Boingo | ||||
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Studio album by | ||||
Released | May 17, 1994 | |||
Recorded | February 1993 – January 1994 | |||
Studio |
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Genre | ||||
Length | 73:03 [2] | |||
Label | Giant | |||
Producer | Danny Elfman, Steve Bartek, John Avila | |||
Oingo Boingo chronology | ||||
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Singles from Boingo | ||||
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Boingo is the eighth and final studio album by American new wave band Oingo Boingo. It was the band's only album recorded for the label Giant Records. With Boingo, the band's sound changed to a guitar-driven rock style, with Danny Elfman having released the keyboard and horn players after the first recording attempt.
After 1990's Dark at the End of the Tunnel , frontman Danny Elfman felt he was again "starting to get bored" with the band's musical direction and that a change was necessary to stay active. [3] In 1994, he decided to reshuffle the band's line-up without a horn section or keyboards and add second guitarist Warren Fitzgerald. However, horn players Sam Phipps, Leon Schneiderman and Dale Turner, as well as keyboardist Marc Mann, are credited in the album's liner notes. [4] Elfman explained that the band's name was shortened to Boingo at this time in "an arbitrary last-second decision", as both the band and fans had already been referring to them by that name for years. [5]
Boingo was a dramatic departure from the band's previous album releases, featuring an emphasis on guitar-heavy alternative rock and progressive rock with elements of funk, as well as longer song structures and orchestral flourishes. [1] [6] [7] Orchestral arrangements were devised and conducted by lead guitarist and arranger Steve Bartek. [4] Elfman tried to integrate orchestras in a simple manner that would only serve to augment the guitar, bass and drums. [5] He stated that the album's "eclectic" approach was inspired by rediscovering the music of the Beatles through his daughter. [3]
Boingo was the band's first album released by Giant Records after their departure from MCA Records. Elfman observed that the band "didn't feel like we were going anywhere at MCA", and when the long-time head of MCA, Irving Azoff, left for Giant, he asked the band if they would follow. [5]
Recording for Boingo commenced in February 1993 prior to the change of line-up, but was postponed when Elfman was commissioned to score Tim Burton's The Nightmare Before Christmas (1993). [8] Elfman said that much of the earlier recordings were abandoned, although the since-departed members were credited on the final release. [3] [4]
Elfman wrote "Insanity" during the 1992 U.S. election cycle as a reaction to Dan Quayle and the religious right, and Bartek encouraged him to write more songs in a similar vein. [9] "War Again" was written as a response to American patriotism during the Gulf War. [9] As recording sessions commenced, Elfman started to develop a number of new songs, several of which ended up on the album. [5]
Half of the songs on Boingo were improvised in the studio, which was a new experience for Elfman that he deemed "really fun". [9] "Pedestrian Wolves", "Mary," "Can't See", "Hey!" and the bulk of the 16-minute "Change" were all conceived in the studio. [5] "Pedestrian Wolves" developed from a studio jam that was recorded, which Elfman took home, devised lyrics for and then assembled into a finished song. [5] The cover of the Beatles' "I Am the Walrus" was a jam recorded in one take, simply "to use up the rest of the [tape] reel", and was included on the album after band members lobbied for it. [3]
"Change", the last song recorded for the album, was originally less than four minutes long, but Elfman transformed it into "an experiment of elasticity" via "studio manipulation", adding that the song would have been 30 minutes long if the band had not run out of time and funds. [5] He cited the Beatles' "Revolution 9" as a probable influence on the piece. [3]
The Boingo sessions yielded enough material for two albums. [5] A number of songs went unreleased, including "Water" and "Vultures". [3] Upon the album's release, Elfman opined that Boingo was "the most challenging, fun, and difficult record we've ever done. It felt like a cold bucket of water splashed in our faces", and that he expected long-term fans might be put off by the new sound. [10]
Giant wanted to heavily promote the album as a relaunch of the band. The songs "Hey!" and "Insanity" were released as singles, with an accompanying stop-motion music video for the latter. Giant also hoped to produce a music video for the single "Hey!", but it never came to fruition. [10] "Hey!" peaked at No. 23 on the Billboard Alternative Songs chart in July 1994. [11]
A limited edition package of the album, designed by Deborah Norcross, was issued in a foldout digipak, packaged with an embossed hardcover booklet containing lyrics and additional photography by Anthony Artiaga and Melodie McDaniel. [12]
After the album's release, the band appeared as the musical guest on The Tonight Show with Jay Leno in June 1994. [13] However, in August 1995, the band announced they would be permanently breaking up later in the year. [14]
Boingo was not issued on vinyl until 2023, when Music on Vinyl released a limited 180 gram colored LP edition via Record Store Day on February 24, [15] followed by a black LP edition on May 5. [16]
Mark Jenkins of The Washington Post observed that the band had "found a more comfortable niche: bombastic early-'70s-style prog-rock", and while he praised several of the songs' "appealing melodic moments", he ultimately concluded that the band was "too busy showing off to let them be." [1] Steve Hochman of Los Angeles Times felt the album was the group's best since the early '80s, praising Elfman's "more down-to-earth presence" and the band's new "pared-down, guitar-rock attack." [6]
In retrospective reviews, Peter Fawthrop of AllMusic bemoaned the absence of "the plucky instrumentals on past efforts", concluding that the band had "made an unquestionable, 100 percent crossover into grim alternative." Fawthrop also praised the cassette-only "Helpless" as the stand-out track, noting Elfman's "Jack Skellington–mode" vocals, and felt the song "nearly parodies the grieving found on the rest of the album." [7]
All tracks are written by Danny Elfman, except for "I Am the Walrus" by John Lennon and Paul McCartney
No. | Title | Length |
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1. | "Insanity" | 7:58 |
2. | "Hey!" | 7:43 |
3. | "Mary" | 6:28 |
4. | "Can't See (Useless)" | 4:35 |
5. | "Pedestrian Wolves" | 9:21 |
6. | "Lost Like This" | 4:54 |
7. | "Spider" | 5:27 |
8. | "War Again" | 5:53 |
9. | "I Am the Walrus" | 4:09 |
10. | "Tender Lumplings" | 0:37 |
11. | "Change" | 15:58 |
Total length: | 73:03 |
No. | Title | Length |
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12. | "Helpless" (Exclusive to US/IDN cassette and EU/AUS CD releases) | 3:36 |
Total length: | 76:39 |
Oingo Boingo
Additional personnel
Technical
Daniel Robert Elfman is an American film composer, singer, songwriter, and musician. He came to prominence as the lead vocalist and primary songwriter for the new wave band Oingo Boingo in the early 1980s. Since scoring his first studio film in 1985, Elfman has garnered international recognition for composing over 100 feature film scores, as well as compositions for television, stage productions, and the concert hall.
Oingo Boingo was an American new wave band formed by songwriter Danny Elfman in 1979. The band emerged from a surrealist musical theatre troupe, The Mystic Knights of the Oingo Boingo, that Elfman had led and written material for in the years previous. Their highest-charting song, "Weird Science", reached No. 45 on the US Billboard Hot 100.
The Mystic Knights of the Oingo Boingo was an American surrealist street theatre troupe, formed by performer and director Richard Elfman in 1972. The group was led by Richard until 1976, when his brother Danny Elfman took over. The group evolved into an experimental musical theatre group, performing songs from the 1930s-40s and original material.
Only a Lad is the debut studio album by American new wave band Oingo Boingo, released in 1981 by A&M Records, following their self-titled EP.
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Oingo Boingo is the debut EP by American new wave band Oingo Boingo, released in 1980 by I.R.S. Records.
Boi-Ngo is the sixth studio album by American new wave band Oingo Boingo, released in 1987 by MCA Records.
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So-Lo is the debut studio album by American musician Danny Elfman, released in 1984 by MCA Records. Recorded primarily by Elfman, but also featuring the members of his band, Oingo Boingo, it was recorded when Elfman was offered a solo contract with MCA after the band had been dropped from I.R.S. Records. The album marked the band's last release to feature bassist Kerry Hatch and keyboardist Richard Gibbs.
Good for Your Soul is the third studio album by American new wave band Oingo Boingo, released in 1983 by A&M Records. It was produced by Robert Margouleff and was the band's last album to be released on A&M Records.
Dark at the End of the Tunnel is the seventh studio album by American new wave band Oingo Boingo, released in 1990 by MCA Records.
Boingo Alive is a double album by American new wave band Oingo Boingo, released in 1988 by MCA Records. It was performed and recorded live in a rehearsal studio with no audience, with the band performing songs from previous albums and two previously unreleased songs to celebrate the 10th anniversary of the band's beginning.
Best O' Boingo is the second greatest hits album from American new wave band Oingo Boingo, released in 1991 by MCA Records. It features songs recorded during the band's years on MCA Records, from 1984's So-Lo through 1990's Dark at the End of the Tunnel. As such, the songs from the period when the band was on I.R.S. Records—as well as several others—are represented here by their re-recorded versions from the 1988 "live in the studio" album Boingo Alive.
Forbidden Zone (Original Motion Picture Soundtrack) is the soundtrack album to Forbidden Zone, the 1982 cult film directed by Richard Elfman, with music by his brother Danny Elfman and performed by The Mystic Knights of the Oingo Boingo.
Steve Bartek is an American guitarist, film composer, conductor, and orchestrator. He is best known as the lead guitarist in the band Oingo Boingo and for his orchestration work with composer Danny Elfman.
"Dead Man's Party" is a song by American band Oingo Boingo, released as the third single from their album of the same name.
Select commercially released recordings of Danny Elfman's music for film, television, stage and the concert hall. For a full list of Elfman's compositions, see List of compositions by Danny Elfman. For Elfman's recordings as lead singer/songwriter for Oingo Boingo, see the Oingo Boingo discography page.
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