| The Sheriff | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1964 | |||
| Recorded | May 16–17 and December 20, 1963 New York City | |||
| Genre | Jazz | |||
| Length | 30:21 | |||
| Label | Atlantic 1414 | |||
| Producer | Nesuhi Ertegun | |||
| Modern Jazz Quartet chronology | ||||
| ||||
| Milt Jackson chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
| The Penguin Guide to Jazz Recordings | [2] |
| Record Mirror | [3] |
The Sheriff is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1963 and released on the Atlantic label. [4]
The AllMusic review stated: "The Sheriff features the Modern Jazz Quartet in fine swinging form. The program is not as sharply focused as on some of the earlier Atlantic releases, but it is compelling nonetheless". [1]
All compositions by John Lewis, except as indicated
MJQ
Production
The Modern Jazz Quartet (MJQ) was a jazz combo established in 1952 that played music influenced by classical, cool jazz, blues and bebop. The Quartet consisted of John Lewis (piano), Milt Jackson (vibraphone), Percy Heath, and various drummers, most notably Kenny Clarke and Connie Kay. The group grew out of the rhythm section of Dizzy Gillespie's big band from 1946 to 1948, which consisted of Lewis, Jackson, and Clarke along with bassist Ray Brown. They recorded as the Milt Jackson Quartet in 1951 and Brown left the group, being replaced on bass by Heath. During the early-to-mid-1950s they became the Modern Jazz Quartet, Lewis became the group's musical director, and they made several recordings with Prestige Records, including the original versions of their two best-known compositions, Lewis's "Django" and Jackson's "Bags' Groove". Clarke left the group in 1955 and was replaced as drummer by Kay, and in 1956 they moved to Atlantic Records and made their first tour to Europe.
Live Cream Volume II is the second live album by the British rock band Cream, released in March 1972 by Polydor Records. This album contains six tracks recorded at various performances from 9 March to 4 October 1968.
Know What I Mean? is a 1962 jazz album by alto saxophonist Julian "Cannonball" Adderley, accompanied by Bill Evans and the rhythm section of the Modern Jazz Quartet. It was released on the Riverside label as RLP-433.
Fontessa is a 1956 album by the Modern Jazz Quartet released on Atlantic Records. It was the first of their albums released on Atlantic. The album was released in the USA in mono on the black Atlantic label with catalogue number 1231. It was released in the USA in stereo on the green Atlantic label with catalogue number SD 1231. The prefix SD stands for Stereo Disc. The current internationally available CD release is the mono version. A Japanese CD exists of the stereo version. Additionally both mono and stereo versions were released in many other territories, for example the UK with London LTZ-K 15022 for the mono and London SAH-K 6031 for the stereo. The 11-minute title tune by the group's pianist and musical director John Lewis was inspired by Commedia dell'arte, and the four characters depicted in it are pictured on the cover. Lewis wrote of it in the liner notes:
Fontessa is a little suite inspired by the Renaissance Commedia dell’Arte. I had particularly in mind their plays which consisted of a very sketchy plot and in which the details, the lines, etc. were improvised. This suite consists first of a short Prelude to raise the curtain and provide the theme. The first piece after the Prelude has the character of older jazz and improvised parts are by the vibraphone. This piece could perhaps be the character of Harlequin. The second piece has the character of less older jazz and the improvised parts are played by the piano. The character here could perhaps be Pierrot. The third piece is of a still later jazz character and develops the main motif. The improvised parts are by the drums. This character could perhaps be Pantaloon. The opening Prelude closes the suite. Fontessa is the three-note main motif of the suite and is perhaps a substitute for the character of Colombine.
Presenting Isaac Hayes is the debut studio album by American soul musician Isaac Hayes. The album was released in 1968, by Enterprise and Atlantic Records. The LP was the first release on Stax Records' Enterprise label; Hayes had for several years served as one of Stax's key songwriters, producers, and studio musicians.
The Complete Last Concert is a double CD live album by American jazz group the Modern Jazz Quartet featuring performances recorded at Avery Fisher Hall in 1974 and released on the Atlantic label originally as a double album The Last Concert (1975) and More from the Last Concert (1981) before the complete edition was released in 1988.
Charles Lloyd in Europe is a live album by jazz saxophonist Charles Lloyd on the Atlantic label recorded in Norway by the Charles Lloyd Quartet featuring Keith Jarrett, Cecil McBee and Jack DeJohnette.
Love-In is a live album by jazz saxophonist Charles Lloyd recorded at the Fillmore Auditorium in San Francisco by the Charles Lloyd Quartet featuring Keith Jarrett, Ron McClure and Jack DeJohnette. Selections from the same concert were also released as Journey Within.
Lonely Woman is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1962 and released on the Atlantic label.
Pyramid is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1959-60 and released on the Atlantic label.
The Modern Jazz Quartet at Music Inn Volume 2 is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded at the Music Inn in Lenox, Massachusetts, in 1958, with guest artist Sonny Rollins appearing on two numbers, and released on the Atlantic label.
Jazz Dialogue is an album by American jazz group the Modern Jazz Quartet with a big band featuring performances recorded in 1965 and released on the Atlantic label.
Live at the Lighthouse is a live album by American jazz group the Modern Jazz Quartet recorded by Wally Heider at the Lighthouse Café in 1967 and released on the Atlantic label.
Under the Jasmin Tree is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in December 1967 and released on the Apple label. The album was the fourth release on the Beatles' new label and the MJQ were the only jazz act to record for Apple.
Plastic Dreams is an album by American jazz group the Modern Jazz Quartet, augmented by a brass section on three tracks, recorded in 1971 and released on the Atlantic label.
Blues on Bach is an album by American jazz group the Modern Jazz Quartet recorded in 1973 and released on the Atlantic label. The album includes five arrangements by John Lewis of pieces by Johann Sebastian Bach, interspersed with four original blues pieces "on" [the name] "Bach"—in keys that spell out in order the name B-A-C-H.
Three Windows is an album by American jazz group the Modern Jazz Quartet featuring performances recorded with the New York Chamber Symphony in 1987 and released on the Atlantic label.
MJQ & Friends: A 40th Anniversary Celebration is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in New York City, Los Angeles and at the Montreux Jazz Festival with guest artists including Bobby McFerrin, Take 6, Phil Woods, Wynton Marsalis, Illinois Jacquet, Harry "Sweets" Edison, Branford Marsalis, Jimmy Heath, Freddie Hubbard and Nino Tempo and released on the Atlantic label.
Dedicated to Connie is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded in Slovenia in May 1960 and released in 1995 on the Atlantic label following drummer Connie Kay's death. The album was also released by Jazz Life in 1990 as Modern Jazz Quartet In Concert.
Stanisław Andrzej Zagórski (January 11, 1933} is a Polish graphic designer, illustrator, type designer and educator. He is known for his work in book design, record jackets, magazine illustration, posters and advertisements. Zagórski is one of the founders of the Polish School of Posters and became one of the first Polish graphic artists to achieve success in the United States. He has received numerous creative awards from the American Institute of Graphic Arts, the Art Directors Club of New York, and the Society of Illustrators.
