Brahim El Mazned | |
---|---|
Born | 1971 (age 52–53) |
Alma mater | Ibn Zohr University, Agadir |
Occupation(s) | cultural manager and director of World Music festivals |
Known for | Festival Timitar, Visa for Music, expert for culture with UNESCO |
Brahim El Mazned (born 31 December 1967 in Essaouira, Morocco) is a Moroccan cultural manager and director of World Music festivals, who works to develop popular musical activities around the world, with a focus on Moroccan and African culture. He is the founding director of cultural management organization Anya that promotes Moroccan and African cultural activities. Promoting Amazigh culture, El Mazned has served as the artistic director of the Timitar Festival of World Music in Agadir, Morocco. Further, he is the founding director of Visa for Music, the first festival and professional market for music in Africa and the Middle East.
With more than twenty-five years of experience in the Moroccan cultural world, El Mazned has become notable for the promotion of World Music as well as for the organization of major artistic and cultural events on an international level. He has served as a jury member for cultural events in Africa, Europe, Central Asia, Southeast Asia and South America. Further, he has hosted conferences, meetings, artistic residencies and cultural projects in more than 50 countries around the world. [1] [2]
In 2009, El Mazned was invited to manage the cultural preselection for the North Africa and Middle East region for the 6th Francophonie Games in Beirut, Lebanon. In the same capacity, he also worked for the 2013 edition of the games in Nice, France, and for the 2017 edition in Abidjan, Ivory Coast. [3] [4]
Member of the UE/UNESCO expert facility from 2019 to 2022, an international group of recognized experts with experience in designing and implementing policies to support cultural and creative activities, he has worked as consultant for UNESCO in the fields of cultural policy and creative industries. [5] [6]
El Mazned is the artistic director of the Timitar Festival of World Music, created in 2004 in Agadir. This festival, mainly dedicated to Amazigh culture, has become one of the important events celebrating African musical traditions. For its 17th edition in 2022, the festival was attended by more than 380,000 spectators. [7] [8] [9]
Over the years, El Mazned has initiated artistic residencies in several countries and regions around the world, including France, Spain, Greece, Réunion, New Caledonia, Madagascar, Mali, Tunisia, Mauritania, Lebanon and Brazil. Further, he has participated in the creation of a dozen albums and hundreds of concerts in festivals and venues in several countries. [10] [11]
Further, El Mazned is a member of several cultural institutions, including the European Forum of Worldwide Music Festivals (EFWMF), Hiba Foundation, All Africa Music Awards (AFRIMA) and the Global Music Market Network (GloMMnet). In 2016, he created MoMEx, an export office for the promotion of Moroccan music throughout the world. [1]
As producer of musical recordings, El Mazned works for the preservation and presentation of Morocco's intangible heritage, particularly for the musical arts of the Amazigh musical tradition of the Aïta and the Rrways musicians. For this, he founded the Atlas Azawan association and produced musical albums through his Anya cultural management company. [12] Until 2022, he oversaw the artistic direction of the following three works: the anthology Chioukhs et Cheikhates de l'Aïta which received the Académie Charles Cros Prize in 2017. The anthology Rrways, a journey into the universe of itinerant Amazigh poet-singers was awarded another prize by the Académie Charles Cros in 2021 and with the Coup de cœur Musiques du monde Prize". [13] [14] In July 2022, he published the illustrated book The Art of the Rrways. [15]
In 2014, El Mazned became the founding director of Visa For Music, an important festival and professional market for music in Africa and the Middle East. [16] This festival has since taken place every year in November in Rabat, the capital city of Morocco. It aims to promote musical creations and cultural diversity of both Moroccan and international artists with an African or Middle Eastern background. [17]
Founded by Brahim El Mazned and under the direction of Keltouma Bakrimi, the mission of the Anya cultural agency is to participate in the restructuring of the value chain of the Moroccan music sector and to support artists and cultural operators in Morocco. [18] The company has developed various projects of creation, distribution and promotion of music, for example the UNESCO project Jazz Women in Africa in 2021, [19] [20] [21] Rési' Jazz [22] and the Artistic Marathon. [23]
El Mazned was featured as one of the hundred best leaders in sustainable cultural development in the guide for cultural diversity “Les Aventuriers de la Culture.” He also figured on the list of the hundred people who move and promote Morocco, a yearly list published by the Moroccan weekly magazine TelQuel. In addition, Brahim El Mazned was named in the book Those who inspire - Morocco as an inspiring personality of the Moroccan cultural sector. [24]
Moroccan music varies greatly between geographic regions and social groups. It is influenced by musical styles including Arab, Berber, Andalusi, Mediterranean, Saharan, West African, and others.
Agadir is a major city in Morocco, on the shore of the Atlantic Ocean near the foot of the Atlas Mountains, just north of the point where the Souss River flows into the ocean, and 509 kilometres (316 mi) south of Casablanca. Agadir is the capital of the Agadir Ida-U-Tanan Prefecture and of the Souss-Massa economic region.
Tamazgha is a fictitious entity and neologism in the Berber languages denoting the lands traditionally inhabited by the Berber peoples within the Maghreb. The term was coined in the 1970s by the Berber Academy in France and, since the late 1990s, has gained particular significance among speakers of Berber languages. Although Berberists see Tamazgha as the geographic embodiment of a Berber imaginary of a once unified language and culture that had its own territory, it has never been a single political entity, and Berbers across the Maghreb did not see themselves as a single cultural or linguistic unit, nor was there a greater "Berber community" due to their differing cultures and languages. Despite this, certain Berberists such as members of the Algerian separatist Movement for the Self-Determination of Kabylia use the term to imagine and describe a hypothetical federation spanning between the Canary Islands and the Siwa Oasis, a large swathe of territory including Morocco, Algeria, Tunisia, Libya, Mauritania, Mali, Niger, Egypt, the Western Sahara, Burkina Faso and Senegal.
The Gnawa are an ethnic group inhabiting Morocco, that had been brought as slaves from West African Sahel, especially northern Nigeria.
Jemaa el-Fnaa is a square and market place in Marrakesh's medina quarter. It remains the main square of Marrakesh, used by locals and tourists.
Malhun, meaning "the melodic poem", is a form of music that originated in Morocco. It is a kind of urban, sung poetry that comes from the exclusively masculine working-class milieu of craftsmen's guilds. On 6 December 2023, malhun was added to the UNESCO Intangible Cultural Heritage Lists of Morocco.
The culture of Morocco is a blend of Arab, Berber, Andalusi cultures, with Mediterranean, Hebraic and African influences. It represents and is shaped by a convergence of influences throughout history. This sphere may include, among others, the fields of personal or collective behaviors, language, customs, knowledge, beliefs, arts, legislation, gastronomy, music, poetry, architecture, etc. While Morocco started to be stably predominantly Sunni Muslim starting from 9th–10th century AD, during the Almoravid period, a very significant Andalusi culture was imported, contributing to the shaping of Moroccan culture. Another major influx of Andalusi culture was brought by Andalusis with them following their expulsion from Al-Andalus to North Africa after the Reconquista. In antiquity, starting from the second century A.D and up to the seventh, a rural Donatist Christianity was present, along an urban still-in-the-making Roman Catholicism. All of the cultural super strata tend to rely on a multi-millennial aboriginal Berber substratum still present and dating back to prehistoric times.
Mohamed Chafik, born 17 September 1926, is a leading figure in the Amazigh cultural movement. An original author of the Amazigh Manifesto, he was later appointed as the first Rector of the Royal Institute of the Amazigh Culture. He has worked extensively on incorporating Amazigh culture into Moroccan identity and is a leading intellectual of the Moroccan intelligentsia.
Hoba Hoba Spirit is a musical fusion band based in Casablanca, Morocco that was formed in 1998. It is composed of Adil Hanine (drummer), Anouar Zehouani (guitarist), Saâd Bouidi, Reda Allali - and Othmane Hmimar(percussionist). The name of the group is based on a song by Bob Marley.
Fantasia is a traditional exhibition of horsemanship in the Maghreb performed during cultural festivals and for Maghrebi wedding celebrations. It is present in Algeria, Libya, Mali, Mauritania, Morocco, Niger and Tunisia. It is attested in the ancient Numidian times during which it was practiced by the Numidian cavalry. Historian Carlos Henriques Pereira stated that the North African fantasia also called barud is a modern watered down version of a Numidian military technique.
Fatima Tabaamrant is a Moroccan Amazigh actress and singer-songwriter. She sings and performs in her native Amazigh tongue.
There are a number of languages in Morocco. De jure, the two official languages are Standard Arabic and Standard Moroccan Berber. Moroccan Arabic is by far the primary spoken vernacular and lingua franca, whereas Berber languages serve as vernaculars for significant portions of the country. The languages of prestige in Morocco are Arabic in its Classical and Modern Standard Forms and sometimes French, the latter of which serves as a second language for approximately 33% of Moroccans. According to a 2000–2002 survey done by Moha Ennaji, author of Multilingualism, Cultural Identity, and Education in Morocco, "there is a general agreement that Standard Arabic, Moroccan Arabic, and Berber are the national languages." Ennaji also concluded "This survey confirms the idea that multilingualism in Morocco is a vivid sociolinguistic phenomenon, which is favored by many people."
Dr. Michael Peyron is a specialist in the field of Berber language, literature and culture. He is also well known as a writer on tourism in Morocco.
Sefrou is a city in central Morocco situated in the Fès-Meknès region. It recorded a population of 79,887 in the 2014 Moroccan census, up from 63,872 in the 2004 census.
Ammouri M'barek was the renovator of the Moroccan Amazigh (Berber) Music, was born in 1951 in Irguiten, a small village located at the bottom of the High Atlas near Taroudannt town, in Taroudannt Province, Morocco.
The National Library of the Kingdom of Morocco is located in Rabat, Morocco, with a branch in Tetouan. The former Bibliothèque Générale was created in 1924. In 2003, it was renamed the "Bibliothèque nationale du Royaume du Maroc."
Fez or Fes is a city in northern inland Morocco and the capital of the Fès-Meknès administrative region. It is the second largest city in Morocco, with a population of 1.11 million, according to the 2014 census. Located to the northwest of the Atlas Mountains, it is surrounded by hills and the old city is centered around the Fez River flowing from west to east. Fez has been called the "Mecca of the West" and the "Athens of Africa". It is also considered the spiritual and cultural capital of Morocco.
Brahim Akhiat was a Moroccan author and poet, and a Berber activist.
Anarchism in Morocco has its roots in the federalism practiced by Amazigh communities in pre-colonial Morocco. During the Spanish Civil War, Moroccan nationalists formed connections with Spanish anarchists in an attempt to ignite a war of national liberation against Spanish colonialism, but this effort was not successful. Despite the brief establishment of an anarchist movement in post-war Morocco, the movement was suppressed by the newly independent government, before finally reemerging in the 21st century.
Visa for Music is a performing arts festival and professional marketplace for contemporary music from Africa and the Middle East. Its activities are addressing both professionals in the cultural and creative industries as well as the general public. For four days in November of each year, Visa for Music has been taking place since 2014 in Rabat, the capital of Morocco. Both applications by artists as well as numbers of professional attendees and public audiences have been increasing over the years, reaching more than 16,000 participants in 2022.
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