Bordalo II | |
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 Bordalo II in Vilvoorde, Belgium (2019) | |
| Born | Artur Bordalo 1987 (age 36–37) |
| Alma mater | University of Lisbon |
| Website | www |
Artur Bordalo (born 1987), known professionally as Bordalo II (pronounced and sometimes written Bordalo Segundo), is a Portuguese street artist and self-described artivist. His work consists mainly of large installations and murals made from recycled trash, with the intention of highlighting waste and over-consumption in our world today.
Artur Bordalo was born in Lisbon in 1987. As a youth, he spent many hours observing his grandfather, a painter called Artur Real Bordalo, (1925–2017). [1] [2] He started doing graffiti art with spray paint on walls when he was 11 years old. [1]
He studied painting at the Faculty of Fine Arts at University of Lisbon in Lisbon for eight years, but never finished the course, instead experimenting with ceramics, sculpture, and other materials. [2]
Bordalo chose the name "Bordalo II" in honour of his grandfather, [2] which is pronounced [1] and sometimes written as "Bordalo Segundo". [3]
His work has been shown in solo and group exhibitions and mounted in streets across the world, including Singapore, the United States, French Polynesia, and Europe. [4] [5] In the 10 years between 2012 and 2022, he used over 60 (or 115, by another estimate [4] ) tons of waste materials to create around 200 sculptures of animals. [1]
Bordalo's work is focused on the themes of ecology, waste, and recycling, and makes use of garbage in his work as a method of critiquing over-consumption in the world. [3] Using materials such as old tyres, pieces of wrecked cars, discarded appliances, plastic waste, and aluminium cans, he challenges materialism and consumerism in the modern world. [1] He describes himself as an artivist. [6]
Bordalo's international project Big Trash Animals is a series of installations featuring huge images of animals created from rubbish. The project spanned many European cities, including Lisbon, Barcelona, Dresden, Hamburg, and Tallinn, with the first of these in Łódź in Poland, in August–September 2015. [3] The sculpture in Łódź is the largest of the series, consisting of a large swallow on a building facade. Others in the series include a giant bear in Turin, Italy, and, in Portugal, a crab in Ericeira, and a fox and a frog in Lisbon. [7] Big Trash Animals was also created in North America and Latin America. [8] The idea of creating animals with trash is to highlight the destruction of species by waste caused by humans. [1]
His next project was a large exhibition with his work scattered throughout the city of São Paulo in Brazil. [8]
One of his public sculptures of animals is the huge Plastic Mero (representing an Atlantic goliath grouper), created from marine debris and installed in 2019 on the seafront in Funchal, Portugal. [9] Another is a huge Iberian lynx in the Parque das Nações, a district of Lisbon, which he created for the World Conference of Ministers Responsible for Youth in 2019 and Youth Forum Lisboa+21. [10]
In Railway Series, in Portugal, Bordalo used train tracks, painted in bright colours. [1]
For a 2018 exhibition which travelled to Las Vegas, U.S., called Wild Wild Waste, there was a whale caught in fishing nets, a lion caged in a truck, and four penguins surrounded by rubbish. [7]
His 2020 work, Lighted Jelly Fish, from the Big Trash Animals series, [11] was exhibited at the Europa Building in Brussels during the semester of the Portuguese presidency of the EU, later becoming part of the European Parliament's Contemporary Art Collection. [5]
In April 2021, two sculptures of seahorses were unveiled at the Gambelas campus of the University of Algarve in Faro, Portugal. [6]
Magellanic Penguins was created for the Portuguese Pavilion in the Expo 2020 in Dubai, which ran from October 2021 until March 2022, and in July 2022 his work was exhibited in Singapore. [5]
In August 2022, Bordalo created his first mural in the state of Texas, in the form of a 20-metre (64 ft) mountain lion on a wall of a building in downtown El Paso. [12] An exhibition of his work titled EVILUTION was mounted in at Edu Hub Lisbon from October to December 2022. [4]
In July 2023, shortly before a scheduled visit by Pope Francis, Bordalo broke into one the venues where he would be celebrating a mass, and laid out his latest creation - a huge carpet composed of giant 500-euro banknotes. His intention is to highlight how much has been spent on the event – an estimated 161 million euros – by the Portuguese Government (30 million euros), the Catholic Church, and Lisbon and Loures city councils. [13] [14] [15]
Bordalo supports Portuguese refugee advocacy organisation Humans Before Borders, which helps to fund five medical NGOs working in refugee camps on the Greek islands of Lesbos and Samos. [1]
A short documentary film entitled Bordalo II: A Life of Waste was released by the Irish Film Board in 2017.[ citation needed ] [5]
The Atlantic goliath grouper or itajara, also known as the jewfish, is a saltwater fish of the grouper family and one of the largest species of bony fish. The species can be found in the West Atlantic ranging from northeastern Florida, south throughout the Gulf of Mexico and the Caribbean Sea, and along South America to Brazil. In the East Pacific it ranges from Mexico to Peru. In the East Atlantic, the species ranges in West Africa from Senegal to Cabinda. The species has been observed at depths ranging from 1 to 100 meters.
Rafael Bordalo Pinheiro was a Portuguese artist known for his illustration, caricatures, sculpture, and ceramics designs. Bordalo Pinheiro created the popular cartoon character Zé Povinho (1875) and is considered the first Portuguese comics creator.
Artivism is a portmanteau word combining art and activism, and is sometimes also referred to as Social Artivism.
Street art is visual art created in public locations for public visibility. It has been associated with the terms "independent art", "post-graffiti", "neo-graffiti" and guerrilla art.
Mero may refer to:
Columbano Bordalo Pinheiro, who is usually referred to as Columbano, was a Portuguese Realist painter. Usually considered the greatest Portuguese painter of the 19th century, he has been compared to the likes of Wilhelm Leibl and John Singer Sargent.
The National Museum of Contemporary Art of Chiado is an art museum located in the Chiado neighbourhood of Lisbon, Portugal. It was created in 1911 and re-inaugurated, in new installations, in 1994.
Upcycling, also known as creative reuse, is the process of transforming by-products, waste materials, useless, or unwanted products into new materials or products perceived to be of greater quality, such as artistic value or environmental value.
Marina DeBris is the name used by an Australian-based artist whose work focuses on reusing trash to raise awareness of ocean and beach pollution. DeBris uses trash washed up from the beach to create trashion, 'fish tanks', decorative art and other works of art. She has also used beach trash to provide one perspective on what the earth might look like from space. As well as creating art from debris, DeBris also is a fund raiser for environmental organizations, and collaborates with non-profit organizations and schools to educate children about ocean pollution. In 2021, DeBris found almost 300 face masks on beaches, and used them in her trashion and other displays.
João Abel Manta is a Portuguese architect, painter, illustrator and cartoonist.
The Palace of Beau-Séjour is a 19th-century Portuguese manor house situated in the civil parish of São Domingos de Benfica, municipality of Lisbon.
William George Mitchell was an English sculptor, artist and designer. He is best known for his large scale concrete murals and public works of art from the 1960s and 1970s. His work is often of an abstract or stylised nature with its roots in the traditions of craft and "buildability". His use of heavily modelled surfaces created a distinctive language for his predominantly concrete and glass reinforced concrete (GRC) sculptures. After long years of neglect, many of William Mitchell's remaining works in the United Kingdom are now being recognised for their artistic merit and contemporary historic value, and have been granted protective, listed status.
Prazeres Cemetery is one of the largest cemeteries in Lisbon, Portugal; it is located in the freguesia of Estrela, in western Lisbon. It is considered to be one of the most beautiful and famous cemeteries in the world. It is home to the Mausoleum of the Dukes of Palmela, the largest mausoleum in Europe.
Portuguese comics are comics created in Portugal or by Portuguese authors. Rafael Bordalo Pinheiro, Carlos Botelho, and João Abel Manta are some of the most notable early Portuguese cartoonists.
Many artworks related to the Black Lives Matter movement have been created. These works are either seen as a direct tribute to those who have died or more broadly to the movement. Often the pieces are created in the streets as to be more publicly visible. As such several attempts have been made at preserving the art created in protest on the basis of their artistic merit and cultural significance. Increasingly, the erasure of the artwork has been a problem for preservationists. As such, the artworks below represent a fraction of the works created.
João Artur da Silva is a Portuguese born artist and photographer currently living in British Columbia, Canada.
Judith Selby Lang is an American artist and environmental activist working with found beach plastic. Selby Lang is known for sourcing beach plastic from a single site: 1000 yards of Kehoe Beach along the Point Reyes National Seashore in Northern California, and then turning that plastic into artworks. Selby Lang works both independently and with her partner Richard Lang.
Maria Augusta Bordalo Pinheiro (1841–1915) was a Portuguese painter and lacemaker. A pupil of her father, Manuel Maria Bordalo Pinheiro, and her younger brother, Columbano Bordalo Pinheiro, she is remembered above all for her industrial development of the technique of bobbin lacework and for teaching at the design school in Peniche where she was headmistress. She was widely recognized for her work, above all as a result of the gold medal she received at the 1989 Exposition Universelle in Paris
#6, "Waste" Edition - Dec. 2018
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