 Book cover | |
| Author | Max Frisch |
|---|---|
| Original title | Blaubart |
| Translator | Geoffrey Skelton |
| Country | Germany |
| Language | German |
| Publisher | Suhrkamp Verlag |
Publication date | 1982 |
Published in English | 1982 |
| Pages | 171 |
| ISBN | 3518028448 |
Bluebeard (German : Blaubart) is a 1982 novel by the Swiss writer Max Frisch. It tells the story of a medical doctor who is accused of murdering his ex-wife. It was Frisch's last novel.
Hans Mayer of Die Zeit called Bluebeard "A beautiful new story, which with Montauk and Holocene clearly rounds off an epic triptych. [1] Reinhard Baumgart of Der Spiegel described it as "very taciturn, yes a quiet book", and wrote that "In parts, the story truly speaks the embarrassing, suggestive and all but naked language of dreams, of the repression of a very bright and sometimes also too weakly lit dream." [2]
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"Bluebeard" is a French folktale, the most famous surviving version of which was written by Charles Perrault and first published by Barbin in Paris in 1697 in Histoires ou contes du temps passé. The tale tells the story of a wealthy man in the habit of murdering his wives and the attempts of the present one to avoid the fate of her predecessors. "The White Dove", "The Robber Bridegroom", and "Fitcher's Bird" are tales similar to "Bluebeard". The notoriety of the tale is such that Merriam-Webster gives the word Bluebeard the definition of "a man who marries and kills one wife after another". The verb bluebearding has even appeared as a way to describe the crime of either killing a series of women, or seducing and abandoning a series of women.
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Montauk is a story by Swiss writer Max Frisch. It first appeared in 1975 and takes an exceptional position in Frisch's work. While fictional stories previously served Frisch for exploring the possible behavior of his protagonists, in Montauk, he tells an authentic experience: a weekend which he spent with a young woman in Montauk on the American East Coast. The short-run love affair is used by Frisch as a retrospective on his own biography. In line with Philip Roth he tells his "life as a man", relates to the women with whom he was associated, and the failure of their relationship. Further reflections apply to the author's age and his near-death and the mutual influence of life and work. Also, the story is about the emergence of Montauk: in contrast to his previous work Frisch describes his decision to document this weekend's direct experience without adding anything. Montauk met with strongly polarized reception. When faced by the open descriptions of their past, former partners of Frisch felt duped. Some readers were embarrassed by Frisch's self-exposure. Other critics hailed the story as his most important work and praised the achievement to make a literary masterpiece of his own life. Marcel Reich-Ranicki adopted Montauk in his Canon of German literature. The 2017 film Return to Montauk by Volker Schlöndorff and Colm Tóibín was inspired by the novel.
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Volker Weidermann is a German writer and literary critic. He currently works for Frankfurter Allgemeine Zeitung as the literary director and editor of the newspaper's Sunday edition. In 2015, he changed to Der Spiegel.
Eine schöne neue Erzählung, die sich mit 'Montauk' und 'Holozän' ganz offensichtlich zum epischen Triptychon gerundet hat.
sehr wortkarges, ja ein schweigsames Buch"; "Die Erzählung spricht streckenweise tatsächlich die peinliche, andeutende und doch nackte Sprache des Traums, des Verdrängten eines sehr hell und manchmal auch zu fein ausgeleuchteten Traums.
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