12 Golden Country Greats is the fifth studio album by the American rock band Ween, and their third on Elektra Records. It is the only album on which the group limited themselves to a specific genre of music.
Beat Happening is the debut album by Beat Happening, released in 1985 through K Records. It was produced by Greg Sage, singer and guitarist for post-punk band Wipers.
Feeling the Space is Yoko Ono's fourth solo album, her last one on Apple Records.
Eye of the Storm is an album by Mark Heard, released in 1983 on Home Sweet Home Records. According to the liner notes: "This album is a special, one-time release of acoustic guitar-oriented material. It is homemade. It was recorded on 24 track equipment one instrument at a time."
Obojeni Program is a Serbian alternative rock band from Novi Sad. The band are pioneers of the Serbian alternative rock scene. The first letters of the band's first seven studio albums form an acronym of their home town. They have performed at every Exit festival since the first in 2000, with the exception of the virtual Exit held in September 2020.
Tullycraft is an American indie pop band from Seattle, Washington, that formed in 1995. They have been associated with the genre of twee pop; in fact, they are considered to be one of the true pioneers of the American twee pop movement. They are known for their DIY ethic, only releasing albums on independently owned and operated record labels.
Six Cents and Natalie is the sporadic side-project of Tullycraft lead singer Sean Tollefson. This lo-fi band actually predates Tollefson's pre-Tullycraft band Crayon. Six Cents and Natalie released a series of cassette tapes and 7-inch singles in the mid 1990s. Eventually, two full-length CDs were released by Black Bean & Placenta Tape Club that compiled most of the material found on the early cassettes and singles.
Crayon was an indie pop band from Washington State.
Autopsy is a compilation album by 45 Grave, released in 1987 by Enigma Records. Recorded in the band's early days, it contains previously unreleased songs and alternate versions of tracks that were later rerecorded on the band's 1984 debut album, Sleep in Safety. Also included was the previously released 1981 single "Black Cross" and its B-side "Wax."
Every Scene Needs a Center is the fifth studio album from the indiepop band Tullycraft. Arguably, the band’s most ambitious album, Every Scene Needs A Center ranges from punky bursts to mid-tempo near-ballads. The band spent over a year working on the mini-epic album, splitting time between a professional recording studio and their own studio, recording entirely on analog tape. The album reached #29 on the CMJ Top 200 chart in 2007.
Beat Surf Fun is the third studio album from the indiepop band Tullycraft. The entire album was recorded on analog tape at a practice space the band rented in Ballard, WA. It is the first record the band released on the Portland-based Magic Marker Records. The album included the single "Wild Bikini" and the international indie pop hit "Twee." Beat Surf Fun also marks the first appearance of vocalist, Jenny Mears, who would eventually join Tullycraft. The design of the CD back card can be confusing since it lists the title of the album on the sides as "Fun Beat Surf" and "Surf Beat Fun" respectively.
City of Subarus is the second album from the indie pop band Tullycraft. Chris Munford from the band Incredible Force of Junior joined Tullycraft prior to the recording of this album, making the three piece a foursome. On this sophomore release, Tullycraft introduced electronic beats and a punk-ish sound contrasting with their debut Old Traditions, New Standards. The entire record was self-recorded using an Otari MX5050 8-track analog tape machine at a house rented by Munford and drummer Jeff Fell. The house was located across the street from a Subaru dealership, inspiring the album's title. Jen Abercrombie from the Los Angeles band Rizzo provided additional vocals on many of the songs.
Old Traditions, New Standards is the debut album from the Washington-based indiepop band Tullycraft. In 2022, Old Traditions, New Standards was included on Pitchfork's list of The 25 Best Indie Pop Albums of the '90s.
The Singles is a singles, b-sides and rarities compilation CD from the indiepop band Tullycraft. It compiles early seven inch singles & split singles, compilation tracks, and a couple live radio performances. The majority of the songs were recorded during the period between the band’s first two albums, Old Traditions, New Standards and City of Subarus.
Cher Doll Records is an American independent record label founded in Seattle, Washington, by Nancy Ostrander in 1993. The label released records for several indie-pop bands, including Neutral Milk Hotel's first single.
"Rock Steady" is a song written and performed by American singer-songwriter Aretha Franklin, released in October 1971 from her eighteenth album, Young, Gifted and Black (1972). The single reached the #9 spot on the Billboard Hot 100 charts that same year. It also peaked at #2 on the Best Selling Soul Singles chart. The original A-side, a rendition of the song "Oh Me Oh My ", peaked at #73 on the Billboard Hot 100 and #9 on the Best Selling Soul Singles chart.
“True Blue” was the debut single from the indiepop band Tullycraft.
Tullycraft released the 1st String Teenage High 7" EP on the German label Little Teddy Recordings in 1996. The four songs were exclusive, but reappeared on The Singles CD released in 1999. The songs were recorded and mixed at Yoyo Studios in Olympia, Washington.
Lost in Light Rotation is the sixth studio album from indie pop band Tullycraft. After a three-year hiatus, the album was the band's first since Every Scene Needs a Center in 2007.
The Railway Prince Hotel is the seventh studio album by American band Tullycraft, released by Happy Happy Birthday To Me Records in February 2019. The album had a modestly different sound than the band's previous releases, somewhat due to the fact that long-time drummer Jeff Fell, did not make an appearance on the album, but also because of the new approach the members of the band took to the recording process. Much of the album was improvised during the recording sessions. This was an untried approach for Tullycraft. Equipped with lyrics and vocal melodies the band composed many of the new songs from the ground up in the studio.
