Terracotta, also known as terra cotta or terra-cotta, is a term used in some contexts for earthenware. That is to say it is a clay-based unglazed or glazed non-vitreous ceramic, fired at relatively low temperatures.
A vase is an open container. It can be made from a number of materials, such as ceramics, glass, non-rusting metals, such as aluminium, brass, bronze, or stainless steel. Even wood has been used to make vases, either by using tree species that naturally resist rot, such as teak, or by applying a protective coating to conventional wood or plastic. Vases are often decorated, and they are often used to hold cut flowers. Vases come in different sizes to support whatever flower is being held or kept in place.
The ancient history of Cyprus shows a precocious sophistication in the Neolithic era visible in settlements such as at Choirokoitia dating from the 9th millennium BC, and at Kalavassos from about 7500 BC.
An aryballos was a small spherical or globular flask with a narrow neck used in Ancient Greece. It was used to contain perfume or oil, and is often depicted in vase paintings being used by athletes during bathing. In these depictions, the vessel is at times attached by a strap to the athlete's wrist, or hung by a strap from a peg on the wall.
Idalion or Idalium was an ancient city in Cyprus, in modern Dali, Nicosia District. The city was founded on the copper trade in the 3rd millennium BC. Its name in the 8th century BC was "Ed-di-al" as it appears on the Sargon Stele of 707 BC, and a little later on the Prism of Esarhaddon.
A himation was a type of clothing, a mantle or wrap worn by ancient Greek men and women from the Archaic through the Hellenistic periods. It was usually worn over a chiton and/or peplos, but was made of heavier drape and played the role of a cloak or shawl. When the himation was used alone, without a chiton, it served both as a chiton and as a cloak. The himation was markedly less voluminous than the Roman toga. Many vase paintings depict women wearing a himation as a veil covering their faces.
Minoan pottery has been used as a tool for dating the mute Minoan civilization. Its restless sequence of quirky maturing artistic styles reveals something of Minoan patrons' pleasure in novelty while they assist archaeologists in assigning relative dates to the strata of their sites. Pots that contained oils and ointments, exported from 18th century BC Crete, have been found at sites through the Aegean islands and mainland Greece, on Cyprus, along coastal Syria and in Egypt, showing the wide trading contacts of the Minoans.
Geometric art is a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages, c. 900–700 BC. Its center was in Athens, and from there the style spread among the trading cities of the Aegean. The Greek Dark Ages lasted from c. 1100 to 750 BC and include two periods, the Protogeometric period and the Geometric period, in reference to the characteristic pottery style. The vases had various uses or purposes within Greek society, including, but not limited to, funerary vases and symposium vases.
The ancient Cycladic culture flourished in the islands of the Aegean Sea from c. 3300 to 1100 BCE. Along with the Minoan civilization and Mycenaean Greece, the Cycladic people are counted among the three major Aegean cultures. Cycladic art therefore comprises one of the three main branches of Aegean art.
The pottery of ancient Greece has a long history and the form of Greek vase shapes has had a continuous evolution from Minoan pottery down to the Hellenistic period. As Gisela Richter puts it, the forms of these vases find their "happiest expression" in the 5th and 6th centuries BC, yet it has been possible to date vases thanks to the variation in a form’s shape over time, a fact particularly useful when dating unpainted or plain black-gloss ware.
In the archaeology of Southwest Asia, the Late Neolithic, also known as the Ceramic Neolithic or Pottery Neolithic, is the final part of the Neolithic period, following on from the Pre-Pottery Neolithic and preceding the Chalcolithic. It is sometimes further divided into Pottery Neolithic A (PNA) and Pottery Neolithic B (PNB) phases.
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta, wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced.
Sancai is a versatile type of decoration on Chinese pottery using glazes or slip, predominantly in the three colours of brown, green, and a creamy off-white. It is particularly associated with the Tang dynasty (618–907) and its tomb figures, appearing around 700. Therefore, it is commonly referred to as Chinese: 唐三彩 Tang Sancai in Chinese. Tang sancai wares were sometimes referred in China and the West as egg-and-spinach by dealers, for their use of green, yellow, and white, especially when combined with a streaked effect.
The Archaeological Museum of Nafplio is a museum in the town of Nafplio of the Argolis region in Greece. It has exhibits of the Neolithic, Chalcolithic, Helladic, Mycenaean, Classical, Hellenistic and Roman periods from all over southern Argolis. The museum is situated in the central square of Nafplion. It is housed in two floors of the old Venetian barracks.
The pottery of ancient Cyprus starts during the Neolithic period. Throughout the ages, Cypriot ceramics demonstrate many connections with cultures from around the Mediterranean. During the Early and Middle Bronze Ages, it is especially imaginative in shape and decoration. There are also many early terracotta figurines that were produced depicting female figures.
Cypriot Bichrome ware is a type of Late Bronze Age, and Iron Age, pottery that is found widely on Cyprus and in the Eastern Mediterranean. This type of pottery is found in many sites on Cyprus, in the Levant, and also in Egypt. It was typically produced on a pottery wheel. A large variety of decorations and motifs are attested. This pottery is very similar to certain types of the Mycenaean pottery from various locations.
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
Ancient Cypriot art refers to all works of visual art originating from Cyprus in the Eastern Mediterranean from c. 10,000 BC to c. 330 AD. During this period, various types of objects were produced such as domestic tools, weaponry, jewellery, and decorative figurines. This range of art attests to the blend of both native and foreign influences of ancient Egypt, Greece and Rome as they successively occupied the country. Artworks produced in ancient Cyprus incorporate almost all of the mediums of visual art worked on in ancient history including terracotta, stone, metals, glass, and gemstones.
Cocoon jars or Cocoon-shaped jars are funerary pottery vessels in China, belonging to the period of the 1st millennium BCE. The shape is similar to the Cypriot Barrel-shaped jugs, as is generally the decoration, with vertical bands across the breadth of the vessels. The earliest type of cocoon-form jar in China dates to the Western Zhou period (99-771 BCE), either in ceramic or in bronze. The Qin dynasty period has many of them, particularly in relation with the Mausoleum of the First Emperor. It has been suggested that the Chinese obtained this design from nomadic people, especially the Rong and Di cultures, through the medium of the steppes of Central Asia.
Terracotta barrel jug with strainer, Cypro-Geometric III. Cyprus, 850-750 BCE. [3]
Terracotta barrel jug with strainer, Cyprus, 750-600 BCE. [2]
Ceramic barrel-shaped jug from the Cypro-Archaic I period (c.700-c.600 BCE)
