Carl Dean Wilson was an American musician who co-founded the Beach Boys. He was their lead guitarist, the youngest sibling of bandmates Brian and Dennis, and the group's de facto leader in the early to mid-1970s. He was also the band's musical director on stage from 1965 until his death.
Shut Down Volume 2 is the fifth album by the American rock band the Beach Boys, released March 2, 1964 on Capitol Records. Produced by Brian Wilson, it is the follow-up to the band's Little Deuce Coupe, released the previous October, and to Shut Down, a Capitol compilation album. Shut Down Volume 2 was the first of three studio albums that the band released in 1964, and the first recorded without guitarist David Marks, who departed from the band following disagreements with manager Murry Wilson. The album reached number 13 in the US during a chart stay of 38 weeks.
Surf's Up is the 17th studio album by American rock band the Beach Boys, released on August 30, 1971 on Brother/Reprise. It received largely favorable reviews and reached number 29 on the U.S. record charts, becoming their highest-charting LP of new music in the U.S. since 1967. In the UK, Surf's Up peaked at number 15, continuing a string of top 40 records that had not abated since 1965.
Stars and Stripes Vol. 1 is the 28th studio album by American rock band the Beach Boys, released on August 19, 1996, by River North Records. Produced by Joe Thomas and Brian Wilson, Stars and Stripes is a collaborative album between the Beach Boys and various country acts.
All Summer Long is the sixth album by the American rock band the Beach Boys, released July 13, 1964 on Capitol Records. Regarded as their first artistically unified collection of songs, as well as one of the first true concept albums, it marked the Beach Boys' first LP that was not focused on themes of cars or surfing. Instead, the songs are semi-autobiographical and relate to the experiences of a typical Southern Californian teenager, a theme encapsulated by the title track, "All Summer Long", and the often-imitated front cover, a modernist style photo collage depicting the band members fraternizing with young women on a beach.
"Surfin' Safari" is a song by American rock band the Beach Boys, written by Brian Wilson and Mike Love. Released as a single with "409" in June 1962, it peaked at number 14 on the Billboard Hot 100. The song also appeared on the 1962 album of the same name.
"All I Wanna Do" is a song by the American rock band the Beach Boys from their 1970 album Sunflower. Written by Brian Wilson and Mike Love, the dreamlike production quality was created through liberal use of overdubbing, reverb and delay effects. It was influential to the development of lo-fi music and pioneered sounds that became associated with the shoegaze, dream pop, and chillwave music genres.
"Feel Flows" is a song recorded by American rock band the Beach Boys from their 1971 album Surf's Up. It was written by guitarist Carl Wilson and band manager Jack Rieley, and was one of Wilson's first songs.
Tullycraft is an American indie pop band from Seattle, Washington, that formed in 1995. They have been associated with the genre of twee pop; in fact, they are considered to be one of the true pioneers of the American twee pop movement. They are known for their DIY ethic, only releasing albums on independently owned and operated record labels.
Math and Physics Club are an American indie pop band based in Seattle, Washington, United States. Its members are Charles Bert and Ethan Jones. James Werle played lead guitar until he died in 2018. Kevin Emerson (drums) continues to play on recordings though no longer a full time member of the band. The band has released three EPs and four full-length albums on Santa Barbara-based Matinee Recordings, with UK distribution on Fika Recordings. They are often associated with Australian labelmates The Lucksmiths and twee pop band Tullycraft, and Pitchfork Media described their work as "music to hold hands to" after The Lucksmiths' song on the album "Why That Doesn't Surprise Me".
Every Scene Needs a Center is the fifth studio album from the indiepop band Tullycraft. Arguably, the band’s most ambitious album, Every Scene Needs A Center ranges from punky bursts to mid-tempo near-ballads. The band spent over a year working on the mini-epic album, splitting time between a professional recording studio and their own studio, recording entirely on analog tape. The album reached #29 on the CMJ Top 200 chart in 2007.
Disenchanted Hearts Unite is the fourth studio album from the indiepop band Tullycraft. The band recorded half of the album at Soundhouse Studios in Seattle, and the other half in guitarist, Chris Munford's living room. Jenny Mears provided additional vocals on many of the songs, and Corianton Hale also made a guest appearance. Shortly after the recording of the Disenchanted Hearts Unite, lead guitarist, Harold Hollingsworth left the group and both Mears & Hale joined the band. Jen Abercrombie from the Los Angeles band Rizzo, who had contributed vocals to the City of Subarus album, appeared on the songs “Fall 4 U” and “Building The Robot.” The album reached #33 on the CMJ Top 200 chart in 2005. At the end of 2009, Disenchanted Hearts Unite appeared on a number of 'Best Albums of the Decade' lists.
City of Subarus is the second album from the indie pop band Tullycraft. Chris Munford from the band Incredible Force of Junior joined Tullycraft prior to the recording of this album, making the three piece a foursome. On this sophomore release, Tullycraft introduced electronic beats and a punk-ish sound contrasting with their debut Old Traditions, New Standards. The entire record was self-recorded using an Otari MX5050 8-track analog tape machine at a house rented by Munford and drummer Jeff Fell. The house was located across the street from a Subaru dealership, inspiring the album's title. Jen Abercrombie from the Los Angeles band Rizzo provided additional vocals on many of the songs.
Old Traditions, New Standards is the debut album from the Washington-based indiepop band Tullycraft. In 2022, Old Traditions, New Standards was included on Pitchfork's list of The 25 Best Indie Pop Albums of the '90s.
The Singles is a singles, b-sides and rarities compilation CD from the indiepop band Tullycraft. It compiles early seven inch singles & split singles, compilation tracks, and a couple live radio performances. The majority of the songs were recorded during the period between the band’s first two albums, Old Traditions, New Standards and City of Subarus.
"Bailey Park" is a song by Tullycraft, recorded with producer Pat Maley in the Capitol Theater at Yoyo Studios in Olympia, Washington. The birds heard at the beginning of the track are not a sample, Maley hung a second microphone out of a second floor theatre window while Tollefson was recording his vocals. The birds heard on the track are downtown Olympia birds recorded at the same time as the vocals. Guitarist Gary Miklusek said: "'Bailey Park' ranks as a top song for me. Live it was a blast to play and almost a guaranteed string-breaker… perhaps my only sore memories of Tullycraft."
Live – The 50th Anniversary Tour is a live album by the Beach Boys released on May 21, 2013. The album was recorded during the band's 50th anniversary reunion tour.
Lost in Light Rotation is the sixth studio album from indie pop band Tullycraft. After a three-year hiatus, the album was the band's first since Every Scene Needs a Center in 2007.
Merry Christmas from the Beach Boys is an unreleased studio album by American rock band the Beach Boys. Planned for issue in November/December 1978, the content was a mixture of original songs penned by the group and traditional standards, similar to their 1964 release The Beach Boys' Christmas Album.
The Railway Prince Hotel is the seventh studio album by American band Tullycraft, released by Happy Happy Birthday To Me Records in February 2019. The album had a modestly different sound than the band's previous releases, somewhat due to the fact that long-time drummer Jeff Fell, did not make an appearance on the album, but also because of the new approach the members of the band took to the recording process. Much of the album was improvised during the recording sessions. This was an untried approach for Tullycraft. Equipped with lyrics and vocal melodies the band composed many of the new songs from the ground up in the studio.
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