Roy Fox Lichtenstein was an American pop artist. During the 1960's, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.
The Hirshhorn Museum and Sculpture Garden is an art museum beside the National Mall in Washington, D.C., United States. The museum was initially endowed during the 1960s with the permanent art collection of Joseph H. Hirshhorn. It was designed by architect Gordon Bunshaft and is part of the Smithsonian Institution. It was conceived as the United States' museum of contemporary and modern art and currently focuses its collection-building and exhibition-planning mainly on the post–World War II period, with particular emphasis on art made during the last 50 years.
Little Big Painting is a 1965 oil and Magna on canvas pop art painting by Roy Lichtenstein. It is part of the Brushstrokes series of artworks that include several paintings and sculptures. It is located at the Whitney Museum of American Art in New York City. As with all of his Brushstrokes works, it is in part a satirical response to the gestural painting of abstract expressionism.
Are Years What? is a sculpture by American artist Mark di Suvero. It is in the collection of the Hirshhorn Museum and Sculpture Garden, in Washington, D.C., United States. The sculpture is named after poet Marianne Moore's "What Are Years". From May 22, 2013 through May 26, 2014, the sculpture resided temporarily in San Francisco, as part of the San Francisco Museum of Modern Art's Mark di Suvero exhibition at Crissy Field.
House I is a sculpture by Roy Lichtenstein. It has an illusion, which makes it appear inside out, or normally, depending on which way the viewer sees it.
Lunar Bird is an abstract bronze sculpture by Joan Miró. It was modeled in 1945, enlarged in 1966, and cast in 1967.
Draped Reclining Figure, 1952–53 is a bronze sculpture by Henry Moore, catalogued as "LH 336".
Geometric Mouse, Variation I, Scale A is an abstract sculpture by Claes Oldenburg. created in 1971.
Modern Head is the name given to five extant 31-foot tall steel sculptures by Roy Lichtenstein. It has sometimes been claimed that the artist produced Modern Head as an edition of four sculptures; however, this is incorrect.
Brushstrokes series is the name for a series of paintings produced in 1965-1966 by Roy Lichtenstein. It also refers to derivative sculptural representations of these paintings that were first made in the 1980s. In the series, the theme is art as a subject, but rather than reproduce masterpieces as he had starting in 1962, Lichtenstein depicted the gestural expressions of the painting brushstroke itself. The works in this series are linked to those produced by artists who use the gestural painting style of abstract expressionism made famous by Jackson Pollock, but differ from them due to their mechanically produced appearance. The series is considered a satire or parody of gestural painting by both Lichtenstein and his critics. After 1966, Lichtenstein incorporated this series into later motifs and themes of his work.
Brushstrokes is a 1965 oil and Magna on canvas pop art painting by Roy Lichtenstein. It is the first element of the Brushstrokes series of artworks that includes several paintings and sculptures. As with all of his Brushstrokes works, it is in part a satirical response to the gestural painting of Abstract Expressionism.
Brushstrokes is a 1996 sculpture by Roy Lichtenstein, installed outside the Portland Art Museum's Mark Building, in Portland, Oregon. It is part of the Brushstrokes series of artworks that includes several paintings and sculptures whose subject is the actions made with a house-painter's brush.
Brushstrokes in Flight is a 1984 sculpture by Roy Lichtenstein, installed at the John Glenn Columbus International Airport in Columbus, Ohio. It is part of the Brushstrokes series of artworks that includes several paintings and sculptures whose subject is the actions made with a house-painter's brush.
Miranda Lichtenstein is an American artist focusing on photography and video.
Maggie Michael is an American painter. Born in Milwaukee, Michael has spent much of her career in Washington, D.C. A 1996 graduate of the University of Wisconsin-Milwaukee, from which she received a BFA, with honors, she received her MA from San Francisco State University in 2000 and her MFA from American University in 2002. She has received numerous awards during her career, including a grant from the Joan Mitchell Foundation in 2004, the same year in which she was given a Young Artist Grant by the D.C. Commission on the Arts and Humanities; she has also worked with the Hirshhorn Museum and Sculpture Garden. Michael is married to the sculptor Dan Steinhilber. She has served on the faculty of the Corcoran College of Art and Design.
Five Brushstrokes is a 1984 sculpture from the Brushstrokes series by Roy Lichtenstein that was fabricated in 2010 and acquired by the New Orleans Museum of Art in 2013. It was installed in a fountain at the entrance of the museum in City Park. The painted and fabricated aluminum sculpture is a gift of Sydney and Walda Besthoff and Partial Gift of the Roy Lichtenstein Foundation.
Five Brushstrokes is a 1983–84 sculpture series from the Brushstrokes series by Roy Lichtenstein that was fabricated in 2012 and acquired by the Indianapolis Museum of Art in 2013. It was installed in front of the entrance of the main building of the museum. The painted and fabricated aluminum and steel sculptural series is a gift of the Robert L. and Marjorie J. Mann Fund and partial gift of the Roy Lichtenstein Foundation. The first showing of Element E of the series was displayed in the rotunda of the Tweed Courthouse in 2003 as part of a Lower Manhattan public art exhibit.
The House series was produced by Roy Lichtenstein in the late 1990s and consists of several large-scale outdoor sculptures and an interior wall piece. The House series includes three distinct works: House I, House II, and House III. Each piece depicts the exterior of a simplified cartoon house, while actively producing an optical illusion. Houses I and III are available for display at the National Gallery of Art Sculpture Garden in Washington, D.C., and the High Museum of Art in Atlanta, GA, respectively. No records indicate the current location of House II.
Tokyo Brushstroke I and II, or Tokyo Brushstrokes, refers to two 1994 aluminum sculptures by Roy Lichtenstein. Copies are installed outside Shinjuku I-Land Co, Ltd., in Tokyo, Japan, and at the Parrish Art Museum in Watermill, New York.
