Bill Dane (aka Bill Zulpo-Dane, born William Thacher Dane on November 12, 1938) is a North American street photographer. Dane pioneered a way to subsidize his public by using photographic postcards. [1] [2] He has mailed over 50,000 of his pictures as photo-postcards since 1969. [3] [4] [5] [6] [7] As of 2007, Dane's method for making his photographs available shifted from mailing photo-postcards to offering his entire body of work on the internet. [8]
Dane studied Political Science and Art/Painting at the University of California, Berkeley. [4] He graduated with a BA in 1964, and a MA in Art/Painting in 1968. Dane painted for seven years before discovering photography in 1969. [2] [9] He worked with Diane Arbus and Lee Friedlander at Hampshire College in the summer of 1971. [10] [11]
Dane was recognized by the John Simon Guggenheim Memorial Foundation with Guggenheim Fellowships in 1973 and 1982. [14] He received Fellowships from the National Endowment for the Arts in 1976 and 1977. [15] He used his grants to photograph inside and outside North America. The results of Dane's explorations have been viewed on his photo-postcards, in exhibitions, catalogs, books, magazines, and over the internet. Unfamiliar Places: A Message From Bill Dane was his seminal exhibit at the Museum of Modern Art in 1973. [4] [5] While Dane continues as a straight, still photographer working in public places, his pictures have evolved dramatically over time. [13]
Dane's photographs are held in the following permanent public collections:
Ansel Easton Adams was an American landscape photographer and environmentalist known for his black-and-white images of the American West. He helped found Group f/64, an association of photographers advocating "pure" photography which favored sharp focus and the use of the full tonal range of a photograph. He and Fred Archer developed a system of image-making called the Zone System, a method of achieving a desired final print through a technical understanding of how the tonal range of an image is the result of choices made in exposure, negative development, and printing.
Diane Arbus was an American photographer. She photographed a wide range of subjects including strippers, carnival performers, nudists, people with dwarfism, children, mothers, couples, elderly people, and middle-class families. She photographed her subjects in familiar settings: their homes, on the street, in the workplace, in the park. "She is noted for expanding notions of acceptable subject matter and violates canons of the appropriate distance between photographer and subject. By befriending, not objectifying her subjects, she was able to capture in her work a rare psychological intensity." In his 2003 New York Times Magazine article, "Arbus Reconsidered", Arthur Lubow states, "She was fascinated by people who were visibly creating their own identities—cross-dressers, nudists, sideshow performers, tattooed men, the nouveaux riches, the movie-star fans—and by those who were trapped in a uniform that no longer provided any security or comfort." Michael Kimmelman writes in his review of the exhibition Diane Arbus Revelations, that her work "transformed the art of photography ". Arbus's imagery helped to normalize marginalized groups and highlight the importance of proper representation of all people.
William Eggleston is an American photographer. He is widely credited with increasing recognition of color photography as a legitimate artistic medium. Eggleston's books include William Eggleston's Guide (1976) and The Democratic Forest (1989).
Robert Adams is an American photographer who has focused on the changing landscape of the American West. His work first came to prominence in the mid-1970s through his book The New West (1974) and his participation in the exhibition New Topographics: Photographs of a Man-Altered Landscape in 1975. He has received two Guggenheim Fellowships, a MacArthur Fellowship, the Deutsche Börse Photography Prize and the Hasselblad Award.
Garry Winogrand was an American street photographer, known for his portrayal of U.S. life and its social issues in the mid-20th century. Photography curator, historian, and critic John Szarkowski called Winogrand the central photographer of his generation.
Lee Friedlander is an American photographer and artist. In the 1960s and 1970s, Friedlander evolved an influential and often imitated visual language of urban "social landscape," with many of his photographs including fragments of store-front reflections, structures framed by fences, posters and street signs. His work is characterized by its innovative use of framing and reflection, often using the natural environment or architectural elements to frame his subjects. Over the course of his career, Friedlander has been the recipient of numerous awards and his work has been exhibited in major museums and galleries worldwide.
Thaddeus John Szarkowski was an American photographer, curator, historian, and critic. From 1962 to 1991 Szarkowski was the director of photography at New York's Museum of Modern Art (MoMA).
The term vernacular photography is used in several related senses. Each is in one way or another meant to contrast with received notions of fine-art photography. Vernacular photography is also distinct from both found photography and amateur photography. The term originated among academics and curators, but has moved into wider usage.
Judith Joy Ross is an American portrait photographer. Her books include Contemporaries (1995), Portraits (1996), Portraits of the Hazleton Public Schools (2006) and Protest the War (2007), "exploring such themes as the innocence of youth, the faces of political power, and the emotional toll of war".
John Gutmann was a German-born American photographer and painter.
Henry Wessel was an American photographer and educator. He made "obdurately spare and often wry black-and-white pictures of vernacular scenes in the American West".
Bruce Landon Davidson is an American photographer, who has been a member of the Magnum Photos agency since 1958. His photographs, notably those taken in Harlem, New York City, have been widely exhibited and published. He is known for photographing communities that are usually hostile to outsiders.
Mario Giacomelli was an Italian photographer and photojournalist in the genre of humanism.
Richard Misrach is an American photographer. He has photographed the deserts of the American West, and pursued projects that document the changes in the natural environment that have been wrought by various man-made factors such as urban sprawl, tourism, industrialization, floods, fires, petrochemical manufacturing, and the testing of explosives and nuclear weapons by the military. Curator Anne Wilkes Tucker writes that Misrach's practice has been "driven [by] issues of aesthetics, politics, ecology, and sociology." In a 2011 interview, Misrach noted: "My career, in a way, has been about navigating these two extremes - the political and the aesthetic."
Katy Grannan is an American photographer and filmmaker. She made the feature-length film, The Nine. Her work is held in the collections of the Metropolitan Museum of Art, Museum of Modern Art, Solomon R. Guggenheim Museum, and Whitney Museum of American Art.
New Documents was an influential documentary photography exhibition at Museum of Modern Art, New York, in 1967, curated by John Szarkowski. It presented photographs by Diane Arbus, Lee Friedlander and Garry Winogrand and is said to have "represented a shift in emphasis" and "identified a new direction in photography: pictures that seemed to have a casual, snapshot-like look and subject matter so apparently ordinary that it was hard to categorize".
Fraenkel Gallery is a contemporary art gallery in San Francisco founded by Jeffrey Fraenkel in 1979. Daphne Palmer is president of the gallery.
Anthony Hernandez is an American photographer who divides his time between Los Angeles, his birthplace, and Idaho. His photography has ranged from street photography to images of the built environment and other remains of civilization, particularly those discarded or abandoned elements that serve as evidence of human presence. He has spent most of his career photographing in Los Angeles and environs. "It is L.A.'s combination of beauty and brutality that has always intrigued Hernandez." La Biennale di Venezia said of Hernandez, "For the past three decades a prevalent question has troubled the photographer: how to picture the contemporary ruins of the city and the harsh impact of urban life on its less advantaged citizens?" His wife is the novelist Judith Freeman.
Sandra S. "Sandy" Phillips is an American writer, and curator working in the field of photography. She is the Curator Emeritus of Photography at the San Francisco Museum of Modern Art. She joined the museum as curator of photography in 1987 and was promoted to senior curator of photography in 1999 in acknowledgement of her considerable contributions to SFMOMA. A photographic historian and former curator at the Vassar College Art Gallery in Poughkeepsie, N.Y., Phillips succeeded Van Deren Coke as head of one of the country’s most active departments of photography. Phillips stepped down from her full time position in 2016.
John Forrest Harding is a San Francisco–based photographer best known for the color street photography that he has pursued for four decades. Harding is the author of several photography books, and has taught courses on photography at City College of San Francisco and College of Marin.
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