Under the Jasmin Tree | ||||
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Studio album by | ||||
Released | December 6, 1968 (UK) | |||
Recorded | December 12, 1967 | |||
Genre | Jazz | |||
Length | 33:35 | |||
Label | Apple APCOR 4 (UK) / ST 3353 (US) | |||
Modern Jazz Quartet chronology | ||||
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Milt Jackson chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz Recordings | ![]() ![]() ![]() ![]() |
Tom Hull | B [3] |
Under the Jasmin Tree is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in December 1967 and released on the Apple label. [4] The album was the fourth release on the Beatles' new label and the MJQ were the only jazz act to record for Apple. [1]
The Allmusic review stated: "The program is more or less standard, poised, painstakingly structured, gently swinging MJQ fare, the group's contrapuntal interplay as telepathic as ever". [1]
All compositions by John Lewis.
Milton Jackson, nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players.
The Modern Jazz Quartet (MJQ) was a jazz combo established in 1952 that played music influenced by classical, cool jazz, blues and bebop. For most of its history the Quartet consisted of John Lewis (piano), Milt Jackson (vibraphone), Percy Heath, and Connie Kay (drums). The group grew out of the rhythm section of Dizzy Gillespie's big band from 1946 to 1948, which consisted of Lewis and Jackson along with bassist Ray Brown and drummer Kenny Clarke. They recorded as the Milt Jackson Quartet in 1951 and Brown left the group, being replaced on bass by Heath. During the early-to-mid-1950s they became the Modern Jazz Quartet, Lewis became the group's musical director, and they made several recordings with Prestige Records, including the original versions of their two best-known compositions, Lewis's "Django" and Jackson's "Bags' Groove". Clarke left the group in 1955 and was replaced as drummer by Connie Kay, and in 1956 they moved to Atlantic Records and made their first tour to Europe.
Percy Heath was an American jazz bassist, brother of saxophonist Jimmy Heath and drummer Albert Heath, with whom he formed the Heath Brothers in 1975. Heath played with the Modern Jazz Quartet throughout their long history and also worked with Miles Davis, Dizzy Gillespie, Charlie Parker, Wes Montgomery, and Thelonious Monk.
Fontessa is a 1956 album by the Modern Jazz Quartet released on Atlantic Records. It was the first of their albums released on Atlantic. The album was released in the USA in mono on the black Atlantic label with catalogue number 1231. It was released in the USA in stereo on the green Atlantic label with catalogue number SD 1231. The prefix SD stands for Stereo Disc. The current internationally available CD release is the mono version. A Japanese CD exists of the stereo version. Additionally both mono and stereo versions were released in many other territories, for example the UK with London LTZ-K 15022 for the mono and London SAH-K 6031 for the stereo. The 11-minute title tune by the group's pianist and musical director John Lewis was inspired by Commedia dell'arte, and the four characters depicted in it are pictured on the cover. Lewis wrote of it in the liner notes:
Fontessa is a little suite inspired by the Renaissance Commedia dell’Arte. I had particularly in mind their plays which consisted of a very sketchy plot and in which the details, the lines, etc. were improvised. This suite consists first of a short Prelude to raise the curtain and provide the theme. The first piece after the Prelude has the character of older jazz and improvised parts are by the vibraphone. This piece could perhaps be the character of Harlequin. The second piece has the character of less older jazz and the improvised parts are played by the piano. The character here could perhaps be Pierrot. The third piece is of a still later jazz character and develops the main motif. The improvised parts are by the drums. This character could perhaps be Pantaloon. The opening Prelude closes the suite. Fontessa is the three-note main motif of the suite and is perhaps a substitute for the character of Colombine.
The Complete Last Concert is a double CD live album by American jazz group the Modern Jazz Quartet featuring performances recorded at Avery Fisher Hall in 1974 and released on the Atlantic label originally as a double album The Last Concert (1975) and More from the Last Concert (1981) before the complete edition was released in 1988.
Pyramid is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1959-60 and released on the Atlantic label.
The Modern Jazz Quartet at Music Inn Volume 2 is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded at the Music Inn in Lenox, Massachusetts, in 1958, with guest artist Sonny Rollins appearing on two numbers, and released on the Atlantic label.
The Modern Jazz Quartet and the Oscar Peterson Trio at the Opera House is a live album by American jazz group the Modern Jazz Quartet and the Oscar Peterson Trio featuring performances recorded in Chicago in 1957 and released as a split album on the Verve label. The tracks by Oscar Peterson were subsequently released on Peterson's 1957 album Oscar Peterson at the Concertgebouw.
Jazz Dialogue is an album by American jazz group the Modern Jazz Quartet with a big band featuring performances recorded in 1965 and released on the Atlantic label.
Live at the Lighthouse is a live album by American jazz group the Modern Jazz Quartet recorded by Wally Heider at the Lighthouse Café in 1967 and released on the Atlantic label.
Space is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1969 and released on the Apple label.
Plastic Dreams is an album by American jazz group the Modern Jazz Quartet, augmented by a brass section on three tracks, recorded in 1971 and released on the Atlantic label.
The Legendary Profile is an album by American jazz group the Modern Jazz Quartet recorded in 1972 and released on the Atlantic label.
Reunion at Budokan 1981 is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded at their reunion concert at the Nippon Budokan in 1981 and released on the Pablo label.
Together Again: Live at the Montreux Jazz Festival '82 is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded at the Montreux Jazz Festival in 1982 and released on the Pablo label.
Echoes is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1984 and released on the Pablo label.
Topsy: This One's for Basie is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1985 and released on the Pablo label.
Three Windows is an album by American jazz group the Modern Jazz Quartet featuring performances recorded with the New York Chamber Symphony in 1987 and released on the Atlantic label.
MJQ & Friends: A 40th Anniversary Celebration is an album by American jazz group the Modern Jazz Quartet featuring performances recorded in New York City, Los Angeles and at the Montreux Jazz Festival with guest artists including Bobby McFerrin, Take 6, Phil Woods, Wynton Marsalis, Illinois Jacquet, Harry "Sweets" Edison, Branford Marsalis, Jimmy Heath, Freddie Hubbard and Nino Tempo and released on the Atlantic label.
Dedicated to Connie is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded in Slovenia in May 1960 and released in 1995 on the Atlantic label following drummer Connie Kay's death. The album was also released by Jazz Life in 1990 as Modern Jazz Quartet In Concert.