"Born to Be with You" | ||||
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Single by The Chordettes | ||||
B-side | "Love Never Changes" | |||
Released | June 1956 | |||
Genre | Traditional pop | |||
Length | 2:46 | |||
Label | Cadence | |||
Songwriter(s) | Don Robertson | |||
The Chordettes singles chronology | ||||
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"Born to Be with You" is a song by the American female vocal quartet The Chordettes. Written by Don Robertson, the song was released in 1956. The song reached a position of number five on the pop charts in the United States. In Ireland, Butch Moore & The Capitol Showband took it to No. 1 in 1965. [1]
In the Chordettes version, because of the short verses, the Chordettes hum two choruses in-between the verses, while in the second humming chorus, a whistling of composer Don Robertson, is heard playing a counterpoint melody. Several disc jockeys wrongly fade the song out when the bass guitar plays a rumba rhythm that seems to fade out, however, following a brief pause, the Chordettes sing a harmonic variation Capella of the word "AMEN".
"If I Give My Heart to You" is a popular song written by Jimmy Brewster, Jimmie Crane, and Al Jacobs. The most popular versions of the song were recorded by Doris Day and by Denise Lor; both charted in 1954.
"Carolina in the Morning" is a popular song with words by Gus Kahn and music by Walter Donaldson, first published in 1922 by Jerome H. Remick & Co.
"No, Not Much" is a popular song published in 1955. The music was written by Robert Allen Deitcher, the lyrics by Al Stillman. The most popular version was recorded by The Four Lads. It was one of a large number of Stillman-Allen compositions that were recorded by the quartet.
"Shine On, Harvest Moon" is a popular early-1900s song credited to the married vaudeville team Nora Bayes and Jack Norworth. It was one of a series of moon-related Tin Pan Alley songs of the era. The song was debuted by Bayes and Norworth in the Ziegfeld Follies of 1908 to great acclaim. It became a pop standard, and continues to be performed and recorded in the 21st century.
"White Christmas" is an Irving Berlin song reminiscing about an old-fashioned Christmas setting. The song was written by Berlin for the 1942 musical film Holiday Inn. The composition won the Academy Award for Best Original Song at the 15th Academy Awards. Bing Crosby's record topped the Billboard chart for 11 weeks in 1942 and returned to the number one position again in December 1943 and 1944. His version would return to the top 40 a dozen times in subsequent years.
"Harbor Lights", is a popular song by Northern Irish songwriter Jimmy Kennedy with music by Hugh Williams. The song was originally recorded by Roy Fox & his Orchestra with vocal by Barry Gray in London on 29 January 1937. Another famous early version was recorded by American singer Frances Langford in Los Angeles on 14 September 1937 and was published again in 1950.
"All the Way" is a song published in 1957 by Maraville Music Corporation. The music was written by Jimmy Van Heusen with lyrics by Sammy Cahn.
"Don't Fence Me In" is a popular American song written in 1934, with music by Cole Porter and lyrics by Robert Fletcher and Cole Porter. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
"It's a Good Day" is a popular song written by Peggy Lee and her first husband Dave Barbour and published in 1946. Peggy Lee's recording reached the Billboard charts in January, 1947 peaking at No. 16.
"I've Got The World on a String" is a 1932 popular jazz song composed by Harold Arlen, with lyrics written by Ted Koehler. It was written for the twenty-first edition of the Cotton Club series which opened on October 23, 1932, the first of the Cotton Club Parades.
"The Band Played On", also known as "Casey Would Waltz with a Strawberry Blonde", is a song that was written in 1895 with lyrics by John F. Palmer and music by Charles B. Ward (1865–1917).
"Basin Street Blues" is a song often performed by Dixieland jazz bands, written by Spencer Williams in 1928 and recorded that year by Louis Armstrong. The verse with the lyric "Won't you come along with me / To the Mississippi..." was later added by Glenn Miller and Jack Teagarden.
Subtle as a Flying Mallet is the second solo album by Dave Edmunds, principally focused on sound-alike remakes of late 1950s and early 1960s hits. All of the vocals are by Edmunds, and many of the songs are true solo efforts in that Edmunds also plays all the instruments. The album produced two Top 10 singles in the UK, remakes of the Phil Spector hit "Baby, I Love You" and The Chordettes' "Born to Be with You". A 2006 reissue of the album includes two former B-sides as bonus tracks.
"June in January" is a popular song with music by Ralph Rainger and lyrics by Leo Robin, published in 1934.
"Tumbling Tumbleweeds" is a Western music song composed by Bob Nolan, a founding member of the Sons of the Pioneers. Nolan wrote the song in the early 1930s while he was working as a caddy and living in Los Angeles. It was first recorded by the Sons of the Pioneers in 1934, and it became one of the most famous songs associated with the group. Originally titled "Tumbling Leaves", the song was reworked into the title "Tumbling Tumbleweeds" and into more widespread fame with the 1935 film of the same name starring Gene Autry. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
"Baby Face" is a popular Tin Pan Alley jazz song. The music was written by Harry Akst, with lyrics by Benny Davis, and the song was published in 1926.
"Still" is a 1963 single by Bill Anderson. "Still" was Anderson's second number one on the country chart, staying at the top spot for seven non-consecutive weeks. The song crossed over to the pop chart, peaking at number eight. Anderson performed this song on the finale of the 1977-1978 ABC game show The Better Sex which he co-hosted with Sarah Purcell.
"Walking the Floor Over You" is a country music song written by Ernest Tubb, recorded on April 26, 1941 in Fort Worth, Texas, and released in the United States that year.
The Village of St. Bernadette is the sixth studio album by American pop singer Andy Williams and was released in early 1960 by Cadence Records. It was described by Billboard magazine as "a lovely set of pop inspirational, hymns, and religious themes".
"Allá en el Rancho Grande" is a Mexican song. It was written in the 1920s for a musical theatrical work, but now is most commonly associated with the eponymous 1936 Mexican motion picture Allá en el Rancho Grande, in which it was sung by renowned actor and singer Tito Guízar and with mariachis.