"Best Friend" | ||||
---|---|---|---|---|
Single by the Beat | ||||
from the album I Just Can't Stop It | ||||
A-side | "Stand Down Margaret" | |||
Released | 8 August 1980 [1] | |||
Genre | ||||
Length | 3:02 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) | Bob Sargeant | |||
The Beat singles chronology | ||||
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"Best Friend" is a song by British ska/new wave band the Beat, released on 8 August 1980 as the fourth and final single from their debut studio album I Just Can't Stop It . It was released as a double A-side single with a dub version of "Stand Down Margaret". The single wasn't as successful as the band's previous singles and only peaked at number 22 on the UK Singles Chart. [2] The band raised 14 thousand pounds from the sales of the single, which went to the Anti-Nuclear Campaign and the CND. [3] [4]
Dave Wakeling said that he was "singing it to myself in the same mirror that "Mirror in the Bathroom" was written in" and that the song is about "singing a song to a reflection, you know, I just found I'm your best friend – you". [5]
Reviewing the song for Smash Hits , David Hepworth wrote "more efficient than a Japanese watch factory, these boys continue to crank out hit product". This is another perfectly levelled 45, crisp, economical and punchy, the usual cleverly varied arrangement shifting the emphasis around a song so simple it's almost a cretin". "Like "Mirror in the Bathroom", it has an insistence to it which is further proof of The Beat's quite incredible sureness of touch". [6] Martyn Sutton for Melody Maker described "Best Friend" as in many ways, their most commercial cut yet. The reggae and ska influences are not so apparent and the whole, attractive sound could well be labelled "Pure Pop". Fabulous rhythm, excellent guitar work and a compulsive hook". [7] On the other hand, reviewing for Sounds , Sandy Robertson was not impressed, writing that "apart from horns, this tune could almost be a lame version of that other Beat from LA". [8]
Chart (1980) | Peak position |
---|---|
UK Singles (OCC) [2] | 22 |
The Beat are a British band formed in Birmingham, England, in 1978. Their music fuses Latin, ska, pop, soul, reggae and punk rock.
I Just Can't Stop It is the debut studio album by British ska band the Beat, released on 23 May 1980 by Go-Feet Records in the United Kingdom. It was released the same year in the United States on Sire Records under the band name "The English Beat". In Australia, it was released on Go-Feet under the band name "The British Beat".
Andrew Cox is a British guitarist, who along with Dave Wakeling, formed ska band The Beat in 1978.
"The Tears of a Clown" is a song written by Hank Cosby, Smokey Robinson, and Stevie Wonder and originally recorded by Smokey Robinson & the Miracles for the Tamla Records label subsidiary of Motown, first appearing on the 1967 album Make It Happen. The track was re-released in the United Kingdom as a single in July 1970, and it became a #1 hit on the UK Singles Chart for the week ending 12 September 1970. Subsequently, Motown released a partially re-recorded and completely remixed version as a single in the United States as well, where it quickly became a #1 hit on both the Billboard Hot 100 and R&B Singles charts.
Roger Charlery, known professionally as Ranking Roger, was an English musician. He was a vocalist in the 1980s ska band the Beat and later new wave band General Public. He subsequently was the frontman for a reformed Beat lineup.
David Wakeling is an English singer, songwriter and musician, best known for his work with the band the Beat and General Public.
David "Shuffle" Steele is an English musician who was a member of the Beat and Fine Young Cannibals.
"Walkin' on the Sun" is a song by American rock band Smash Mouth from their first album, Fush Yu Mang (1997). Released as their debut single in June 1997, the song was Smash Mouth's first major single, reaching No. 1 on the US Billboard Modern Rock Tracks chart and No. 2 on the Billboard Hot 100 Airplay chart. It was also a success abroad, peaking at No. 3 in Canada and Iceland, No. 5 in Italy and Spain, and No. 7 in Australia, where it is certified platinum for shipments exceeding 70,000 units.
"Hands Off...She's Mine" is the second single by British ska/new wave band the Beat, released on 14 February 1980 as the first single from their debut album I Just Can't Stop It. The single was successful, peaking at number 9 on the UK Singles Chart.
"Stand Down Margaret" is a song by British ska/new wave band the Beat, released as a double A-side single with "Best Friend" in August 1980. It is one of the band's most political songs, referring to the want for the then Prime Minister Margaret Thatcher to resign.
"Why?" is a single by British synth-pop band Bronski Beat and appeared on their 1984 album The Age of Consent.
Wha'ppen? is the second studio album by British ska band the Beat, released in 1981 via Go-Feet Records in the United Kingdom and Sire Records in the United States. After the critical and commercial success of I Just Can't Stop It (1980), which mixed ska, reggae and punk rock with social lyrics, the band changed direction on Wha'ppen?, taking influence from many other musical styles which were intriguing the band, including African, steel band and dub music, while keeping reggae at its core. The fast pace of the band's previous work is also exchanged for a slower, mid-tempo pace. Accompanying the music is the socially conscious and political lyrics. The band recorded the record at Roundhouse Studios with producer Bob Sargeant.
"Mirror in the Bathroom" is a single by the British ska band the Beat, released as a single in 1980 from their debut studio album I Just Can't Stop It. It reached number 4 on the UK Singles Chart and consequently was their highest charting release in the UK until 1983. It was released again in 1995 as a 12" single and early in 1996 as a CD single to promote B.P.M.: The Very Best of the Beat. The reissued single reached number 44 in 1996.
"Mr. Raffles " is a song by the British rock band Steve Harley & Cockney Rebel, which was released in 1975 as the second and final single from their third studio album The Best Years of Our Lives. The song was written by Harley, and produced by Harley and Alan Parsons. "Mr. Raffles " reached number 13 in the UK Singles Chart.
"Do Nothing" is a song by ska/2-tone band The Specials, released in December 1980 by 2 Tone Records as the second single from More Specials. The single peaked at number 4 on the UK Singles Chart.
"U R the Best Thing" is the debut single of Northern Irish musical group D:Ream, included on their first album, D:Ream On Volume 1 (1993). Originally a club hit released in 1992, the song has been remixed and re-released twice: in 1993 and in 1994. The 1994 version, also known as the Perfecto mix, was most successful peaking at number three in Scotland, number four on the UK Singles Chart and number six in Ireland. It also peaked at number 13 on the Eurochart Hot 100. The 1993 version reached number one on the Billboard Hot Dance Club Play chart in the US. There were made three different music videos to promote the single.
"I Confess" is a 1982 song written and recorded by British band the Beat. The song was released as a single from the band's third and final studio album, Special Beat Service, finding moderate chart success in the UK. Inspired by the romantic escapades of English tabloids and Wakeling's own personal relationships, the song featured a piano performance led by touring keyboardist Dave "Blockhead" Wright.
"Too Nice to Talk To" is a non-album single by British ska/new wave band The Beat, released on 5 December 1980 by Go-Feet Records. It peaked at number 7 on the UK Singles Chart. The song has since been included on CD reissues of the band's second album Wha'ppen?.
"Touch Me, Touch Me" is a song by Dave Dee, Dozy, Beaky, Mick & Tich, released as a single in March 1967. It peaked at number 13 on the UK Singles Chart.
"I Don't Want Our Loving to Die" is a single by the English rock band the Herd, released in March 1968. Written by Ken Howard and Alan Blaikley, it was the last of the band's three hits on the UK Singles Chart and their most successful, reaching number five in May 1968. The song was generally well received by the music press, with several critics noting its contrast against the Herd's previous hit singles.