Blues at Carnegie Hall | ||||
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Live album by | ||||
Released | 1966 | |||
Recorded | April 27, 1966 | |||
Venue | Carnegie Hall, New York City | |||
Genre | Jazz | |||
Length | 42:33 | |||
Label | Atlantic 1468 | |||
Producer | Nesuhi Ertegun | |||
Modern Jazz Quartet chronology | ||||
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Milt Jackson chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Rolling Stone Jazz Record Guide | [2] |
Blues at Carnegie Hall is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded at Carnegie Hall in 1966 at a benefit concert presented by The Manhattan School of Music and released on the Atlantic label. [3]
The Allmusic review stated "This predictable but consistently swinging set is particularly recommended to fans of vibraphonist Milt Jackson". [1]
All compositions by John Lewis except as indicated
Milton Jackson, nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players.
The Modern Jazz Quartet (MJQ) was a jazz combo established in 1952 that played music influenced by classical, cool jazz, blues and bebop. For most of its history the Quartet consisted of John Lewis (piano), Milt Jackson (vibraphone), Percy Heath, and Connie Kay (drums). The group grew out of the rhythm section of Dizzy Gillespie's big band from 1946 to 1948, which consisted of Lewis and Jackson along with bassist Ray Brown and drummer Kenny Clarke. They recorded as the Milt Jackson Quartet in 1951 and Brown left the group, being replaced on bass by Heath. During the early-to-mid-1950s they became the Modern Jazz Quartet, Lewis became the group's musical director, and they made several recordings with Prestige Records, including the original versions of their two best-known compositions, Lewis's "Django" and Jackson's "Bags' Groove". Clarke left the group in 1955 and was replaced as drummer by Connie Kay, and in 1956 they moved to Atlantic Records and made their first tour to Europe.
The Complete Last Concert is a double CD live album by American jazz group the Modern Jazz Quartet featuring performances recorded at Avery Fisher Hall in 1974 and released on the Atlantic label originally as a double album The Last Concert (1975) and More from the Last Concert (1981) before the complete edition was released in 1988.
The Modern Jazz Quartet & Orchestra is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in West Germany in 1960 with an Orchestra and released on the Atlantic label.
European Concert is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded in Sweden in April 1960 and originally released on two consecutive volumes on the Atlantic label.
Pyramid is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1959-60 and released on the Atlantic label.
The Modern Jazz Quartet is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1957 and released on the Atlantic label.
The Modern Jazz Quartet at Music Inn is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded at the Music Inn in Lenox, Massachusetts in 1956, with guest artist Jimmy Giuffre appearing on three numbers, and released on the Atlantic label.
The Modern Jazz Quartet Plays No Sun in Venice is a soundtrack album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1957 for Roger Vadim's No Sun in Venice and released on the Atlantic label.
Collaboration is an album by American jazz group the Modern Jazz Quartet with Brazilian guitarist Laurindo Almeida featuring performances recorded at Webster Hall in 1964 and released on the Atlantic label.
Jazz Dialogue is an album by American jazz group the Modern Jazz Quartet with a big band featuring performances recorded in 1965 and released on the Atlantic label.
Live at the Lighthouse is a live album by American jazz group the Modern Jazz Quartet recorded by Wally Heider at the Lighthouse Café in 1967 and released on the Atlantic label.
The Legendary Profile is an album by American jazz group the Modern Jazz Quartet recorded in 1972 and released on the Atlantic label.
In Memoriam is an album by American jazz group the Modern Jazz Quartet recorded in 1973 and released on the Little David label.
Blues on Bach is an album by American jazz group the Modern Jazz Quartet recorded in 1973 and released on the Atlantic label. The album includes five John Lewis arrangements of pieces by Johann Sebastian Bach, interspersed with four original blues pieces "on" [the name] "Bach"—in keys that spell out in order the name B-A-C-H.
Reunion at Budokan 1981 is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded at their reunion concert at the Nippon Budokan in 1981 and released on the Pablo label.
Together Again: Live at the Montreux Jazz Festival '82 is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded at the Montreux Jazz Festival in 1982 and released on the Pablo label.
Echoes is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1984 and released on the Pablo label.
Topsy: This One's for Basie is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1985 and released on the Pablo label.
Dedicated to Connie is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded in Slovenia in May 1960 and released in 1995 on the Atlantic label following drummer Connie Kay's death. The album was also released by Jazz Life in 1990 as Modern Jazz Quartet In Concert.