Bilulu | |
---|---|
Deified rain cloud | |
Other names | possibly Ninbilulu |
Personal information | |
Children | Girgire |
Bilulu was a Mesopotamian goddess who most likely functioned as the deification of rain clouds. She might be related to Ninbilulu known from a number of Early Dynastic texts. She is known from the myth Inanna and Bilulu, in which she is responsible for the death of Dumuzi. This event is subsequently avenged by Inanna, who turns Bilulu into a waterskin.
In 1953 Samuel Noah Kramer and Thorkild Jacobsen proposed that Bilulu functioned as a personified thunderstorm or rain cloud. [1] According to Daniel Schwemer this interpretation remains plausible, and finds support in the translation of the name of her son Girgire, "lightning bolt". [2] However, the precise meaning of her own name is not known. [3] She was referred to as um-ma, "old woman". [2] Manuel Ceccarelli proposes that she might have functioned as a figure comparable to Frau Holle or Perchta from German folklore. [4]
It is presumed that Bilulu might be related to the Early Dynastic deity Ninbilulu, [3] who is already attested in the Fara and Abu Salabikh god lists, [5] as well as in the Zame Hymns , in the last of these sources as a deity associated with various sources of water, including Tigris and Euphrates. [3] Julia M. Asher-Greve suggests that the theonym Bilulu is older, and the cuneiform sign nin could be added to it as a prefix. [6] Daniel Schwemer also considers Bilulu to be the original form. [2] Antoine Cavigneaux and Manfred Krebernik assume Ninbilulu might be identified with Enbilulu, [5] a deity associated with irrigation [3] consistently regarded as male. [2] However, according to Joan Goodnick Westenholz it is possible Ninbilulu was a goddess at some point, and that either she came to be viewed as male later, or that female and male derivatives of her coexisted. [3]
While the theonym Ninbilulu does not appear in any sources postdating the Early Dynastic period, Bilulu is present in the myth Inanna and Bilulu. [3] The text is poorly preserved, and has been dated to between the nineteenth and seventeenth century BCE. [7] According to Uri Gabbay, it is difficult to tell if it originally functioned as part of the scribal school curriculum, or as a liturgical text. [8] The plot revolves around the death of Dumuzi. [9] It presents a tradition distinct from that known from Inanna's Descent, as Inanna's actions are meant to avenge this event. [10] The cause is a raid on Dumuzi s dwelling conducted by Bilulu and her son Girgire. [9] According to Richard L. Litke, the latter deity might also be mentioned in the god list An = Anum (tablet IV, line 264) though the glosses provided there would imply that in this case the name, while written as d GÍR.GÍR, should be read as Ulul. [11] Inanna is informed about Bilulu's role in the events by a nameless servant of Dumuzi. [9] She recites a paean in his memory, praising his skills as a shepherd, and decides that she needs to avenge him by killing Bilulu. [12] She finds her in her dwelling, and places a curse upon her:
Begone! I have killed you; so it is indeed, and with you I destroy also your name! [13]
Bilulu subsequently gets turned into a waterskin, and she and her son are tasked with acting as the tutelary deities of the desert, who are "no one's child and no one's friend", and are tasked with informing the deceased Dumuzi whenever a libation is poured out for him. [13] The transformation might be meant to give the myth an etiological meaning. [2] The rest of the composition is focused on Inanna mourning Dumuzi's death alongside his sister Geshtinanna and his mother Duttur. [14] Samuel Noah Kramer's and Thorkild Jacobsen's original translation ends with the formula
How truly she proved the equal of Dumuzi, avenging him; by killing Bilulu, Inana proved equal to him! [15]
However, according to Steve Tinney this interpretation might have been partially mistaken, and the passage should be retranslated:
Thus she evens the score for Dumuzi, having avenged him. Bilulu is dead! Inana evened the score! [16]
Ninḫursaĝ sometimes transcribed Ninursag, Ninḫarsag, or Ninḫursaĝa, also known as Damgalnuna or Ninmah, was the ancient Sumerian mother goddess of the mountains, and one of the seven great deities of Sumer. She is known earliest as a nurturing or fertility goddess. Temple hymn sources identify her as the "true and great lady of heaven" and kings of Lagash were "nourished by Ninhursag's milk". She is the tutelary deity to several Sumerian leaders.
Inanna is the ancient Mesopotamian goddess of love, war, and fertility. She is also associated with sensuality, procreation, divine law, and political power. Originally worshipped in Sumer, she was known by the Akkadian Empire, Babylonians, and Assyrians as Ishtar. Her primary title is "the Queen of Heaven".
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Damgalnuna, also known as Damkina, was a Mesopotamian goddess regarded as the wife of the god Enki. Her character is poorly defined in known sources, though it is known that like her husband she was associated with ritual purification and that she was believed to intercede with him on behalf of supplicants. Among the deities regarded as their children were Nanshe and Asalluhi. While the myth Enki and Ninhursag treats her as interchangeable with the goddess mentioned in its title, they were usually separate from each other. The cities of Eridu and Malgium were regarded as Damgalnuna's cult centers. She was also worshiped in other settlements, such as Nippur, Sippar and Kalhu, and possibly as early as in the third millennium BCE was incorporated into the Hurrian pantheon. She appears in a number of myths, including the Enūma Eliš, though only a single composition, Damkina's Bond, is focused on her.
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Ningikuga was a Mesopotamian goddess. Her name can be explained as nin-gi-kug-a(k), "lady of the pure reed".
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Ninegal or Belat Ekalli (Belet-ekalli) was a Mesopotamian goddess associated with palaces. Both her Sumerian and Akkadian name mean "lady of the palace."
Geshtinanna was a Mesopotamian goddess best known due to her role in myths about the death of Dumuzi, her brother. It is not certain what functions she fulfilled in the Mesopotamian pantheon, though her association with the scribal arts and dream interpretation is well attested. She could serve as a scribe in the underworld, where according to the myth Inanna's Descent she had to reside for a half of each year in place of her brother.
Ninisina was a Mesopotamian goddess who served as the tutelary deity of the city of Isin. She was considered a healing deity. She was believed to be skilled in the medical arts, and could be described as a divine physician or midwife. As an extension of her medical role, she was also believed to be capable of expelling various demons. Her symbols included dogs, commonly associated with healing goddesses in Mesopotamia, as well as tools and garments associated with practitioners of medicine.
Ashgi was a Mesopotamian god associated with Adab and Kesh. While he was originally the tutelary deity of the former of these two cities, he was eventually replaced in this role by his mother Ninhursag, locally known under the name Digirmah. He is mostly attested in sources from before the Old Babylonian period.
Sukkal was a term which could denote both a type of official and a class of deities in ancient Mesopotamia. The historical sukkals were responsible for overseeing the execution of various commands of the kings and acted as diplomatic envoys and translators for foreign dignitaries. The deities referred to as sukkals fulfilled a similar role in mythology, acting as servants, advisors and envoys of the main gods of the Mesopotamian pantheon, such as Enlil or Inanna. The best known sukkal is the goddess Ninshubur. In art, they were depicted carrying staves, most likely understood as their attribute. They could function as intercessory deities, believed to mediate between worshipers and the major gods.
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