Author | Adam Bradley |
---|---|
Cover artist | Keenan |
Language | English |
Subject | Hip hop |
Genre | Non-fiction |
Publisher | Basic Civitas Books |
Publication date | February 23, 2009 |
Publication place | United States |
Pages | 272 pp |
ISBN | 0-465-00347-8 |
OCLC | 246894813 |
782.421649 22 | |
LC Class | ML3531 .B73 2009 |
Book of Rhymes: The Poetics of Hip Hop is a book by literary scholar Adam Bradley that looks at hip hop music's literary techniques and argues "that we must understand rap as poetry or miss the vanguard of poetry today". [1] The Dallas Morning News described it by saying, "You'll find Yeats and Frost alongside Nas and...Wu-Tang Clan, together forming a discussion on meter and accent, scansion, and slant rhymes". [2] Bradley is an associate professor of English at the University of Colorado at Boulder, with a PhD in English from Harvard University. [3] [2]
The book breaks hip hop’s poetics down into the following parts: [4]
The book was praised by various press outlets such as the Los Angeles Times , [5] The Dallas Morning News , [2] The Boston Globe , [6] and The New York Times . [7]
In particular, the book is praised for focusing on the poetics of hip hop music rather than examining the outlying societal factors—the Los Angeles Times noted, “As a key part of America's youth culture and a central battlefield in our culture wars, hip hop often seems to have forfeited the right to be discussed as art. Most academic and popular writers subjugate its aesthetics to its politics…until very recently, such writers could be counted on to begin around the time of hip-hop's birth and attempt to tackle the entire culture. Luckily, a new paradigm of scholarship is emerging, and Adam Bradley's "Book of Rhymes: The Poetics of Hip Hop" is a solid contribution.” [5] and The Dallas Morning News commented, “Where so many hip-hop studies lean heavily on politics and sociology, Book of Rhymes is a welcome and thorough exploration of rap aesthetics that isn't afraid to be learned.” [2] The New York Times observed, "It is a "crash course. . .essentially English 101 meets Hip-Hop Studies 101." [7]
Criticism of the book came from The New York Times , which said, "Bradley wants to legitimize rap by setting it in a canonical context, but aren’t we past the point of justifying it? No one is really still debating whether hip-hop is a bona fide art form. In his tone of unwarranted protectiveness, he seems to forget that hip-hop now earns highbrow props worldwide. After three decades, it doesn’t require a defense attorney." [8]
Rapping is an artistic form of vocal delivery and emotive expression that incorporates "rhyme, rhythmic speech, and [commonly] street vernacular". It is usually performed over a backing beat or musical accompaniment. The components of rap include "content", "flow", and "delivery". Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. It also differs from singing, which varies in pitch and does not always include words. Because they do not rely on pitch inflection, some rap artists may play with timbre or other vocal qualities. Rap is a primary ingredient of hip-hop music, and so commonly associated with the genre that it is sometimes called "rap music".
Nasir bin Olu Dara Jones, known professionally as Nas, is an American rapper and entrepreneur. Rooted in East Coast hip-hop, he is regarded as one of the greatest rappers of all time. The son of jazz musician Olu Dara, Nas began his musical career in 1989 under the moniker "Nasty Nas", and recorded demos under the wing of fellow East Coast rapper Large Professor. Nas made his recording debut on Professor's group, Main Source's 1991 song "Live at the Barbeque".
Spoken word is an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a 20th-century continuation of an ancient oral artistic tradition that focuses on the aesthetics of recitation and word play, such as the performer's live intonation and voice inflection. Spoken word is a "catchall" term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, pianologues, musical readings, and hip hop music, and can include comedy routines and prose monologues. Unlike written poetry, the poetic text takes its quality less from the visual aesthetics on a page, but depends more on phonaesthetics, or the aesthetics of sound.
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.
Chain rhyme is a rhyme scheme that links together stanzas by carrying a rhyme over from one stanza to the next.
The Lost Tapes is a compilation album by American rapper Nas. It was released on September 23, 2002, by Ill Will Records and Columbia Records, who wanted to capitalize on what was seen in hip hop music as Nas' artistic comeback the year before, and compiles previously unreleased tracks that were discarded from recording sessions for the rapper's previous studio albums I Am... (1999) and Stillmatic (2001). It features production by L.E.S., The Alchemist, Poke and Tone, and Deric "D-Dot" Angelettie, among others. With low-key, sparse sounds and observational lyrics about urban life, the songs are largely autobiographical and nostalgic, departing from the thug persona of Nas' previous records.
In rapping and poetry, multisyllabic rhymes are rhymes that contain two or more syllables An example is as follows:
This is my last race / I’m at a fast pace
Perfect rhyme is a form of rhyme between two words or phrases, satisfying the following conditions:
Dark Reflections is a novel by Samuel R. Delany, published in 2007 by Carroll & Graf, an imprint of Avalon Publishing Group. In 2008 it received a Stonewall Book Award and was nominated for a Lambda Literary Award for Gay Men's Fiction.
Rock Steady Crew is an American breaking and hip hop group which has become a franchise for multiple groups in other locations. The group's 1983 international hit song "(Hey You) The Rock Steady Crew" peaked at No. 6 on the UK Singles Chart, and reached the top 10 in many European countries. Members of Rock Steady Crew featured in the films Flashdance and Beat Street, which ignited international interest in the b-boy subculture.
DuEwa Frazier is an American writer, performer, and educator.
When rapping, MCs use braggadocio to boast—to speak about themselves with great pride. Braggadocio may include subjects such as physicality, fighting ability, financial riches, sexual prowess, or "coolness". Often heavily used in battle rap, braggadocio lyrics can range from just saying, "I'm the best MC ever," to using elaborate phraseology and wit.
How to Rap: The Art & Science of the Hip-Hop MC is a book on hip hop music and rapping by Paul Edwards. It is compiled from interviews with 104 notable rappers who provide insights into how they write and perform their lyrics.
Bill Adler is an American music journalist and critic. Since the late 1960s, he has worked in the music business in a variety of capacities, including as a record store clerk, radio disc jockey, critic, publicist, biographer, record label executive, documentary filmmaker, museum consultant, art gallerist, curator, and archivist. He is known best for his tenure as director of publicity at Def Jam Recordings (1984–1990), the period of his career to which the critic Robert Christgau was referring when he described Adler as a "legendary publicist".
Timothy Terrell West, better known as Tim'm T. West, is an American educator and multi-discipline performance artist, author, hip hop recording artist, poet, activist, and youth advocate. Humboldt State University notes West as a Renaissance man who has achieved success as a performer, activist, author, teacher, and poet. He has been featured in many documentaries about hip hop culture, in addition to his books, he is widely anthologized, and has produced nine hip hop albums including with Deep Dickollective. West has been interviewed by an array of media outlets from Newsweek to the New York Times. He was awarded a "2013 Esteem Award", and in 2015 was named an LGBTQ icon.
Adam Bradley is an American literary critic, professor, and a writer on popular culture. He is the author or editor of six books. Bradley has written extensively on song lyrics as well as on the literature and legacy of the American novelist Ralph Ellison. His commentary has appeared in The New York Times, The Wall Street Journal, The Washington Post and in numerous other publications. He is a professor of English at the University of California, Los Angeles where he directs the Laboratory for Race & Popular Culture.
Run-DMC was an American hip hop group from Hollis, Queens, New York City, formed in 1983 by Joseph Simmons, Darryl McDaniels, and Jason Mizell. Run-DMC is regarded as one of the most influential acts in the history of hip hop culture and especially one of the most famous hip hop acts of the 1980s. Along with Beastie Boys, LL Cool J, DJ Jazzy Jeff & the Fresh Prince, and Public Enemy, the group pioneered new-school hip hop music and helped usher in the golden age of hip hop. The group was among the first to highlight the importance of the MC and DJ relationship.
Kevin Coval is an American poet. Coval is a Chicago-based writer who is known for exploring topics such as race, hip-hop culture, Chicago history, and Jewish-American identity in his work. He is also known for his appearances in four seasons of the Peabody Award-winning television series Def Poetry Jam on HBO.
Baz Dreisinger is an American academic, cultural critic and activist. She is a professor of English at City University of New York's John Jay College of Criminal Justice, the founder of the Prison-to-College Pipeline and the executive director of Incarceration Nations Network.
The Anthology of Rap is a 2010 rap music anthology published by Yale University Press, with Adam Bradley and Andrew DuBois as the editors. Henry Louis Gates, Jr. wrote the foreword, while Chuck D and Common wrote the afterwords. Bradley and DuBois are English professors, at the associate level at the University of Colorado and University of Toronto Scarborough, respectively. It was published on November 9, 2010.