Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works streamed online, distributed as video tapes, or DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds.
Nam June Paik was a Korean American artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications.
The Cornell University Library is the library system of Cornell University. As of 2014, it holds over 8 million printed volumes and over a million ebooks. More than 90 percent of its current 120,000 periodical titles are available online. It has 8.5 million microfilms and microfiches, more than 71,000 cubic feet (2,000 m3) of manuscripts, and close to 500,000 other materials, including motion pictures, DVDs, sound recordings, and computer files in its collections, in addition to extensive digital resources and the University Archives. It is the sixteenth largest library in North America, ranked by number of volumes held. It is also the thirteenth largest research library in the U.S. by both titles and volumes held.
VJing is a broad designation for realtime visual performance. Characteristics of VJing are the creation or manipulation of imagery in realtime through technological mediation and for an audience, in synchronization to music. VJing often takes place at events such as concerts, nightclubs, music festivals and sometimes in combination with other performative arts. This results in a live multimedia performance that can include music, actors and dancers. The term VJing became popular in its association with MTV's Video Jockey but its origins date back to the New York club scene of the 1970s. In both situations VJing is the manipulation or selection of visuals, the same way DJing is a selection and manipulation of audio.
Alan Sondheim is a poet, critic, musician, artist, and theorist of cyberspace from the United States.
Scott Kildall is an American conceptual artist working with new technologies in a variety of media including video art, prints, sculpture and performance art. Kildall works broadly with virtual worlds and in the net.art movement. His work centers on repurposing technology and repackaging information from the public realm into art. He often invites others to participate in the work.
Peter d'Agostino is an “artist” and a professor of Film and Media Arts, Temple University, Philadelphia.
Aaron Koblin is an American digital media artist and entrepreneur best known for his innovative use of data visualization and his pioneering work in crowdsourcing, virtual reality, and interactive film. He is co-founder and president of virtual reality company Within, founded with Chris Milk. Formerly he created and lead the Data Arts Team at Google in San Francisco, California from 2008 to 2015.
D-Fuse are a London-based audiovisual artist collective, who use emerging creative technologies to explore social and environmental issues.
Sanford Biggers is a Harlem-based interdisciplinary artist who works in film/video, installation, sculpture, music, and performance. An L.A. native, he has lived and worked in New York City since 1999.
André Vida is Hungarian-American saxophonist, lyricist, avant-garde musician and experimental composer based in Berlin. Vida has been on the forefront of several major developments in experimental music, including his membership in Anthony Braxton’s original Ghost Trance Ensemble, as founding member of New York collective the CTIA, performances with The Tower Recordings and subsequent ‘freak folk’ groups.
V. Owen Bush is a Canadian designer, producer, and filmmaker who uses immersion and participation to create transformative social experiences. His works have been seen worldwide in venues such as digital planetariums, live concerts and events, IMAX 3D, broadcast television, mobile devices, and the web.
Amy Jenkins is an American artist from Peterborough, New Hampshire who is recognized for her work in video installation and experimental film.
Marina G. Zurkow is an American visual artist based in New York City who works with media technology, animation and video. Some of the less traditional mediums are known to be dinners, life science and bio materials. Her subject matter includes individual narratives, environmental concerns, and reflections on the relation between species, or between humans, animals, plants and the weather. Her artworks have been seen in solo exhibitions at DiverseWorks in Houston Texas and at FACT in Liverpool. Zurkow is the recipient of a Creative Capital grant and has had fellowships from the Guggenheim and the Rockefeller Foundation.
Julia Christensen is a multidisciplinary artist and writer based in Oberlin, Ohio. She is Associate Professor of Integrated Media and Chair of the Studio Art Department at Oberlin College.
Cat Mazza is an American textile artist. Her practice combines tactical media, activism, craft-based art making and animation in a form that has frequently been described as craftivism. She is the founder of the craftivist collective microRevolt. Mazza is an associate professor of art at the University of Massachusetts Boston.
Experimental Television Center is a 501(c)(3) nonprofit electronic and media art center.
Kristin Lucas is a media artist who works in video, performance, installation and on the Internet. Her work explores the impacts of technology on humanity, blurring the boundary between the technological and corporeal. In her work she frequently casts herself as the protagonist in videos and performances where her interactions with technology lead to isolation, and physical and mental contamination.
Rucyl is a new media and sound artist, singer, musician, and producer. Her interests involve experimentation and process as performance, time-based analog effects systems, and using sound to represent concepts that are non-tactile. Her earlier experimental works incorporated vocal improvisation and computer generated algorithmic music in tandem with generated visual projections, using Max MSP and VJ software. Rucyl improvises during her live performances using MIDI controllers, loopers, diy software and hardware, and effects processors.
