Does This Look Infected? is the second studio album by Canadian rock band Sum 41. It was released on November 26, 2002.
Benjamin Lev Kweller is an American singer, songwriter and multi-instrumentalist.
Virtual XI is the eleventh studio album by English heavy metal band Iron Maiden, released on 23 March 1998. It is the band's second and final album with Blaze Bayley on vocals. It also marks the first album to utilize a slightly modified logo, with the letters R, M and N the same size as the other letters as opposed them being extended. This goes on for the next few albums until The Final Frontier in 2010.
Another Day on Earth is the twenty-fourth solo studio album by Brian Eno, released in June 2005 on Hannibal Records.
Sha Sha is the debut album by American indie rock singer, songwriter, multi-instrumentalist and former Radish member Ben Kweller. The album was originally composed of outtakes from sessions for Radish's unreleased album Discount Fireworks. It was self-released by Kweller, via CD-R, in 2000. In 2002, ATO Records released a second version of the album with a radically different track listing featuring many new recordings and songs.
On My Way is the second album released by Ben Kweller. All songs were written by Ben Kweller.
Here I Am is the debut solo album by M2M member, Marion Raven, released in mid-2005. Raven co-wrote all of the songs, with several well-known musicians. She played both acoustic and electric guitars as well as the piano and provided background vocals on a number of songs. The album showed her transition from her past M2M pop sound to a dark hard-rock sound. Her musical transition was well received by critics internationally.
Phil Keaggy and Sunday's Child is the title of a 1988 album by guitarist Phil Keaggy, released on Myrrh Records and A&M Records simultaneously.
Revival is the nineteenth studio album of the Christian rock band Petra and their third praise album. It was released on November 20, 2001.
Do You See What I See? is Todd Agnew's third label release, which tells the story of the birth of Jesus from the perspective of characters involved in the Christmas story. Todd enlisted the help of fellow Christian artists to sing for characters on the album.
Roger McEvoy Greenawalt is a music producer and musician known for carrying a ukulele at all times everywhere he goes. Greenawalt has worked with Iggy Pop, Rufus Wainwright, Nils Lofgren, The Pierces, Ben Kweller, Ric Ocasek, Branford Marsalis, Joe Strummer, Philip Glass and many others. A story on Greenawalt's discovery of Kweller appeared in the New Yorker on April 7, 1997.
Beat Off is the fourth studio album by the American punk rock band the Queers, released in 1994 by Lookout! Records. Recorded during a time when the Queers' usual drummer, Hugh O'Neill, was on a forced leave of absence from the band to deal with heroin addiction, it featured Screeching Weasel drummer Dan Panic and guitarist Dan Vapid added to the lineup. It was the third and final Queers album produced by Screeching Weasel singer Ben Weasel, who insisted on a no-frills punk sound for the album and removed Vapid's tracks from the final mix without his knowledge.
View from the House is the eleventh studio album by American singer-songwriter Kim Carnes. It was released on July 25, 1988 by MCA Records. The album marked a return to her early country music roots. Carnes recorded the album in Nashville, Tennessee, and co-produced the album with Jimmy Bowen.
Back to Avalon is the sixth studio album by American singer-songwriter Kenny Loggins. Released in 1988, it yielded the hit singles "Nobody's Fool ", "I'm Gonna Miss You", "Tell Her", and "Meet Me Half Way", the last of which is a ballad which had already become a top 40 hit the previous year through the film Over the Top. It is the only studio album by Loggins to feature songs from motion picture soundtracks to date.
Tall Stories is the second studio album by Johnny Hates Jazz, released by Virgin in 1991. The follow-up to 1988's Turn Back the Clock, Tall Stories features producer and songwriter Phil Thornalley as lead singer, following the departure of the band's frontman Clark Datchler. On the eve of the album's release, Thornalley and keyboardist Calvin Hayes were involved in a serious car crash that depleted the band's momentum. The album failed to chart, and the band subsequently folded.
"I Just Wasn't Made for These Times" is a song by American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, the lyrics describe the disillusionment of someone who struggles to fit into society. Musically, it is distinguished for its melodic bass guitar, layered vocals, and Electro-Theremin solo, marking the first time the instrument was used in popular music and the first time theremin-like sounds were used on a rock record.
You Make Me Brave: Live at the Civic marks the ninth album from Bethel Music, a worship group based out of Redding, California. The album was released through the group's imprint label, "Bethel Music", on April 21, 2014. The album was produced by Gabriel Wilson and Daniel MacKenzie, and executively produced by Brian Johnson and Joel Taylor.
Drift Code is the second studio album by English musician and former Talk Talk bassist Paul Webb, under his moniker Rustin Man. It was released on 1 February 2019 through Domino Recording Company.
My Finest Work Yet is the twelfth solo studio album by Andrew Bird, released on March 22, 2019. It is notable for being Andrew Bird's first overtly political album, covering topics such as divisive political atmosphere, climate change, and apathy.
J.T. is a studio album by American rock band Steve Earle & The Dukes. The album is a tribute to Earle's oldest son, Justin Townes Earle, who died of an accidental drug overdose on August 20, 2020. It was released by New West Records on January 4, 2021 on what would have been Justin's 39th birthday. Recording sessions took place at Electric Lady Studios in New York City with Ray Kennedy as audio engineer. Production was handled by Steve Earle himself. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 82 based on eleven reviews.
link 
link 