Blam (Lichtenstein)

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Blam
Blam (Roy Lichtenstein).jpg
Artist Roy Lichtenstein
Year1962
Movement Pop art
Dimensions172.7 cm× 203.2 cm(68 in× 80 in)
Location Yale University Art Gallery

Blam (sometimes Blam!) is a 1962 painting by Roy Lichtenstein falling within the pop art idiom. It is one of his military comic book derivatives and was one of the works presented at his first solo exhibition. The work is in the collection at the Yale University Art Gallery

Contents

History

The source for Blam was All American Men of War #89 (January-February 1962) Blam source.jpg
The source for Blam was All American Men of War #89 (January–February 1962)

The painting is based on Russ Heath's art in the comic book All-American Men of War issue #89 (January-February 1962), published by National Periodical Publications. [1] The painting depicts a pilot ejecting from an exploding plane. [2] The same issue was the inspiration for several other Lichtenstein paintings, Okay Hot-Shot, Okay! , Brattata , Whaam! and Tex! [3] The graphite pencil sketch, Jet Pilot was also from that issue. [4]

When Lichtenstein had his first solo show at The Leo Castelli Gallery in February 1962, it sold out before opening. Blam sold for $1000 ($8,556 in 2020 dollars [5] ), according to one source, [6] but less than $1000 according to another. [7] The exhibition included Look Mickey , [8] Engagement Ring and The Refrigerator. [9] The show ran from February 10 through March 3. [10] The work appeared in the exhibition entitled 'The New Realists' at the Sidney Janis Gallery [11] from November 1 to December 1, 1962.

Details

Lichtenstein began his war imagery efforts with single frame pictures such as BLAM. [2] Blam uses quintessential war imagery. Although the text is limited to one four-letter word, the narrative is unnecessary owing to the eminent realism presented. The canvas is loaded with images surrounding the focal figure, of the aircraft under attack. [12] It is regarded, along with Takka Takka as "successful in their combination of brilliant color and narrative situation". [13] Blam is a jest with the viewer that uses an exclamation without narrative context. [14] Like Blang (1962) and Varoom (1963), Blam's onomatopoeia explodes "like a violent central sun over the entire composition". [15] Lichtenstein has revised the original source so that the aircraft and its explosion are the joint foci from which the painting radiates. Unlike the original, which had substantive narrative content, Lichtenstein's version has more formality and a linear pattern, but a more simplified surface. [16]

See also

Notes

  1. ↑ "Ohhh ... Alright ..." Lichtenstein Foundation. Retrieved May 20, 2012.
  2. 1 2 Livingstone, Marco (1990). Pop Art: A Continuing History . Harry N. Abrams. p.  121. ISBN   0-8109-3707-7.
  3. ↑ Armstrong, Matthew (Autumn 1990). "High & Low: Modern Art & Popular Culture: Searching High and Low". Moma. Museum of Modern Art. 2 (6): 4–8, 16–17. JSTOR   4381129.
  4. ↑ "Jet Pilot". LichtensteinFoundation.org. Retrieved June 24, 2013.
  5. ↑ 1634 to 1699: McCusker, J. J. (1992). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy ofthe United States: Addenda et Corrigenda (PDF). American Antiquarian Society. 1700-1799: McCusker, J. J. (1992). How much is that in real money?: a historical price index for use as a deflator of money values in the economy of the United States (PDF). American Antiquarian Society. 1800–present: Federal Reserve Bank of Minneapolis. "Consumer Price Index (estimate) 1800–" . Retrieved January 1, 2020.
  6. ↑ Tomkins, Calvin (1988). Roy Lichtenstein: Mural With Blue Brushstroke. Harry N. Abrams, Inc. p. 25. ISBN   0-8109-2356-4.
  7. ↑ Marquis, Alice Goldfarb (2010). "But Is It Art?". The Pop! Revolution. MFA Publications. p. 69. ISBN   978-0-87846-744-0.
  8. ↑ Marquis, Alice Goldfarb (2010). "The Arts Take Center Stage". The Pop! Revolution. MFA Publications. p. 37. ISBN   978-0-87846-744-0.
  9. ↑ Tomkins, Calvin (1988). Roy Lichtenstein: Mural With Blue Brushstroke. Harry N Abrams. p. 25. ISBN   0-8109-2356-4.
  10. ↑ Judd, Donald (2009). "Reviews 1962–64". In Bader, Graham (ed.). Roy Lichtenstein: October Files. The MIT Press. p. 2. ISBN   978-0-262-01258-4.
  11. ↑ Livingstone, Marco, ed. (1991). Pop Art: An International Perspective. Rizzoli International Publications, Inc. p. 34. ISBN   0-8478-1475-0.
  12. ↑ Waldman, Diane (1993). Roy Lichtenstein. Solomon R. Guggenheim Museum. p.  95. ISBN   0-89207-108-7.
  13. ↑ Alloway, Lawrence (1983). Roy Lichtenstein . Abbeville Press. pp.  20–21. ISBN   0-89659-331-2.
  14. ↑ Tansey, Richard G. and Fred S. Kleiner (1996). Gardner's Art Through The Ages (tenth ed.). Harcourt Brace College Publishers. p. 1116. ISBN   0-15-501141-3.
  15. ↑ Boatto, Alberto and Giofucjk yourdano Falzoni (ed.). Lichtenstein (International ed.). Fantazaria. p. 56.
  16. ↑ Alloway, Lawrence (1974). American Pop Art . Macmillan Publishing Co., Inc. p.  75. ISBN   0-02-627700-X.

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