Adam Bradley (born 1974) is an American literary critic, professor, and a writer on popular culture. He is the author or editor of six books. Bradley has written extensively on song lyrics as well as on the literature and legacy of the American novelist Ralph Ellison. His commentary has appeared in The New York Times , The Wall Street Journal , The Washington Post and in numerous other publications. He is a professor of English at the University of California, Los Angeles where he directs the Laboratory for Race & Popular Culture (RAP Lab). [1] [2]
Bradley was born in Salt Lake City, Utah, to Jane Bradley and Jim Terry. [3] As a first-grade student in a Los Gatos, California elementary school his teacher informed his mother that her son was a nice boy, but should be held back a grade. [4] Bradley's mother pulled him out of school and moved back to Salt Lake City with her parents, both educators. Bradley's grandparents home-schooled him until high school, emphasizing a liberal arts curriculum. [5] After graduating from Olympus High School in Salt Lake City, Bradley went on to complete a BA degree in English at Lewis & Clark College in Portland, Oregon. [5] As a sophomore at Lewis & Clark, Bradley began working as a research assistant for Professor John F. Callahan, a friend and soon-to-be-named literary executor of the late African-American novelist Ralph Ellison. Upon his death in 1994, Ellison left behind thousands of manuscript pages and computer files related to his long-in-progress second novel, a follow-up to his 1952 classic, Invisible Man . [3] Working with Ellison's unpublished manuscripts proved a formative experience for Bradley, who decided to attend graduate school to study English so that he could continue collaborating with Callahan on Ellison's papers. [6]
In 2003 Bradley earned his Ph.D. in English from Harvard University, where he studied with Henry Louis Gates Jr. and Cornel West. [4] [7] After a fellowship at Dartmouth College, Bradley accepted an assistant professorship at Claremont McKenna College in Claremont, California. [3] [8] In 2009, he became a tenured associate professor of English at the University of Colorado, Boulder. [4] In 2013, Bradley founded the Laboratory for Race & Popular Culture (RAP Lab), "an interdisciplinary space for developing and exchanging ideas at the intersection of race and popular culture." [4] [9] Among its initiatives is Hip Hop in the Classroom, which uses rap music to help middle school and high school teachers increase their students' interest in the language arts. [4] [10]
Bradley is recognized for bringing the study of literary criticism to song lyrics. His first book, Book of Rhymes , applies the tools of poetic analysis to the beats and rhymes of hip hop. [11] The term "book of rhymes" is a reference to the composition notebooks rappers often use to compose and to collect their rhymes. Bradley argues that "the book of rhymes is where rap becomes poetry". [12] In the first part of the book, he analyzes rap's rhythm, rhyme, and wordplay. In the second part, he looks at style, storytelling, and signifying. [13] Among the key critical concepts Bradley introduces is the dual rhythmic relationship, the collaboration of voice and beat in rap music. [14]
Book of Rhymes was reviewed widely. The Boston Globe wrote, "Biggie had flow; Jay-Z has flow. For an English professor, Adam Bradley got some flow of his own." [15] While critiquing the book's defense of hip hop culture, The New York Times called it "a triumph of jargon free scrutiny". [16] Writing in Library Journal, Joshua Finnell noted that "Bradley is emerging as a pioneering scholar in the study of hip-hop." [17] In 2013, Book of Rhymes was selected by the University of Pennsylvania as their summer reading text for first-year students, an honor previously bestowed on Michael Pollan's The Omnivore's Dilemma, Chinua Achebe's Things Fall Apart , and Maxine Hong Kingston's The Woman Warrior . [18]
In 2010, Bradley (along with co-editor, Andrew DuBois) published The Anthology of Rap , which was described as "an English major's hip-hop bible". [19] At 900 pages, the Anthology collects and organizes nearly three hundred lyrics from across hip hop's history. [20]
In 2011, Bradley collaborated with the rapper and actor Common on Common's memoir, One Day It'll All Make Sense. The book follows Common's life from his childhood on the South Side of Chicago to his multidimensional entertainment career today. [21] The late author Maya Angelou called it a "magnificent memoir." [22] The journalist and author Touré described it as "a thoughtful and beautiful book." [23] It won the 2012 Street Lit Book Award for Adult Nonfiction. [24] One Day It'll All Make Sense went on to become a New York Times bestseller. [25]
In 2017, Bradley published The Poetry of Pop, which The Daily Telegraph described as "a sort of readers' manual for pop." [26] Writing in The Washington Post , Michael Lindgren observed that "Bradley deploys a formidable set of skills. He has an acute ear, dazzling command of seemingly the entire history of pop and a pleasingly wide range of taste, drawing on examples from Gershwin to Guns 'n' Roses to make his points." [27]
Bradley has published two books related to the novelist Ralph Ellison. Three Days Before the Shooting...: The Unfinished Second Novel, written by Ralph Ellison and edited by Bradley and John Callahan, is a collection of manuscripts from Ellison's never-completed second novel. Ellison began writing his second novel around the time of Invisible Man's publication in 1952. [28] Though he released several excerpts from his novel-in-progress over the next forty years, Ellison failed to publish the long-anticipated novel during his lifetime. In 1999, Callahan released a portion of Ellison's novel under the title of Juneteenth . [29] At more than a thousand pages, Three Days Before the Shooting... constitutes the fullest version of Ellison's uncompleted vision. Set at the dawn of the civil rights movement, the novel concerns the relationship between a black minister named Alonzo Hickman and his surrogate son of indeterminate race, Bliss, who grows up to become a racist New England senator. [Howard] Three Days Before the Shooting... was named one of the year's best works of outsider fiction by NPR, one of "Oprah's Books to Watch," and a Best Book of 2010 by The Root . [30] [31] [32] Soon after the publication of Three Days Before the Shooting..., Bradley published Ralph Ellison In Progress, which traces the history of Ellison's composition of his two novels, one published to great acclaim, the other remaining unpublished until years after his death. [6] Among the insights in the book is that Ellison was an early adopter of the personal computer as a tool of literary composition. Using an Osborne 1 and Osborne 2, marketed as among the world's first portable computers for business, and WordStar software, Ellison amassed several thousand pages of drafts related to his second novel. [6] [33] Bradley speculates that though the computer undoubtedly facilitated Ellison's productivity, it may well have inhibited his ability to complete his novel so long in progress. [6] The African-American novelist Ishmael Reed observed that with Ralph Ellison in Progress "Adam Bradley has made literary criticism interesting again." [34]
Bradley is married to Anna Spain Bradley, a professor of international law at the University of Colorado, Boulder. [2]
Rapping is an artistic form of vocal delivery and emotive expression that incorporates "rhyme, rhythmic speech, and [commonly] street vernacular". It is usually performed over a backing beat or musical accompaniment. The components of rap include "content", "flow", and "delivery". Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. It also differs from singing, which varies in pitch and does not always include words. Because they do not rely on pitch inflection, some rap artists may play with timbre or other vocal qualities. Rap is a primary ingredient of hip hop music, and so commonly associated with that genre that it is sometimes called "rap music".
Lyrics are words that make up a song, usually consisting of verses and choruses. The writer of lyrics is a lyricist. The words to an extended musical composition such as an opera are, however, usually known as a "libretto" and their writer, as a "librettist". The meaning of lyrics can either be explicit or implicit. Some lyrics are abstract, almost unintelligible, and, in such cases, their explication emphasizes form, articulation, meter, and symmetry of expression. Rappers can also create lyrics that are meant to be spoken rhythmically rather than sung.
Ralph Ellison was an American writer, literary critic, and scholar best known for his novel Invisible Man, which won the National Book Award in 1953.
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.
Freestyle is a style of hip hop where an artist writes an unreleased verse, with or without instrumental beats, in which lyrics are recited with no particular subject or structure. It is similar to other improvisational music, such as jazz, where a lead instrumentalist acts as an improviser with a supporting band providing a beat. Freestyle originally was simply verse that is free of style, written rhymes that do not follow a specific subject matter, or predetermined cadence. The newer style with the improvisation grew popular starting in the early 1990s. It is now mainly associated with hip hop.
Invisible Man is Ralph Ellison's first novel, published by Random House in 1952. It addresses many of the social and intellectual issues faced by African Americans in the early 20th century, including black nationalism, the relationship between black identity and Marxism, and the reformist racial policies of Booker T. Washington, as well as issues of individuality and personal identity.
Horrorcore, also called horror hip hop, horror rap, death hip hop, or death rap, is a subgenre of hip hop music based on horror-themed and often darkly transgressive lyrical content and imagery. Its origins derived from certain hardcore hip hop and gangsta rap artists, such as the Geto Boys, which began to incorporate supernatural, occult, and psychological horror themes into their lyrics. Unlike most hardcore hip hop and gangsta rap artists, horrorcore artists often push the violent content and imagery in their lyrics beyond the realm of realistic urban violence, to the point where the violent lyrics become gruesome, ghoulish, unsettling, inspired by slasher films or splatter films. While exaggerated violence and the supernatural are common in horrorcore, the genre also frequently presents more realistic yet still disturbing portrayals of mental illness and drug abuse. Some horrorcore artists eschew supernatural themes or exaggerated violence in favor of more subtle and dark psychological horror imagery and lyrics.
Critical Beatdown is the debut studio album by American hip hop group Ultramagnetic MCs, released on October 4, 1988, by Next Plateau Records. Production for the album was handled primarily by the group's rapper and producer Ced-Gee, who employed an E-mu SP-1200 sampler as the album's main instrument. Music journalists have noted the album for its innovative production, funk-based samples, self-assertive themes, ingenious lyricism, and complex rhyme patterns by Ced-Gee and fellow rapper Kool Keith.
Juneteenth (1999) is the second novel by American writer Ralph Ellison. It was published posthumously, compiled as a 368-page condensation of material from more than 2,000 pages written by him over a period of 40 years. He had never completed a manuscript from this material. Ellison's longtime friend and literary executor, biographer and critic John F. Callahan, created the novel. He edited it in the way he believed that Ellison would have wanted it to be written.
In rapping and poetry, multisyllabic rhymes are rhymes that contain two or more syllables An example is as follows:
I've got a bad taste / It gives me mad haste.
John F. Callahan is the literary executor for Ralph Ellison, and was the editor for his posthumously-released novel Juneteenth. In addition to his work with Ellison, Callahan has written or edited numerous volumes related to African-American literature, with a particular emphasis on 20th century literature.
Illmatic is the debut studio album by American rapper Nas. It was released on April 19, 1994, by Columbia Records. After signing with the label with the help of MC Serch, Nas recorded the album in 1992 and 1993 at Chung King Studios, D&D Recording, Battery Studios, and Unique Recording Studios in New York City. The album's production was handled by DJ Premier, Large Professor, Pete Rock, Q-Tip, L.E.S., and Nas himself. Styled as a hardcore hip hop album, Illmatic features multi-syllabic internal rhymes and inner-city narratives based on Nas' experiences growing up in the Queensbridge Houses in Queens, New York City.
Flocabulary is a Brooklyn-based company that creates educational hip hop songs, videos and additional materials for students in grades K-12. Founded in 2004 by Blake Harrison and Alex Rappaport, the company takes a nontraditional approach to teaching vocabulary, United States history, math, science and other subjects by integrating content into recorded raps. Flocabulary's website features videos, lesson plans, activities and assessment or with songs. The company's name is a portmanteau of "flow" and "vocabulary".
Three Days Before the Shooting... (2010) is the title of the long form edited manuscript of Ralph Ellison's never-finished second novel. It was co-edited by John F. Callahan, the executor of Ellison's literary estate, and Adam Bradley, a professor of English at the University of California, Los Angeles. The book was published on January 26, 2010, by Modern Library.
DuEwa Frazier is an American writer, performer, and educator.
Book of Rhymes: The Poetics of Hip Hop is a book by literary scholar Adam Bradley that looks at hip hop music's literary techniques and argues "that we must understand rap as poetry or miss the vanguard of poetry today". The Dallas Morning News described it by saying, "You'll find Yeats and Frost alongside Nas and...Wu-Tang Clan, together forming a discussion on meter and accent, scansion, and slant rhymes". Bradley is an associate professor of English at the University of Colorado at Boulder, with a PhD in English from Harvard University.
When rapping, MCs use braggadocio to boast—to speak about themselves with great pride. Braggadocio may include subjects such as physicality, fighting ability, financial riches, sexual prowess, or "coolness". Often heavily used in battle rap, braggadocio lyrics can range from just saying, "I'm the best MC ever," to using elaborate phraseology and wit.
How to Rap: The Art & Science of the Hip-Hop MC is a book on hip hop music and rapping by Paul Edwards. It is compiled from interviews with 104 notable rappers who provide insights into how they write and perform their lyrics.
Tywone Smith, professionally known by his stage name Trigger tha Gambler, is an American East Coast rapper. He is the younger brother of Damon Smith aka Smoothe da Hustler, and first became known for his "aggressive hardcore flow" on his brother's 1995 hit single "Broken Language".
The Anthology of Rap is a 2010 rap music anthology published by Yale University Press, with Adam Bradley and Andrew DuBois as the editors. Henry Louis Gates, Jr. wrote the foreword, while Chuck D and Common wrote the afterwords. Bradley and DuBois are English professors, at the associate level at the University of Colorado and University of Toronto Scarborough, respectively. It was published on November 9, 2010.