Concorde | ||||
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Studio album by | ||||
Released | 1955 (digitally remastered edition released 1995) | |||
Recorded | July 2, 1955 | |||
Studio | Van Gelder Studio, Hackensack, New Jersey | |||
Genre | Cool jazz Third Stream Post bop | |||
Length | 35:38 | |||
Label | Prestige PR 7005 | |||
Producer | Ira Gitler and Bob Weinstock | |||
Modern Jazz Quartet chronology | ||||
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Concorde is an album by the Modern Jazz Quartet, recorded in New York on July 2, 1955, and first released that year as an LP, Prestige 7005, with liner notes by Ira Gitler. The album was reissued in 2008 as part of the Rudy Van Gelder Remasters collection.
The album is the first to feature drummer Connie Kay, who replaced Kenny Clarke in 1955. It is also the first Modern Jazz Quartet LP conceived from the beginning as a long playing record; previous MJQ recordings had been released as 78's, 10 inch 33's or reissues of these formats on a 12-inch LP. The liner notes acknowledge the additional playing time of the LP format by asking the listener to regard this album as a performance set "at one of America's leading jazz rooms".
Review scores | |
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Source | Rating |
AllMusic | [1] |
The Rolling Stone Jazz Record Guide | [2] |
The Penguin Guide to Jazz Recordings | [3] |
Writing for AllMusic, Lindsay Planer described the transition between percussionists as "both smooth and sensible". He highlighted the interpretation of the songs in the Gershwin medley as "nothing short of definitive", saying that "All manner of post-bop jazz listeners will find much to enjoy throughout Concorde." [1]
Milton "Bags" Jackson was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players.
The Modern Jazz Quartet (MJQ) was a jazz combo established in 1952 that played music influenced by classical, cool jazz, blues and bebop. For most of its history the Quartet consisted of John Lewis (piano), Milt Jackson (vibraphone), Percy Heath, and Connie Kay (drums). The group grew out of the rhythm section of Dizzy Gillespie's big band from 1946 to 1948, which consisted of Lewis and Jackson along with bassist Ray Brown and drummer Kenny Clarke. They recorded as the Milt Jackson Quartet in 1951 and Brown left the group, being replaced on bass by Heath. During the early-to-mid-1950s they became the Modern Jazz Quartet, Lewis became the group's musical director, and they made several recordings with Prestige Records, including the original versions of their two best-known compositions, Lewis's "Django" and Jackson's "Bags' Groove". Clarke left the group in 1955 and was replaced as drummer by Connie Kay, and in 1956 they moved to Atlantic Records and made their first tour to Europe.
Percy Heath was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, and Thelonious Monk.
Conrad Henry Kirnon known professionally as Connie Kay, was an American jazz and R&B drummer, who was a member of the Modern Jazz Quartet.
Django is an album by the Modern Jazz Quartet, first released on 12-inch LP in 1956.
Know What I Mean? is a 1962 album by jazz musician Julian "Cannonball" Adderley, accompanied by Bill Evans and the rhythm section of the Modern Jazz Quartet. It was released on Riverside label as RLP-433.
Fontessa is a 1956 album by the Modern Jazz Quartet released on Atlantic Records. It was the first of their albums released on Atlantic. The album was released in the USA in mono on the black Atlantic label with catalogue number 1231. It was released in the USA in stereo on the green Atlantic label with catalogue number SD 1231. The prefix SD stands for Stereo Disc. The current internationally available CD release is the mono version. A Japanese CD exists of the stereo version. Additionally both mono and stereo versions were released in many other territories, for example the UK with London LTZ-K 15022 for the mono and London SAH-K 6031 for the stereo. The 11-minute title tune by the group's pianist and musical director John Lewis was inspired by Commedia dell'arte, and the four characters depicted in it are pictured on the cover. Lewis wrote of it in the liner notes:
Fontessa is a little suite inspired by the Renaissance Commedia dell’Arte. I had particularly in mind their plays which consisted of a very sketchy plot and in which the details, the lines, etc. were improvised. This suite consists first of a short Prelude to raise the curtain and provide the theme. The first piece after the Prelude has the character of older jazz and improvised parts are by the vibraphone. This piece could perhaps be the character of Harlequin. The second piece has the character of less older jazz and the improvised parts are played by the piano. The character here could perhaps be Pierrot. The third piece is of a still later jazz character and develops the main motif. The improvised parts are by the drums. This character could perhaps be Pantaloon. The opening Prelude closes the suite. Fontessa is the three-note main motif of the suite and is perhaps a substitute for the character of Colombine.
The Complete Last Concert is a double CD live album by American jazz group the Modern Jazz Quartet featuring performances recorded at Avery Fisher Hall in 1974 and released on the Atlantic label originally as a double album The Last Concert (1975) and More from the Last Concert (1981) before the complete edition was released in 1988.
Stan Getz and the Oscar Peterson Trio is a 1958 studio album by Stan Getz, accompanied by the Oscar Peterson Trio.
The Sheriff is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1963 and released on the Atlantic label.
Pyramid is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1959-60 and released on the Atlantic label.
The Modern Jazz Quartet at Music Inn Volume 2 is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded at the Music Inn in Lenox, Massachusetts, in 1958, with guest artist Sonny Rollins appearing on two numbers, and released on the Atlantic label.
The Modern Jazz Quartet at Music Inn is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded at the Music Inn in Lenox, Massachusetts in 1956, with guest artist Jimmy Giuffre appearing on three numbers, and released on the Atlantic label.
The Modern Jazz Quartet Plays George Gershwin's Porgy and Bess is an album by American jazz group the Modern Jazz Quartet performing the score to George Gershwin's opera Porgy and Bess recorded in 1964-65 and released on the Atlantic label.
Jazz Dialogue is an album by American jazz group the Modern Jazz Quartet with a big band featuring performances recorded in 1965 and released on the Atlantic label.
Live at the Lighthouse is a live album by American jazz group the Modern Jazz Quartet recorded by Wally Heider at the Lighthouse Café in 1967 and released on the Atlantic label.
Echoes is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1984 and released on the Pablo label.
Topsy: This One's for Basie is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1985 and released on the Pablo label.
Three Windows is an album by American jazz group the Modern Jazz Quartet featuring performances recorded with the New York Chamber Symphony in 1987 and released on the Atlantic label.
Dedicated to Connie is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded in Slovenia in May 1960 and released in 1995 on the Atlantic label following drummer Connie Kay's death. The album was also released by Jazz Life in 1990 as Modern Jazz Quartet In Concert.