Roy Fox Lichtenstein was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.
Audrey Flack is an American artist. Her work pioneered the art genre of photorealism and encompasses painting, printmaking, sculpture, and photography.
Rirkrit Tiravanija is a Thai contemporary artist residing in New York City, Berlin, and Chiangmai, Thailand. He was born in Buenos Aires, Argentina in 1961. His installations often take the form of stages or rooms for sharing meals, cooking, reading or playing music; architecture or structures for living and socializing are a core element in his work.
Whaam! is a 1963 diptych painting by the American artist Roy Lichtenstein. It is one of the best-known works of pop art, and among Lichtenstein's most important paintings. Whaam! was first exhibited at the Leo Castelli Gallery in New York City in 1963, and purchased by the Tate Gallery, London, in 1966. It has been on permanent display at Tate Modern since 2006.
Chakaia Booker is an American sculptor known for creating monumental, abstract works for both the gallery and outdoor public spaces. Booker’s works are contained in more than 40 public collections and have been exhibited across the United States, Europe, Africa, and Asia. Booker was included in the 2000 Whitney Biennial, received a Guggenheim Fellowship in 2005, and an American Academy of Arts and Letters Award for Art in 2001. Booker has lived and worked in New York City’s East Village since the early 1980s and maintains a production studio in Allentown, Pennsylvania.
Little Big Painting is a 1965 oil and Magna on canvas pop art painting by Roy Lichtenstein. It is part of the Brushstrokes series of artworks that include several paintings and sculptures. It is located at the Whitney Museum of American Art in New York City. As with all of his Brushstrokes works, it is in part a satirical response to the gestural painting of abstract expressionism.
Giuseppe Panza di Biumo was a collector of modern art. He lived in Milan and Varese, Italy.
Girl with Ball is a 1961 painting by Roy Lichtenstein. It is an oil on canvas Pop art work that is now in the collection of the Museum of Modern Art, after being owned for several decades by Philip Johnson. It is one of Lichtenstein's earliest Pop art works and is known for its source, which is a newspaper ad that ran for several decades and which was among Lichtenstein's earliest works sourced from pop culture.
Oh, Jeff...I Love You, Too...But... is a 1964 oil and magna on canvas painting by Roy Lichtenstein. Like many of Lichtenstein's works its title comes from the speech balloon in the painting.
Bedroom at Arles is a 1992 oil and Magna on canvas painting by Roy Lichtenstein based on the Bedroom in Arles series of paintings by Vincent van Gogh. He painted it in July 1992. It is the only quotation of another painting that Lichtenstein did of an interior. It is located on the Fitzhugh Farm in Maryland in the Robert and Jane Meyerhoff Collection.
Expressionist Head by pop artist Roy Lichtenstein is the name associated with several 1980s works of art. It is widely associated with a set of six identical sculptures but is also associated with a series of paintings.
Mural with Blue Brushstroke is a 1986 mural painting by Roy Lichtenstein that is located in the atrium of the Equitable Tower in New York City. The mural was the subject of the book Roy Lichtenstein: Mural With Blue Brushstroke. The mural includes highlights of Lichtenstein's earlier works.
Drowning Girl is a 1963 American painting in oil and synthetic polymer paint on canvas by Roy Lichtenstein, based on original art by Tony Abruzzo. The painting is considered among Lichtenstein's most significant works, perhaps on a par with his acclaimed 1963 diptych Whaam!. One of the most representative paintings of the pop art movement, Drowning Girl was acquired by the Museum of Modern Art in 1971.
Mermaid is a 1979 outdoor sculpture by Roy Lichtenstein, composed of concrete, steel, polyurethane, enamel, palm tree, and water. It is located in Miami Beach at the Fillmore Miami Beach at Jackie Gleason Theater. Measuring 640 cm × 730 cm × 330 cm, it is his first public art commission according to some sources, although others point to a temporary pavilion that predates this work. It is also the second piece of public art in the city of Miami Beach. Since the sculpture was installed, it has been restored several times, and the theater that it accompanies has been restored and renamed twice.
Brushstrokes series is the name for a series of paintings produced in 1965-1966 by Roy Lichtenstein. It also refers to derivative sculptural representations of these paintings that were first made in the 1980s. In the series, the theme is art as a subject, but rather than reproduce masterpieces as he had starting in 1962, Lichtenstein depicted the gestural expressions of the painting brushstroke itself. The works in this series are linked to those produced by artists who use the gestural painting style of abstract expressionism made famous by Jackson Pollock, but differ from them due to their mechanically produced appearance. The series is considered a satire or parody of gestural painting by both Lichtenstein and his critics. After 1966, Lichtenstein incorporated this series into later motifs and themes of his work.
Artist's Studio—Look Mickey is a 1973 painting by Roy Lichtenstein. It is one of five large-scale studio interior paintings in a series. The series is either referred to as the Artist's Studio series or more colloquially as the Studios and sometimes is described as excluding the other 1973 painting, reducing the series to four.
Yellow and Green Brushstrokes is a 1966 oil and Magna on canvas pop art painting by Roy Lichtenstein. It is part of the Brushstrokes series of artworks that includes several paintings and sculptures. It is located at the Museum für Moderne Kunst in Frankfurt, Germany. As with all of his Brushstrokes works, it is in part a satirical response to the gestural painting of Abstract Expressionism. It is in the collection of the Museum für Moderne Kunst.
Blam is a 1962 painting by Roy Lichtenstein falling within the pop art idiom. It is one of his military comic book derivatives and was one of the works presented at his first solo exhibition. The work is in the collection at the Yale University Art Gallery
Golf Ball is a 1962 painting by Roy Lichtenstein. It is considered to fall within the art movement known as pop art. It depicts "a single sphere with patterned, variously directional semi-circular grooves." The work is commonly associated with black-and-white Piet Mondrian works. It is one of the works that was presented at Lichtenstein's first solo exhibition and one that was critical to his early association with pop art. The work is commonly critiqued for its tension involving a three-dimensional representation in two dimensions with much discussion revolving around the choice of a background nearly without any perspective.
Brushstrokes is a 1965 oil and Magna on canvas pop art painting by Roy Lichtenstein. It is the first element of the Brushstrokes series of artworks that includes several paintings and sculptures. As with all of his Brushstrokes works, it is in part a satirical response to the gestural painting of Abstract Expressionism.
