Roy Fox Lichtenstein was an American pop artist. During the 1960's, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.
Abstract expressionism in the United States emerged as a distinct art movement in the immediate aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depression and Mexican muralists. The term was first applied to American art in 1946 by the art critic Robert Coates. Key figures in the New York School, which was the center of this movement, included such artists as Arshile Gorky, Jackson Pollock, Franz Kline, Mark Rothko, Norman Lewis, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell and Theodoros Stamos among others.
Lenore "Lee" Krasner was an American painter and visual artist active primarily in New York whose work has been associated with the Abstract Expressionist movement. She received her early academic training at the Women's Art School of Cooper Union, and the National Academy of Design from 1928 to 1932. Krasner's exposure to Post-Impressionism at the newly opened Museum of Modern Art in 1929 led to a sustained interest in modern art. In 1937, she enrolled in classes taught by Hans Hofmann, which led her to integrate influences of Cubism into her paintings. During the Great Depression, Krasner joined the Works Progress Administration's Federal Art Project, transitioning to war propaganda artworks during the War Services era.
Color field painting is a style of abstract painting that emerged in New York City during the 1940s and 1950s. It was inspired by European modernism and closely related to abstract expressionism, while many of its notable early proponents were among the pioneering abstract expressionists. Color field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane. The movement places less emphasis on gesture, brushstrokes and action in favor of an overall consistency of form and process. In color field painting "color is freed from objective context and becomes the subject in itself."
Al Held was an American Abstract expressionist painter. He was particularly well known for his large scale Hard-edge paintings. As an artist, multiple stylistic changes occurred throughout his career, however, none of these occurred at the same time as any popular emerging style or acted against a particular art form. In the 1950s his style reflected the abstract expressionist tone and then transitioned to a geometric style in the 1960s. During the 1980s, there was a shift into painting that emphasized bright geometric space that's deepness reflected infinity. From 1963 to 1980 he was a professor of art at Yale University.
Whaam! is a 1963 diptych painting by the American artist Roy Lichtenstein. It is one of the best-known works of pop art, and among Lichtenstein's most important paintings. Whaam! was first exhibited at the Leo Castelli Gallery in New York City in 1963, and purchased by the Tate Gallery, London, in 1966. It has been on permanent display at Tate Modern since 2006.
20th-century Western painting begins with the heritage of late-19th-century painters Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat, Henri de Toulouse-Lautrec, and others who were essential for the development of modern art. At the beginning of the 20th century, Henri Matisse and several other young artists including the pre-cubist Georges Braque, André Derain, Raoul Dufy and Maurice de Vlaminck, revolutionized the Paris art world with "wild", multi-colored, expressive landscapes and figure paintings that the critics called Fauvism. Matisse's second version of The Dance signified a key point in his career and in the development of modern painting. It reflected Matisse's incipient fascination with primitive art: the intense warm color of the figures against the cool blue-green background and the rhythmical succession of the dancing nudes convey the feelings of emotional liberation and hedonism.
Perle Fine (1905–1988) was an American Abstract expressionist painter. Fine's work was most known by its combination of fluid and brushy rendering of the materials and the use of biomorphic forms encased and intertwined with irregular geometric shapes.
Strange Suspense Stories is a comic book that was published in two volumes by Fawcett Comics and Charlton Comics in the 1950s and 1960s. Starting out as a horror/suspense title, the first volume gradually moved toward eerie fantasy and weird science fiction, before ending as a vehicle for the superhero Captain Atom. The title's second volume was more in the horror/suspense vein. Altogether, 72 issues of Strange Suspense Stories were published.
Look Mickey is a 1961 oil on canvas painting by Roy Lichtenstein. Widely regarded as the bridge between his abstract expressionism and pop art works, it is notable for its ironic humor and aesthetic value as well as being the first example of the artist's employment of Ben-Day dots, speech balloons and comic imagery as a source for a painting. The painting was bequeathed to the Washington, D.C., National Gallery of Art upon Lichtenstein's death.
Bedroom at Arles is a 1992 oil and Magna on canvas painting by Roy Lichtenstein based on the Bedroom in Arles series of paintings by Vincent van Gogh. He painted it in July 1992. It is the only quotation of another painting that Lichtenstein did of an interior. It is located on the Fitzhugh Farm in Maryland in the Robert and Jane Meyerhoff Collection.
Big Painting No. 6 is a 1965 oil and Magna on canvas painting by Roy Lichtenstein. Measuring 235 cm × 330 cm, it is part of the Brushstrokes series of artworks that includes several paintings and sculptures whose subject is the actions made with a house-painter's brush. It set a record auction price for a painting by a living American artist when it sold for $75,000 in 1970. The painting is in the Kunstsammlung Nordrhein-Westfalen collection.
Mural with Blue Brushstroke is a 1986 mural painting by Roy Lichtenstein that is located in the atrium of the Equitable Tower in New York City. The mural was the subject of the book Roy Lichtenstein: Mural With Blue Brushstroke. The mural includes highlights of Lichtenstein's earlier works.
Drowning Girl is a 1963 American painting in oil and synthetic polymer paint on canvas by Roy Lichtenstein, based on original art by Tony Abruzzo. The painting is considered among Lichtenstein's most significant works, perhaps on a par with his acclaimed 1963 diptych Whaam!. One of the most representative paintings of the pop art movement, Drowning Girl was acquired by the Museum of Modern Art in 1971.
Brushstrokes series is the name for a series of paintings produced in 1965-1966 by Roy Lichtenstein. It also refers to derivative sculptural representations of these paintings that were first made in the 1980s. In the series, the theme is art as a subject, but rather than reproduce masterpieces as he had starting in 1962, Lichtenstein depicted the gestural expressions of the painting brushstroke itself. The works in this series are linked to those produced by artists who use the gestural painting style of abstract expressionism made famous by Jackson Pollock, but differ from them due to their mechanically produced appearance. The series is considered a satire or parody of gestural painting by both Lichtenstein and his critics. After 1966, Lichtenstein incorporated this series into later motifs and themes of his work.
As I Opened Fire is a 1964 oil and magna on canvas painting by Roy Lichtenstein. The work is hosted at the Stedelijk Museum in Amsterdam. The source of the subject matter is Jerry Grandenetti's panels from "Wingmate of Doom," in All American Men of War, no. 90, DC Comics.
Portrait of Madame Cézanne is a 1962 pop art painting by Roy Lichtenstein. It is a quotation of Erle Loran's diagram of one of Paul Cézanne's 27 portraits of his wife Marie-Hortense Fiquet, now in the Barnes Foundation, Philadelphia. It was one of the works exhibited at Lichtenstein's first solo exhibition in Los Angeles. The work became controversial in that it led to a reconsideration of what constitutes art.
Yellow and Green Brushstrokes is a 1966 oil and Magna on canvas pop art painting by Roy Lichtenstein. It is part of the Brushstrokes series of artworks that includes several paintings and sculptures. It is located at the Museum für Moderne Kunst in Frankfurt, Germany. As with all of his Brushstrokes works, it is in part a satirical response to the gestural painting of Abstract Expressionism. It is in the collection of the Museum für Moderne Kunst.
Brushstrokes is a 1965 oil and Magna on canvas pop art painting by Roy Lichtenstein. It is the first element of the Brushstrokes series of artworks that includes several paintings and sculptures. As with all of his Brushstrokes works, it is in part a satirical response to the gestural painting of Abstract Expressionism.
Sonia Gechtoff was an American abstract expressionist painter. Her primary medium was painting, but she also created drawings and prints.
