Author | Adam Bradley |
---|---|
Cover artist | Keenan |
Country | United States |
Language | English |
Subject | Hip hop |
Genre | Non-fiction |
Publisher | Basic Civitas Books |
Publication date | February 23, 2009 |
Pages | 272 pp |
ISBN | 0-465-00347-8 |
OCLC | 246894813 |
782.421649 22 | |
LC Class | ML3531 .B73 2009 |
Book of Rhymes: The Poetics of Hip Hop is a book by literary scholar Adam Bradley that looks at hip hop music's literary techniques and argues "that we must understand rap as poetry or miss the vanguard of poetry today". [1] The Dallas Morning News described it by saying, "You'll find Yeats and Frost alongside Nas and...Wu-Tang Clan, together forming a discussion on meter and accent, scansion, and slant rhymes". [2] Bradley is an associate professor of English at the University of Colorado at Boulder, with a PhD in English from Harvard University. [3] [2]
The book breaks hip hop’s poetics down into the following parts: [4]
The book was praised by various press outlets such as the Los Angeles Times , [5] The Dallas Morning News , [2] The Boston Globe , [6] and The New York Times . [7]
In particular, the book is praised for focusing on the poetics of hip hop music rather than examining the outlying societal factors—the Los Angeles Times noted, “As a key part of America's youth culture and a central battlefield in our culture wars, hip hop often seems to have forfeited the right to be discussed as art. Most academic and popular writers subjugate its aesthetics to its politics…until very recently, such writers could be counted on to begin around the time of hip-hop's birth and attempt to tackle the entire culture. Luckily, a new paradigm of scholarship is emerging, and Adam Bradley's "Book of Rhymes: The Poetics of Hip Hop" is a solid contribution.” [5] and The Dallas Morning News commented, “Where so many hip-hop studies lean heavily on politics and sociology, Book of Rhymes is a welcome and thorough exploration of rap aesthetics that isn't afraid to be learned.” [2] The New York Times observed, "It is a "crash course. . .essentially English 101 meets Hip-Hop Studies 101." [7]
Criticism of the book came from The New York Times , which said, "Bradley wants to legitimize rap by setting it in a canonical context, but aren’t we past the point of justifying it? No one is really still debating whether hip-hop is a bona fide art form. In his tone of unwarranted protectiveness, he seems to forget that hip-hop now earns highbrow props worldwide. After three decades, it doesn’t require a defense attorney." [8]
Rapping is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular". It is performed or chanted, usually over a backing beat or musical accompaniment. The components of rap include "content", "flow", and "delivery". Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. Rap is a primary ingredient of hip hop music commonly associated with that genre; however, the origins of rap predate hip-hop culture by many years.
Nasir bin Olu Dara Jones, better known by his stage name Nas, is an American rapper. Rooted in East Coast hip hop, he is regarded as one of the greatest rappers of all time. The son of jazz musician Olu Dara, Jones began his musical career in 1989 as he adopted the moniker of "Nasty Nas" and recorded demos for Large Professor. He was later featured on the 1991 song "Live at the Barbeque" by Main Source.
Spoken word refers to an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a late 20th century continuation of an ancient oral artistic tradition that focuses on the aesthetics of recitation and word play, such as the performer's live intonation and voice inflection. Spoken word is a "catchall" term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, and hip hop music, and can include comedy routines and prose monologues. Unlike written poetry, the poetic text takes its quality less from the visual aesthetics on a page, but depends more on phonaesthetics, or the aesthetics of sound.
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.
Freestyle is a style of improvisation, with or without instrumental beats, in which lyrics are recited with no particular subject or structure and with no prior memorization. It is similar to other improvisational music, such as jazz, where a lead instrumentalist acts as an improviser with a supporting band providing a beat. Freestyle originally was simply verse that is free of style, written rhymes that do not follow a specific subject matter, or predetermined cadence. The newer style with the improvisation grew popular starting in the early 1990s.
Chain rhyme is a rhyme scheme that links together stanzas by carrying a rhyme over from one stanza to the next.
The Lost Tapes is a compilation album by American rapper Nas. It was released on September 23, 2002, by Ill Will Records and Columbia Records, who wanted to capitalize on what was seen in hip hop music as Nas' artistic comeback the year before, and compiles previously unreleased tracks that were discarded from recording sessions for the rapper's previous studio albums I Am... (1999) and Stillmatic (2001). It features production by L.E.S., The Alchemist, Poke and Tone, and Deric "D-Dot" Angelettie, among others. With low-key, sparse sounds and observational lyrics about urban life, the songs are largely autobiographical and nostalgic, departing from the thug persona of Nas' previous records.
Michael Eric Dyson is an American academic, author, ordained minister, and radio host. He is a professor in the College of Arts and Science and in the Divinity School at Vanderbilt University. Described by Michael A. Fletcher as "a Princeton Ph.D. and a child of the streets who takes pains never to separate the two", Dyson has authored or edited more than twenty books dealing with subjects such as Malcolm X, Martin Luther King Jr., Marvin Gaye, Barack Obama, Nas's debut album Illmatic, Bill Cosby, Tupac Shakur and Hurricane Katrina.
In rapping and poetry, multisyllabic rhymes are rhymes that contain two or more syllables An example is as follows:
I've got a bad taste / It gives me mad haste.
Public Warning is the first studio album by English hip hop artist Lady Sovereign, released on 31 October 2006. Was originally due for release in November 2005 but was pushed back after Lady Sovereign was signed by Island Def Jam.
Illmatic is the debut studio album by American rapper Nas. It was released on April 19, 1994, by Columbia Records. After signing with the label with the help of MC Serch, Nas recorded the album in 1992 and 1993 at Chung King Studios, D&D Recording, Battery Studios, and Unique Recording Studios in New York City. The album's production was handled by DJ Premier, Large Professor, Pete Rock, Q-Tip, L.E.S., and Nas himself. Styled as a hardcore hip hop album, Illmatic features multi-syllabic internal rhymes and inner-city narratives based on Nas' experiences growing up in the Queensbridge Houses in Queens, New York City.
Perfect rhyme—also called full rhyme, exact rhyme, or true rhyme—is a form of rhyme between two words or phrases, satisfying the following conditions:
DuEwa Frazier is an American writer, performer, and educator.
When rapping, MCs use braggadocio to boast—to speak about themselves with great pride. Braggadocio may include subjects such as physicality, fighting ability, financial riches, sexual prowess, or "coolness". Often heavily used in battle rap, braggadocio lyrics can range from just saying, "I'm the best MC ever," to using elaborate phraseology and wit.
How to Rap: The Art & Science of the Hip-Hop MC is a book on hip hop music and rapping by Paul Edwards. It is compiled from interviews with 104 notable rappers who provide insights into how they write and perform their lyrics.
Bill Adler is an American music journalist and critic who specializes in hip-hop. Since the early 1980s he has promoted hip-hop in a variety of capacities, including as a publicist, biographer, record label executive, documentary filmmaker, museum consultant, art gallerist, curator, and archivist. He is known best for his tenure as director of publicity at Def Jam Recordings (1984–1990), the period of his career to which the critic Robert Christgau was referring when he described Adler as a "legendary publicist".
Timothy Terrell West, better known as Tim'm T. West, is an American educator and multi-discipline performance artist, author, hip hop recording artist, poet, activist, and youth advocate. Humboldt State University notes West as a Renaissance man who has achieved success as a performer, activist, author, teacher, and poet. He has been featured in many documentaries about hip hop culture, in addition to his books, he is widely anthologized, and has produced nine hip hop albums including with Deep Dickollective. West has been interviewed by an array of media outlets from Newsweek to the New York Times. He was awarded a "2013 Esteem Award", and in 2015 was named an LGBTQ icon.
Adam Bradley is an American literary critic, professor, and a writer on popular culture. He is the author or editor of six books. Bradley has written extensively on song lyrics as well as on the literature and legacy of the American novelist Ralph Ellison. His commentary has appeared in The New York Times, The Wall Street Journal, The Washington Post and in numerous other publications. He is a professor of English at the University of California, Los Angeles where he directs the Laboratory for Race & Popular Culture.
Baz Dreisinger is an American academic, cultural critic and activist. She is a professor of English at City University of New York's John Jay College of Criminal Justice, the founder of the Prison-to-College Pipeline and the executive director of Incarceration Nations Network.
The Anthology of Rap is a 2010 rap music anthology published by Yale University Press, with Adam Bradley and Andrew DuBois as the editors. Henry Louis Gates, Jr. wrote the foreword, while Chuck D and Common wrote the afterwords. Bradley and DuBois are English professors, at the associate level at the University of Colorado and University of Toronto Scarborough, respectively. It was published on November 9, 2010.