"Save It for Later" | ||||
---|---|---|---|---|
Single by the Beat | ||||
from the album Special Beat Service | ||||
B-side | "What's Your Best Thing?" | |||
Released | 2 April 1982 | |||
Studio | Roundhouse Studios (London) | |||
Genre | ||||
Length | 3:34 | |||
Label | Go-Feet | |||
Songwriter(s) | The Beat | |||
Producer(s) | Bob Sargeant | |||
The Beat singles chronology | ||||
| ||||
Music video | ||||
"Save It for Later" on YouTube |
"Save It for Later" is a 1982 song written and recorded by the British ska/new wave band the Beat (known in the United States and Canada as the English Beat). The song was released as a single from the band's third and final studio album, Special Beat Service (1982), finding moderate chart success in Britain.
Written by Beat guitarist Dave Wakeling before the band was founded, the song nearly went unreleased due to opposition from bassist David Steele. After pressure from Wakeling and the record company, the song was ultimately recorded for the band's third studio album. The song has since become one of the band's most famous tracks and has been featured in various soundtracks and compilation albums.
"Save It for Later" is also notable for its unique tuning, which was achieved accidentally. The track's lyrics highlight the suggestive double entendre of the song's title.
"Save It for Later" was written by Beat guitarist Dave Wakeling as a teenager before the founding of the band. [2] The song was then attempted at band rehearsals. [3] Although Wakeling said he "always liked the song before [he] was in the group," the song was initially rejected by bassist David Steele for "being too 'rock,' too 'old wave'". [3]
By the time of the band's third studio album, however, Steele had been unable to provide enough material and the record company began pressuring the band to record "Save It for Later". Wakeling recalled, "It was only really when the record company insisted [on releasing the track], and I got a bit of courage and said, 'Well, look, if it’s not on our record I’d just rather go and record it myself and bring it out.'" [3] Steele continued to refuse to play on the backing track, leading Wakeling and drummer Everett Morton to record a basic track until the rest of the band relented. [3]
"Save It for Later" features a unique DADAAD tuning that Wakeling stumbled upon; he explained, "I had tried to tune my guitar to DADGAD to play along with Jon Martyn [ sic ] tunes in late 70's before the English Beat started. I accidentally came up with DADAAD, so I made up my own chord shapes and enjoyed the hypnotic drone of the tuning on my national steel for hour after hour." [4] Due to the song's atypical tuning, Who guitarist Pete Townshend called Wakeling to ask how to play the song:
"I got a phone call at 11 in the morning, and somebody gave me the phone and said, “It’s Pete Townshend for you.” And I said, “Of course it is, he phones about this time every Saturday doesn’t he?” [Laughs.] I thought it was somebody making a joke. I picked up very sarcastically, 'Oh, hello Pete.' And he said, 'Oh, hello Dave, this is Peter Townshend here and I’m sitting with David Gilmour [of Pink Floyd], and we're trying to work out your song 'Save It for Later,' but we can’t work out the tuning.' They presumed it was DADGAD as well, and couldn’t make it work, and so I had to explain that I’d made a mistake and it was not DADGAD, it was DADAAD. And he laughed and said, 'Oh, thank heavens for that! We've been breaking our fingers trying to get our hands around these chords.'"
— Dave Wakeling [3]
Townshend subsequently performed the song at his Deep End concerts. [5]
Wakeling described the lyrical theme of "Save It for Later" as "about turning from a teenager to someone in their 20s." [2] The title of the song also served as a double entendre—Wakeling explained, "It started off as a dirty schoolboy joke. The phrase 'save it for later' is meant to be 'save it,' comma, 'fellator.'" [3]
"Save It for Later" was released on Special Beat Service in 1982. The song was also released as a single, reaching number 47 on the UK Singles Chart. [6] In the US, along with the track, "Sole Salvation", "Save It for Later" went to number 58 on the Billboard Dance/Disco Top 80 chart. [7]
"Save It for Later" remains one of the Beat's most acclaimed songs. Wakeling acknowledged the song's success, saying, "[The track] actually ended up earning about a third of our catalogue's publishing money, nowadays." [3] According to Wakeling, Pete Townshend (who covered the song on multiple occasions) described the song as "one of [his] favorite songs in [his] whole life." [3] Counting Crows lead vocalist Adam Duritz named it his perfect summer song, saying, "There's just something about the joy of the song ... It just seems so Technicolor to me." [8] Pearl Jam regularly performs the song live in a medley with their song "Better Man." [4]
The track has appeared in Kingpin (1996), Since You've Been Gone (1998), Big Daddy (1999), Funny People (2009), Hot Tub Time Machine (2010), Spider-Man: Homecoming (2017), and Like Father (2018). It also features in the Season 1 finale of Love and Once Upon a Time in the episode "Wake Up Call". [4] A cover of the song by Seattle alternative rock band Harvey Danger appears in the film 200 Cigarettes (1999); [4] a version by Canadian punk rock band Flashlight Brown appears in Sky High (2005). [9] A cover of the song by Pearl Jam's Eddie Vedder appears in season 3, episode 2 of the The Bear, "Next", [10] and the original by The Beat is used in season 3, episode 7, "Legacy". [11]
General Public were an English new wave band, formed in Birmingham in 1983, by vocalists Dave Wakeling and Ranking Roger of the Beat, and which also included former members of Dexys Midnight Runners, the Specials, and the Clash. They are best remembered for their hits "Tenderness" (1984) and "I'll Take You There" (1994).
The Beat are an English band formed in Birmingham, England, in 1978. Their music fuses Latin, ska, pop, soul, reggae and punk rock.
Thunderclap Newman were an English rock band that Pete Townshend of the Who and Kit Lambert formed in 1969 in a bid to showcase the talents of John "Speedy" Keen, Jimmy McCulloch, and Andy "Thunderclap" Newman.
All the Best Cowboys Have Chinese Eyes is the fourth solo studio album by English rock musician Pete Townshend, released on 14 June 1982 by Atco Records. Chris Thomas produced the album and it was recorded by Bill Price at three separate recording studios in London, England, which were Eel Pie, AIR and Wessex. The album peaked at No. 32 on the UK Albums Chart, and at No. 26 on the US Billboard 200.
"Pinball Wizard" is a song by the English rock band the Who, written by guitarist and primary songwriter Pete Townshend and featured on their 1969 rock opera album Tommy. The original recording was released as a single in 1969 and reached No. 4 in the UK charts and No. 19 on the U.S. Billboard Hot 100.
Deep End Live! is an album containing excerpts of the live performance by Pete Townshend's Deep End band, at the Brixton Academy in London, England on 1-2 November 1985. In addition to Townshend, the band included Pink Floyd guitarist David Gilmour, drummer Simon Phillips, bassist Chucho Merchan, keyboardist John "Rabbit" Bundrick, percussionist Jody Linscott, harmonica player Peter Hope Evans, the horn section Kick Horns and backing vocalists. The album was originally released in the U.S. in August 1986 by Atco Records.
Roger Charlery, known professionally as Ranking Roger, was a British musician. He was a vocalist in the 1980s ska band the Beat and later new wave band General Public. He subsequently was the frontman for a reformed Beat lineup.
"I Can't Explain" is a song by English rock band the Who, written by Pete Townshend and produced by Shel Talmy. It was released as a single in the United States on 19 December 1964 by Decca and on 15 January 1965 in the United Kingdom by Brunswick. It was the band's second single release and first under the Who name.
Open D tuning is an open tuning for the acoustic or electric guitar. The open string notes in this tuning are : D A D F♯ A D. It uses the three notes that form the triad of a D major chord: D, F♯ and A.
David Wakeling is an English singer, songwriter and musician, best known for his work with the band the Beat and General Public.
"Love, Reign o'er Me", subtitled "Pete's Theme", is a song by English rock band The Who. Written and composed by guitarist Pete Townshend, it was released on 27 October 1973 as the second single from the band's sixth studio album and second rock opera, Quadrophenia. It is the final song on the album, and has been a concert staple for years. The song peaked at number 76 on the US Billboard Hot 100 and number 54 on Cash Box.
David "Shuffle" Steele is an English musician who was a member of the Beat and Fine Young Cannibals.
Special Beat Service is the third studio album by the British ska band the Beat, released on 1 October 1982 by Go-Feet Records. Like the rest of their material, it was released in the US under the name "the English Beat". It peaked at No. 39 on the Billboard 200 album chart in 1983 on the strength of two singles, "I Confess" and "Save It for Later," the music videos for which received modest airplay on the fledgling MTV video network.
"Something in the Air" is the debut single by English rock band Thunderclap Newman, written by Speedy Keen who also sang the song. It was a No. 1 single for three weeks in the UK Singles Chart in July 1969. The song has been used for films, television and adverts, and has been covered by several artists. The track was also included on Thunderclap Newman's only album release Hollywood Dream over a year later.
"Hands Off...She's Mine" is the second single by British ska/new wave band the Beat, released on 14 February 1980 as the first single from their debut album I Just Can't Stop It. The single was successful, peaking at number 9 on the UK Singles Chart.
"Can't Get Used to Losing You" is a song written by Jerome "Doc" Pomus and Mort Shuman, first made popular by Andy Williams in a 1963 record release, which was a number-two hit in both the US and the UK. Twenty years later, British band the Beat took a reggae re-arrangement to number three in the UK.
"Squeeze Box" is a song by the Who from their album The Who by Numbers. Written by Pete Townshend, the lyrics are couched in sexual double entendres. Unlike many of the band's other hits, the song features country-like elements, as heard in Townshend's banjo picking.
"Mirror in the Bathroom" is a single by the British ska band the Beat, released as a single in 1980 from their debut studio album I Just Can't Stop It. It reached number 4 on the UK Singles Chart and consequently was their highest charting release in the UK until 1983. It was released again in 1995 as a 12" single and early in 1996 as a CD single to promote B.P.M.: The Very Best of the Beat. The reissued single reached number 44 in 1996.
"Disappointed" is a 1989 song by post-punk group Public Image Ltd. It was the first single from 9, their seventh studio album. Lyrically, the song was inspired by John Lydon's experiences with friends within the band throughout its history, who he commented often let him down. Musically, guitarist John McGeoch used an alternate tuning courtesy of Who guitarist Pete Townshend to begin composing the song.
"I Confess" is a 1982 song written and recorded by British band the Beat. The song was released as a single from the band's third and final studio album, Special Beat Service, finding moderate chart success in the UK. Inspired by the romantic escapades of English tabloids and Wakeling's own personal relationships, the song featured a piano performance led by touring keyboardist Dave "Blockhead" Wright.