Music from Odds Against Tomorrow | ||||
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Soundtrack album by | ||||
Released | 1959 | |||
Recorded | October 9–10, 1959 | |||
Studio | Olmsted Sound Studios, New York City | |||
Genre | Jazz | |||
Length | 32:12 | |||
Label | United Artists UAL 4063, 4072, 5072 | |||
Modern Jazz Quartet chronology | ||||
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Milt Jackson chronology | ||||
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Patterns cover | ||||
Review scores | |
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Source | Rating |
Allmusic | [1] |
Record Mirror | [2] |
Music from Odds Against Tomorrow (also released as Patterns) is an album by American jazz group the Modern Jazz Quartet featuring interpretations of the soundtrack score for the 1959 motion picture Odds Against Tomorrow . It was released on United Artists Records,the label that the films' production company United Artists had founded two years earlier for its film soundtracks. [3] The album was recorded with the Modern Jazz Quartet and a 22-piece orchestra. [4]
Pianist John Lewis wrote and arranged the original score. Although he had already written music for No Sun in Venice ,this was the first time Lewis—given early 16 mm film proofs—composed along the story-line rather than delivering “a set of isolated pieces”. [4] Gunther Schuller,who organized the orchestra for the original soundtrack recordings,noticed that “it can serve its purpose in the film. But it can also stand as absolute music apart from the original situation.” [4]
The Allmusic review states "all of the selections have their memorable moments and it is good to hear this classic unit playing such fresh material". [1]
All compositions by John Lewis
John Zorn is an American composer,conductor,saxophonist,arranger and producer who "deliberately resists category". His avant-garde and experimental approaches to composition and improvisation are inclusive of jazz,rock,Jewish music,hardcore,classical,contemporary,surf,metal,soundtrack,ambient,and world music. Rolling Stone noted that "[alt]hough Zorn has operated almost entirely outside the mainstream,he's gradually asserted himself as one of the most influential musicians of our time".
Milton Jackson,nicknamed "Bags",was an American jazz vibraphonist. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players.
John Aaron Lewis was an American jazz pianist,composer and arranger,best known as the founder and musical director of the Modern Jazz Quartet.
The Modern Jazz Quartet (MJQ) was a jazz combo established in 1952 that played music influenced by classical,cool jazz,blues and bebop. The Quartet consisted of John Lewis (piano),Milt Jackson (vibraphone),Percy Heath,and various drummers,most notably Kenny Clarke and Connie Kay. The group grew out of the rhythm section of Dizzy Gillespie's big band from 1946 to 1948,which consisted of Lewis,Jackson,and Clarke along with bassist Ray Brown. They recorded as the Milt Jackson Quartet in 1951 and Brown left the group,being replaced on bass by Heath. During the early-to-mid-1950s they became the Modern Jazz Quartet,Lewis became the group's musical director,and they made several recordings with Prestige Records,including the original versions of their two best-known compositions,Lewis's "Django" and Jackson's "Bags' Groove". Clarke left the group in 1955 and was replaced as drummer by Kay,and in 1956 they moved to Atlantic Records and made their first tour to Europe.
Antonio Sánchez is a Mexican drummer and composer. He is best known for his work with jazz guitarist Pat Metheny and as a composer of the film score for the 2014 film Birdman. The score earned him a nomination for the Golden Globe Award for Best Original Score and BAFTA Award for Best Film Music;he won a Grammy Award for Best Score Soundtrack for Visual Media,the Critics' Choice Movie Award for Best Score,and the Satellite Award for Best Original Score.
Percy Heath was an American jazz bassist,brother of saxophonist Jimmy Heath and drummer Albert Heath,with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis,Dizzy Gillespie,Charlie Parker,Wes Montgomery,Thelonious Monk and Lee Konitz.
Odds Against Tomorrow is a 1959 American film noir produced and directed by Robert Wise and starring Harry Belafonte,Robert Ryan and Ed Begley. Belafonte selected Abraham Polonsky to write the script,which is based on a novel of the same name by William P. McGivern. Blacklisted in those years,Polonsky had to use a front and John O. Killens was credited. Polonsky's screenwriting credit was restored in 1996 in his own name.
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Intermodulation is a 1966 jazz album by pianist Bill Evans and guitarist Jim Hall.
Know What I Mean? is a 1962 jazz album by alto saxophonist Julian "Cannonball" Adderley,accompanied by Bill Evans and the rhythm section of the Modern Jazz Quartet. It was released on the Riverside label as RLP-433.
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European Concert is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded in Sweden in April 1960 and originally released on two consecutive volumes on the Atlantic label.
The Modern Jazz Quartet Plays No Sun in Venice is a soundtrack album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1957 for Roger Vadim's No Sun in Venice and released on the Atlantic label.
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Together Again:Live at the Montreux Jazz Festival '82 is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded at the Montreux Jazz Festival in 1982 and released on the Pablo label.
The Jazztet and John Lewis is an album by the Jazztet,led by trumpeter Art Farmer and saxophonist Benny Golson and featuring performances composed and arranged by John Lewis. It was recorded in late 1960 and early 1961 and originally released on the Argo label.
Dedicated to Connie is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded in Slovenia in May 1960 and released in 1995 on the Atlantic label following drummer Connie Kay's death. The album was also released by Jazz Life in 1990 as Modern Jazz Quartet In Concert.