The Railway Prince Hotel | ||||
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Studio album by | ||||
Released | February 8, 2019 | |||
Recorded | Dubtrain Studio, Seattle, Washington Jackpot!, Portland, Oregon | |||
Genre | Indie pop | |||
Length | 37:03 | |||
Label | Happy Happy Birthday To Me (HHBTM 196) | |||
Tullycraft chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Railway Prince Hotel is the seventh studio album by American band Tullycraft, released by Happy Happy Birthday To Me Records in February 2019. The album had a modestly different sound than the band's previous releases, somewhat due to the fact that long-time drummer (and original Tullycraft member) Jeff Fell, did not make an appearance on the album, but also because of the new approach the members of the band took to the recording process. Much of the album was improvised during the recording sessions. This was an untried approach for Tullycraft. Equipped with lyrics and vocal melodies (provided by Tollefson) the band composed many of the new songs from the ground up in the studio. [1]
Most of the album was recorded and mixed by Pete Remine at Dubtrain Studio in Seattle, Washington. Four of the tracks were mixed by Larry Crane at Jackpot! Studio in Portland, Oregon.
A review by Rich Quinlan in Jersey Beat says "having been immersed in college radio in the mid-90s, I did become aware of the twee and cuddlecore movements," continuing "incredibly, more than twenty years later, this Seattle outfit continues to hang on to their collective innocence, blending the most pop-friendly tempos and sprinkling in lighthearted, sentimental lyrics that point out the most minute of details with good natured sarcasm." [2]
All tracks by Tullycraft
A video for "Passing Observations" was released ahead of the album in December 2018. [3]
A limited-edition white vinyl version of the LP was released by Rough Trade Records in the UK (only 100 were pressed). [4]
Letting Off the Happiness is the second studio album released by the indie rock band Bright Eyes. The album was released on November 2, 1998. It was the first release by Bright Eyes to feature and be produced by Mike Mogis, now a permanent member of the band. A vinyl re-release of the album was included in the Bright Eyes Vinyl Box Set in 2012. Guest musicians include members of Cursive, Tilly and the Wall, and Elephant 6 collective's Neutral Milk Hotel and of Montreal.
Peter Joseph Yorn is an American singer, songwriter, and musician. He first gained international recognition after his debut record, Musicforthemorningafter, was released to critical and commercial acclaim in 2001. He is known for playing the bulk of the instruments on his records. Spin magazine, in a career retrospective article dated March 26, 2021, recognized Yorn as one of his generation's best songwriters. Yorn’s 10th full length album, Hawaii, was released on June 17, 2022.
Meaty Beaty Big and Bouncy is a compilation album of singles by English rock band The Who, released in 1971 as Track 2406 006 in the UK and as Decca DL 79184 in the US. It entered the US Billboard 200 chart on 20 November 1971, peaking at number 11, and the UK chart on 3 December 1971, peaking at number 9.
The Lucksmiths were an Australian indie pop band formed in March 1993 by Marty Donald on guitar, Mark Monnone on bass guitar and Tali White on drums and lead vocals. Louis Richter joined on guitar in 2005. They released eight studio albums, First Tape, The Green Bicycle Case, What Bird Is That?, A Good Kind of Nervous (1997), Why That Doesn't Surprise Me, Naturaliste, Warmer Corners and First Frost (2008), before disbanding in August 2009.
Small Talk is the seventh album by Sly and the Family Stone, released by Epic/CBS Records in 1974. This album was the final LP to feature the original Family Stone, which broke up in January 1975.
Slapp Happy was a German/English avant-pop group, formed in Germany in 1972. Their lineup consisted of Anthony Moore (keyboards), Peter Blegvad (guitar) and Dagmar Krause (vocals). The band members moved to England in 1974 where they merged with Henry Cow, but the merger ended soon afterwards and Slapp Happy split up. Slapp Happy's sound was characterised by Dagmar Krause's unique vocal style. From 1982 there have been brief reunions to create an opera called Camera, record the album Ça Va in 1998, and perform shows around the world.
Happy Happy Birthday To Me Records is an American independent record label based in Athens, Georgia. Its catalogue features indie rock, indie pop and hip-hop music, with several of its artists associated with or influenced by The Elephant 6 Recording Company.
Tullycraft is an American indie pop band from Seattle, Washington, that formed in 1995. They have been associated with the genre of twee pop; in fact, they are considered to be one of the true pioneers of the American twee pop movement. They are known for their DIY ethic, only releasing albums on independently owned and operated record labels.
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Math and Physics Club are an American indie pop band based in Seattle, Washington, United States. Its members are Charles Bert and Ethan Jones. James Werle played lead guitar until he died in 2018. Kevin Emerson (drums) continues to play on recordings though no longer a full time member of the band. The band has released three EPs and four full-length albums on Santa Barbara-based Matinee Recordings, with UK distribution on Fika Recordings. They are often associated with Australian labelmates The Lucksmiths and twee pop band Tullycraft, and Pitchfork Media described their work as "music to hold hands to" after The Lucksmiths' song on the album "Why That Doesn't Surprise Me".
Superman Was A Rocker is the 9th studio album from singer-songwriter Robert Pollard. It was released on January 29, 2008. Superman Was a Rocker marks the first LP released by Pollard's Happy Jack Rock Records label. It differs from Pollard's past solo albums in that it is very lo-fi in comparison to his more polished releases.
Illumination is the fourth studio album by the Scottish band The Pastels, originally released via Domino Recording Company in 1997. The album shows the group honing in on a warmer, gentler and more subdued sound compared to their previous work. It is their last studio album to feature longtime member Annabel "Aggi" Wright as a full member before she left to concentrate on her career as an illustrator in 2000. Whilst The Pastels continued to release music, Illumination would be their last proper studio album for 16 years, until the release of Slow Summits in 2013.
Every Scene Needs a Center is the fifth studio album from the indiepop band Tullycraft. Arguably, the band’s most ambitious album, Every Scene Needs A Center ranges from punky bursts to mid-tempo near-ballads. The band spent over a year working on the mini-epic album, splitting time between a professional recording studio and their own studio, recording entirely on analog tape. The album reached #29 on the CMJ Top 200 chart in 2007.
Disenchanted Hearts Unite is the fourth studio album from the indiepop band Tullycraft. The band recorded half of the album at Soundhouse Studios in Seattle, and the other half in guitarist, Chris Munford's living room. Jenny Mears provided additional vocals on many of the songs, and Corianton Hale also made a guest appearance. Shortly after the recording of the Disenchanted Hearts Unite, lead guitarist, Harold Hollingsworth left the group and both Mears & Hale joined the band. Jen Abercrombie from the Los Angeles band Rizzo, who had contributed vocals to the City of Subarus album, appeared on the songs “Fall 4 U” and “Building The Robot.” The album reached #33 on the CMJ Top 200 chart in 2005. At the end of 2009, Disenchanted Hearts Unite appeared on a number of 'Best Albums of the Decade' lists.
Beat Surf Fun is the third studio album from the indiepop band Tullycraft. The entire album was recorded on analog tape at a practice space the band rented in Ballard, WA. It is the first record the band released on the Portland-based Magic Marker Records. The album included the single "Wild Bikini" and the international indie pop hit "Twee." Beat Surf Fun also marks the first appearance of vocalist, Jenny Mears, who would eventually join Tullycraft. The design of the CD back card can be confusing since it lists the title of the album on the sides as "Fun Beat Surf" and "Surf Beat Fun" respectively.
City of Subarus is the second album from the indie pop band Tullycraft. Chris Munford from the band Incredible Force of Junior joined Tullycraft prior to the recording of this album, making the three piece a foursome. On this sophomore release, Tullycraft introduced electronic beats and a punk-ish sound contrasting with their debut Old Traditions, New Standards. The entire record was self-recorded using an Otari MX5050 8-track analog tape machine at a house rented by Munford and drummer Jeff Fell. The house was located across the street from a Subaru dealership, inspiring the album's title. Jen Abercrombie from the Los Angeles band Rizzo provided additional vocals on many of the songs.
Old Traditions, New Standards is the debut album from the Washington-based indiepop band Tullycraft. In 2022, Old Traditions, New Standards was included on Pitchfork's list of The 25 Best Indie Pop Albums of the '90s.
Cher Doll Records is an American independent record label founded in Seattle, Washington, by Nancy Ostrander in 1993. The label released records for several indie-pop bands, including Neutral Milk Hotel's first single.
"Bailey Park" is a song by Tullycraft, recorded with producer Pat Maley in the Capitol Theater at Yoyo Studios in Olympia, Washington. The birds heard at the beginning of the track are not a sample, Maley hung a second microphone out of a second floor theatre window while Tollefson was recording his vocals. The birds heard on the track are downtown Olympia birds recorded at the same time as the vocals. Guitarist Gary Miklusek said: "'Bailey Park' ranks as a top song for me. Live it was a blast to play and almost a guaranteed string-breaker… perhaps my only sore memories of Tullycraft."
Lost in Light Rotation is the sixth studio album from indie pop band Tullycraft. After a three-year hiatus, the album was the band's first since Every Scene Needs a Center in 2007.