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Company type | Private |
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Industry | Consumer electronics |
Founded | 1966 |
Founder | John Bowers & Roy Wilkins |
Headquarters | Worthing, West Sussex |
Key people | Blair Tripodi |
Products |
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Parent | Masimo |
Website | bowerswilkins.com |
Bowers & Wilkins, commonly known as B&W, is a British company that produces consumer and professional loudspeakers and headphones. [1] The company was founded in 1966 in Worthing, West Sussex, England. [2] In October 2020, it was acquired by Sound United, a holding company who owns several other audio brands. [3]
Bowers & Wilkins began as a radio and electronics shop in Worthing. It was started after World War II by John Bowers & Roy Wilkins, who had met while serving in the Royal Corps of Signals during the war. [4] The shop expanded to include televisions retail, a rentals business and a service department run by Peter Hayward. When the shop began supplying public address equipment to schools and churches in Sussex, Bowers became increasingly involved in the design and assembly of loudspeakers, eventually setting up a small production line in workshops behind the shop.
In 1966, Bowers started a separate business: B&W Loudspeakers Ltd., and was no longer involved with the shop itself. The first production line was established in the workshops in the shop's backyard. The shop still exists to this day, and the remnants of the original production line can still be seen. The shop is now owned by and managed by Roy's son Paul Wilkins, who together with Chris Hugill used to run the UK distribution arm of B&W, B&W Loudspeakers UK Ltd. They also acted as the UK distribution of the aforementioned Aura range of electronics, and Nakamichi compact cassette decks [5]
The 1967 P1 was the first commercial speaker from B&W. The cabinet and filter were B&W's own, but the drivers came from EMI and Celestion. The profits of the P1 allowed Bowers to purchase a Radiometer Oscillator and Pen Recorder, allowing for calibration certificates for every speaker sold.
In 1968, Audioscript in the Netherlands became the first international distributor appointed. [6] The DM1 (Domestic Monitor) and DM3 were introduced. Dennis Ward (a former technical manager at EMI) became a member of the board in 1969.
In 1970, the ionovac-tweeter equipped P2 speakers were produced. [7] They were also licensed by Sony and rebadged in Worthing to be distributed in Japan. [8] The company decided to develop a loudspeaker wholly built in-house. The sizeable DM70 from 1970 combined electrostatic mid- and high range on top of a traditional bass unit. In 1972 a new production facility was opened in Meadow Road, Worthing. Housing anechoic chambers and extensive Bruel & Kjaer measurement equipment, the research team investigated phase linearity and speaker cone construction using laser interferometry. [9] 1972 also saw the introduction of the DM2, a three unit system, consisting of an 8-inch bass/mid-range speaker rear loaded with an acoustic line, a Celestion HF1300 tweeter, and a super tweeter.
B&W received the Queen's Award for Export in 1973, and built programme content monitors for the BBC. In 1974, Kenneth Grange of Pentagram was appointed as industrial designer. The 1976 DM6 loudspeaker introduced Kevlar cones and phase linear filter and enclosure design. The Steyning research facility is opened and a PDP11/35 computer is acquired. The building was bought from SME Ltd, also based in Steyning. The 1977 DM7 showed a tweeter separate from the main cabinet and a passive radiator. After a tenfold increase in export since 1973, the second Queen's Award for Export is awarded in 1978. The 801 loudspeaker, taking three years of development, was introduced in 1979.
Research into amplifiers and active filters leads to the Active One loudspeaker, branded under the name of John Bowers in 1984. Laurence Dickie was hired as an amplifier designer. Dickie developed the idea of a 'matrix' construction, after initial inspiration of Aerolam being used by Celestion. Dickie's reasoning was to extend the structure of Aerolam to fill the entire cabinet. He presented his ideas to John Bowers and it was tested by the research team and found to have significant qualities in reducing loudspeaker cabinet colouration. A new range with this 'Matrix' culminated into the first 'Matrix 1,2 and 3' loudspeakers, to much acclaim.
The 800 loudspeaker range was improved into matrix versions with its very rigid cabinet construction in 1987. [10]
In December 1987 Bowers died. Robert Trunz took leadership of the company and asked Dickie to independently complete the work of John Bowers, who was researching a way of producing a speaker with zero cabinet effect. This ultimately became the 'Nautilus' Loudspeaker premiered in its prototype form in 1991. Also in 1987, John Dibb joined the company, later to become responsible for many speaker designs, notably several signature models. Dibb's 1987 'Concept 90' CM1 loudspeaker was the first B&W speaker with a plastic moulded matrix cabinet.
Silver Signature loudspeaker was launched to commemorate the company's 25th anniversary as well as the introduction to 'Project Nautilus'. Increasing demand led to by opening an additional production site at Silverdale, Worthing, West Sussex in 1992. . The 1993 'Nautilus' Loudspeaker was officially launched and still remains the company's flagship product. [11] December 20th 1996 Robert Trunz completed the sale of his shares and Joe Atkins took control of Bowers and Wilkins. In 1998 Laurence Dickie left the company while some of his Nautilus technology was introduced in the somewhat more affordable Nautilus 800 series.
In 2002 B&W moved its Worthing production, warehousing, and head office to a new £7 million location on a former landfill site in Dale Road, Worthing. A second plant was built in Bradford. [12]
B&W took over its production factory for cabinets in Agerbæk, Denmark in 2003. In the same year, the Bradford location was left for new premises in Cleckheaton, West Yorkshire. In 2005, Bowers & Wilkins replaced its top-of-the-line N800 range with the new 800D range. The most publicized change was the introduction of diamond dome tweeters on some models [13] 2005 also saw B&W receive the Queen's Award for Innovation for the tube-loaded drivers on the 800s. [14] The EISA Award for European High-End Audio Component of the Year is awarded to the 603. The PV1 receives the European Home Theatre Subwoofer of the year 2005–2006 award. The XT series introduced aluminium as a speaker cabinet material.
In 2007 the 'Zeppelin' iPod speaker system was introduced. That same year, Bowers & Wilkins' released the project the Society of Sound, an online community focused on issues and discussions relating to high-quality sound. The Society of Sound has many celebrity "Fellows", who contribute material. Fellows include Peter Gabriel, film composer James Howard, musician Dave Stewart, jazz singer Cassandra Wilson, and industrial designer Kenneth Grange. [15]
In 2008, the "Jaguar XF Audio System" was introduced, a car audio setup with 14 speakers and a powered 440 Watt Class AB DSP amplifier. In May 2008, Bowers and Wilkins started the Bowers & Wilkins Music Club, now known as the Society of Sound, returning the company into the music business. The Society of Sound is a subscription-based music retail site. Albums are currently available in either Apple Lossless or Flac format. The site is a partnership with Peter Gabriel's Real World Studios, and artists to be featured have been Little Axe, Cara Dillon, Gwyneth Herbert, and Portico Quartet. [16] Former Suede frontman Brett Anderson had his solo album Wilderness released through the Society of Sound before being available for retail. [17]
In May 2016, Bowers & Wilkins was bought by Eva Automation, a company founded two years prior by Gideon Yu. [18] In October 2017 Bowers & Wilkins became the official headphones and loudspeaker partner of Abbey Road Studios. [19]
In October 2020 Sound United LLC acquired Bowers & Wilkins. [20]
Research and development was a focus for the company, especially to its founder John Bowers (1922–1987). [21] In 1982 the company opened a research centre titled Steyning Research Establishment (SRE) in Steyning, about 10 miles from Worthing. The buildings were designed for audio-related work since they were previously used by SME, the English tonearm designer. The design of B&W loudspeaker cabinets are the work of industrial designer Kenneth Grange since 1975. Morten Villiers Warren became manager of design in the late 1990s when designing the new 800 series of speakers.
Bowers & Wilkins has created:
Released in 2019, the Formation Suite consists of Duo, Wedge, Bar, Bass, Audio and Flex. [22]
The headquarters for Bowers & Wilkins is in Worthing, West Sussex.
A loudspeaker is a combination of one or more speaker drivers, an enclosure, and electrical connections. The speaker driver is an electroacoustic transducer that converts an electrical audio signal into a corresponding sound.
Audio crossovers are a type of electronic filter circuitry that splits an audio signal into two or more frequency ranges, so that the signals can be sent to loudspeaker drivers that are designed to operate within different frequency ranges. The crossover filters can be either active or passive. They are often described as two-way or three-way, which indicate, respectively, that the crossover splits a given signal into two frequency ranges or three frequency ranges. Crossovers are used in loudspeaker cabinets, power amplifiers in consumer electronics and pro audio and musical instrument amplifier products. For the latter two markets, crossovers are used in bass amplifiers, keyboard amplifiers, bass and keyboard speaker enclosures and sound reinforcement system equipment.
A tweeter or treble speaker is a special type of loudspeaker that is designed to produce high audio frequencies, typically up to 100 kHz. The name is derived from the high pitched sounds made by some birds (tweets), especially in contrast to the low woofs made by many dogs, after which low-frequency drivers are named (woofers).
A woofer or bass speaker is a technical term for a loudspeaker driver designed to produce low frequency sounds, typically from 20 Hz up to a few hundred Hz. The name is from the onomatopoeic English word for a dog's deep bark, "woof". The most common design for a woofer is the electrodynamic driver, which typically uses a stiff paper cone, driven by a voice coil surrounded by a magnetic field.
Celestion is a British designer and exporter of professional loudspeakers.
Rudolph Thomas Bozak (1910–1982) was an audio electronics and acoustics designer and engineer in the field of sound reproduction. His parents were Bohemian Czech immigrants; Rudy was born in Uniontown, Pennsylvania. Bozak studied at Milwaukee School of Engineering; in 1981, the school awarded him an honorary doctorate in engineering. Bozak married Lillian Gilleski; the two had three daughters: Lillian, Mary and Barbara.
A full-range loudspeaker drive unit is defined as a driver which reproduces as much of the audible frequency range as possible, within the limitations imposed by the physical constraints of a specific design. The frequency range of these drivers is maximized through the use of a whizzer cone and other means. Most single driver systems, such as those in radios, or small computer speaker designs, cannot reproduce all of the audible frequencies or the entire audible audio range.
A loudspeaker enclosure or loudspeaker cabinet is an enclosure in which speaker drivers and associated electronic hardware, such as crossover circuits and, in some cases, power amplifiers, are mounted. Enclosures may range in design from simple, homemade DIY rectangular particleboard boxes to very complex, expensive computer-designed hi-fi cabinets that incorporate composite materials, internal baffles, horns, bass reflex ports and acoustic insulation. Loudspeaker enclosures range in size from small "bookshelf" speaker cabinets with 4-inch (10 cm) woofers and small tweeters designed for listening to music with a hi-fi system in a private home to huge, heavy subwoofer enclosures with multiple 18-inch (46 cm) or even 21-inch (53 cm) speakers in huge enclosures which are designed for use in stadium concert sound reinforcement systems for rock music concerts.
Studio monitors are loudspeakers in speaker enclosures specifically designed for professional audio production applications, such as recording studios, filmmaking, television studios, radio studios and project or home studios, where accurate audio reproduction is crucial. Among audio engineers, the term monitor implies that the speaker is designed to produce relatively flat (linear) phase and frequency responses. In other words, it exhibits minimal emphasis or de-emphasis of particular frequencies, the loudspeaker gives an accurate reproduction of the tonal qualities of the source audio, and there will be no relative phase shift of particular frequencies—meaning no distortion in sound-stage perspective for stereo recordings. Beyond stereo sound-stage requirements, a linear phase response helps impulse response remain true to source without encountering "smearing". An unqualified reference to a monitor often refers to a near-field design. This is a speaker small enough to sit on a stand or desk in proximity to the listener, so that most of the sound that the listener hears is coming directly from the speaker, rather than reflecting off walls and ceilings. Monitor speakers may include more than one type of driver or, for monitoring low-frequency sounds, such as bass drum, additional subwoofer cabinets may be used.
Plasma speakers or ionophones are a form of loudspeaker which varies air pressure via an electrical plasma instead of a solid diaphragm. The plasma arc heats the surrounding air causing it to expand. Varying the electrical signal that drives the plasma and connected to the output of an audio amplifier, the plasma size varies which in turn varies the expansion of the surrounding air creating sound waves.
Acoustic suspension is a loudspeaker cabinet design that uses one or more loudspeaker drivers mounted in a sealed box. Acoustic suspension systems reduce bass distortion which can be caused by stiff suspensions required on drivers used for open cabinet designs.
Polk Audio, Inc. is an American manufacturer of audio products best known for its home and automobile speakers. The company also produces a wide range of other audio products, such as amplifiers and FM tuners. The company's headquarters is in San Diego, California. In 2006, it was bought by Directed Electronics. Polk Audio has also introduced smart speakers for Google Assistant and Amazon Alexa.
KEF is a British company specialising in the design and production of a range of high-end audio products, including HiFi speakers, subwoofers, architecture speakers, wireless speakers, and headphones. It was founded in Maidstone, Kent, in 1961 by a BBC engineer named Raymond Cooke (1925–1995). In 1992, the Hong Kong–based Gold Peak Group acquired KEF; and GP Acoustics, a member of Gold Peak, now owns the company. KEF continues to develop and manufacture its products in Maidstone.
A coaxial loudspeaker is a loudspeaker system in which the individual driver units radiate sound from the same point or axis. Two general types exist: one is a compact design using two or three speaker drivers, usually in car audio, and the other is a two-way high-power design for professional audio, also known as single-source or dual-concentric loudspeakers. The design is favored for its compactness and behavior as an audio point source.
Focal-JMlab is a French company that has been designing and selling high fidelity audio systems since 1979. Based in Saint-Étienne, the company manufactures loudspeakers for the home, speaker drivers for automobiles, headphones, professional studio monitors, as well as outdoor speakers and those dedicated to yachts.
Simon Ghahary is an English born artist, brand architect and lifestyle engineer from the United Kingdom known primarily for his unconventional speaker designs. Inspired by art, nature and technology he refers to his fantastical sculptural pieces as functional art. Developing new forms to accompany new ways of living, he has approached audio product design as an art in and of itself. His aesthetic is not only about the combination of performance and design but the space an object can create when not in use.
The Wharfedale MACH series of loudspeakers consists of the MACH 3, 5, 7, and 9. This is an informational page devoted to owners and users of these loudspeakers and those interested in history and construction of electronic sound reproduction.
Robert Trunz is a Swiss born music producer, businessman and sound expert. A Native of Lucerne from the valley of the lakes Seetal Switzerland, Robert Trunz's love for music and sounds was triggered at an early age. His introduction to High End audio came with his work for exclusive distributors of well known Hifi brands in the mid 70’s. In his spare time Trunz helped in organizing a series of Jazz concerts at the Aula in Baden (Switzerland) where he met artists like Ian Carr, Klaus Doldinger, Alphonse Mouzon and Abdullah Ibrahim, Trunz gained retail experience by building up the High End Hifi section of a shop in wealthy Lachen on the Lake of Zurich. It was here in 1979 when he first met John Bowers who hired him as an independent marketing and product consultant. In 1981 Trunz moved to England where he took over the Marketing of B&W Loudspeakers turning the ailing manufacturer into a profit making and fast expanding export orientated loudspeaker company.
The LS3/5A is a small studio monitor loudspeaker originated by the BBC for use by outside broadcast vans to ensure quality of their broadcasts. The speaker concept set out transparent and natural sound as the goal, and the achievement of the result is widely acknowledged.
A transmission line loudspeaker is a loudspeaker enclosure design which uses the topology of an acoustic transmission line within the cabinet, compared to the simpler enclosures used by sealed (closed) or ported designs. Instead of reverberating in a fairly simple damped enclosure, sound from the back of the bass speaker is directed into a long damped pathway within the speaker enclosure, which allows far greater control and use of speaker energy and the resulting sound.