 in to 9 ft 10 in)) in between the legs and covering the genitals, with a longer back part. The back part is then twisted across the right leg and across the waist in an anti-clockwise direction. It goes under the flap of the front part and across the left leg. It is twisted back across the back loop above the buttocks. The result resembles two rectangles of cloth hanging in front of and behind the waist, with a loop around the legs resembling a belt. The design of the weave is often unique to the tribe of the person wearing the bahag. The colors of the bahag can also indicate social status among some Igorot groups, with commoners usually wearing bahag in plain white. [3] Among pre-colonial Visayans, wearing a bahag as casual clothing was common, even among nobility, because it showed off tattoos that indicate rank and prestige. [4] [5]
Modern bahags have since found their way to the lowlands as table runners, serviettes, and other decor and fashion accoutrements. [2] The native Tagalog word for "rainbow", bahaghari, literally means "loincloth of the king". [6]
A loincloth is a one-piece garment, either wrapped around itself or kept in place by a belt. It covers the genitals and sometimes the buttocks. Loincloths which are held up by belts or strings are specifically known as breechcloth or breechclout. Often, the flaps hang down in front and back.
Visayans or Visayan people are a Philippine ethnolinguistic family group or metaethnicity native to the Visayas, the southernmost islands of Luzon and a significant portion of Mindanao. They are composed of numerous distinct ethnic groups, many unrelated to each other. When taken as a single group, they number around 33.5 million. The Visayans, like the Luzon Lowlanders were originally predominantly animist-polytheists and broadly share a maritime culture until the 16th century when Catholicism was introduced by the Spanish empire. In more inland or otherwise secluded areas, ancient animistic-polytheistic beliefs and traditions either were reinterpreted within a Roman Catholic framework or syncretized with the new religion. Visayans are generally speakers of one or more of the distinct Bisayan languages, the most widely spoken being Cebuano, followed by Hiligaynon (Ilonggo) and Waray-Waray.
A sarong or a sarung is a large tube or length of fabric, often wrapped around the waist, worn in Southeast Asia, South Asia, Western Asia, Northern Africa, East Africa, West Africa, and on many Pacific islands. The fabric often has woven plaid or checkered patterns, or may be brightly colored by means of batik or ikat dyeing. Many modern sarongs have printed designs, often depicting animals or plants. Different types of sarongs are worn in different places in the world, notably the lungi in the Indian subcontinent and the izaar in the Arabian Peninsula.
Fundoshi (ふんどし/褌) is a traditional Japanese undergarment for males and females, made from a length of cotton.
The malong is a traditional Filipino-Bangsamoro rectangular or tube-like wraparound skirt bearing a variety of geometric or okir designs. The malong is traditionally used as a garment by both men and women of the numerous ethnic groups in the mainland Mindanao and parts of the Sulu Archipelago. They are wrapped around at waist or chest-height and secured by tucked ends, with belts of braided material or other pieces of cloth, or are knotted over one shoulder. They were traditionally hand-woven, with the patterns usually distinctive to a particular ethnic group. However, modern malong are usually machine-made or even imported, with patterns that mimic the traditional local designs.
Indigenous Philippine folk religions are the distinct native religions of various ethnic groups in the Philippines, where most follow belief systems in line with animism. Generally, these Indigenous folk religions are referred to as Anito or Anitism or the more modern and less ethnocentric Dayawism, where a set of local worship traditions are devoted to the anito or diwata, terms which translate to gods, spirits, and ancestors. 0.23% of the population of the Philippines are affiliated with the Indigenous Philippine folk religions according to the 2020 national census, an increase from the previous 0.19% from the 2010 census.
The Boxer Codex is a late-16th-century Spanish manuscript produced in the Philippines. It contains 75 colored illustrations of the peoples of China, the Philippines, Java, the Moluccas, the Ladrones, and Siam. About 270 pages of Spanish text describe these places, their inhabitants and customs. An additional 88 smaller drawings show mythological deities and demons, and both real and mythological birds and animals copied from popular Chinese texts and books in circulation at the time.
The alipin refers to the lowest social class among the various cultures of the Philippines before the arrival of the Spanish in the 16th and 17th centuries. In the Visayan languages, the equivalent social classes were known as the oripun, uripon, or ulipon.
The timawa were the feudal warrior class of the ancient Visayan societies of the Philippines. They were regarded as higher than the uripon but below the tumao in the Visayan social hierarchy. They were roughly similar to the Tagalog maharlika caste.
The baro’t saya or baro at saya is a traditional dress ensemble worn by women in the Philippines. It is a national dress of the Philippines and combines elements from both the precolonial native Filipino and colonial Spanish clothing styles. It traditionally consists of four parts: a blouse, a long skirt, a kerchief worn over the shoulders, and a short rectangular cloth worn over the skirt.
Tapis across various cultures in the Philippines may generally refer to a single, rectangular piece of cloth one wraps around oneself as clothing, but is also the term for a colorful, hand-woven wraparound skirt common in the pre-colonial period, and which is still used today as part of the María Clara gown and by culturally conservative tribes.
The cultural achievements of pre-colonial Philippines include those covered by the prehistory and the early history (900–1521) of the Philippine archipelago's inhabitants, the pre-colonial forebears of today's Filipino people. Among the cultural achievements of the native people's belief systems, and culture in general, that are notable in many ethnic societies, range from agriculture, societal and environmental concepts, spiritual beliefs, up to advances in technology, science, and the arts.
In early Philippine history, barangay is the term historically used by scholars to describe the complex sociopolitical units that were the dominant organizational pattern among the various peoples of the Philippine archipelago in the period immediately before the arrival of European colonizers. Academics refer to these settlements using the technical term "polity", but they are usually simply called "barangays".
The kaupinam, kaupina, langot, or lungooty is a loincloth worn by men in the Indian subcontinent as underclothing. It is still commonly worn in South Asia by pehlwans (wrestlers) while exercising or sparring in a dangal. It is basically a rectangular strip of cloth used to cover the genitals, with strings connected to the four ends of the cloth, for binding it around the waist and between the legs.
A balangay, or barangay, is a type of lashed-lug boat built by joining planks edge-to-edge using pins, dowels, and fiber lashings. They are found throughout the Philippines and were used largely as trading ships up until the colonial era. The oldest known balangay are the Butuan boats, which have been carbon-dated to 320 AD and were recovered from several sites in Butuan, Agusan del Norte.
The maharlika were the feudal warrior class in ancient Tagalog society in Luzon, the Philippines. They belonged to the lower nobility class similar to the timawa of the Visayan people. In modern Filipino, however, the word has come to refer to aristocrats or to royal nobility, which was actually restricted to the hereditary maginoo class.
Traditional Thai clothing refers to the traditional styles of dress worn by the Thai people. It can be worn by men, women, and children. Traditional clothing for Thai women usually consists of a pha nung or a chong kraben, a blouse, and a sabai. Northern and northeastern women may wear a sin instead of a pha nung and a chong kraben with either a blouse or a suea pat. Chut thai for men includes a chong kraben or pants, a Raj pattern shirt, with optional knee-length white socks and a sabai. Chut thai for northern Thai men is composed of a sado, a white Manchu-styled jacket, and sometimes a khian hua. In formal occasions, people may choose to wear a so-called formal Thai national costume.
Fashion and clothing in the Philippines refers to the way the people of the Philippine society generally dress up at home, at work, travelling and during special occasions.
Balarao, also known as "winged dagger", is a Filipino dagger used throughout the pre-colonial Philippines. It is unusually shaped, with a double-edged leaf-like blade and a finger-fitting grip consisting of two horn-like projections at the pommel and no guards. The tang also protrudes at the back. The dagger is a status symbol among nobility and warriors and is usually finely-worked with precious metals, ivory, and horn.
Batok, batek, patik, batik, or buri, among other names, are general terms for indigenous tattoos of the Philippines. Tattooing on both sexes was practiced by almost all ethnic groups of the Philippine Islands during the pre-colonial era. Like other Austronesian groups, these tattoos were made traditionally with hafted tools tapped with a length of wood. Each ethnic group had specific terms and designs for tattoos, which are also often the same designs used in other art forms and decorations such as pottery and weaving. Tattoos range from being restricted only to certain parts of the body to covering the entire body. Tattoos were symbols of tribal identity and kinship, as well as bravery, beauty, and social or wealth status.
