Broomriding | ||||
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Studio album by | ||||
Released | 2003 | |||
Recorded | September 21, 2002 | |||
Studio | DeutschlandRadio Berlin | |||
Genre | Free improvisation | |||
Label | Psi 03.05 | |||
Producer | Evan Parker, Martin Davidson | |||
Alexander von Schlippenbach chronology | ||||
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Broomriding is an album by pianist Alexander von Schlippenbach. It was recorded on September 21, 2002, at DeutschlandRadio Berlin, and was released on CD in 2003 by Psi Records. On the album, Schlippenbach is joined by bass clarinetist Rudi Mahall, cellist Tristan Honsinger, and percussionist Paul Lovens. The recording features a seven-part suite by Schlippenbach, along with two compositions by Honsinger and two by Eric Dolphy. [1] [2] [3] [4]
Review scores | |
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Source | Rating |
All About Jazz | [5] |
AllMusic | [1] |
The Penguin Guide to Jazz | [6] |
In a review for AllMusic, Dan Warburton called the album "a joy from start to finish," and wrote: "the juxtaposition of tightly structured and freely improvised material adds depth and contrast... Schlippenbach is obviously in his element. The whole history of the 20th century piano is in there, from Teddy Wilson to Misha Mengelberg, from Debussy to Xenakis." [1]
The authors of The Penguin Guide to Jazz Recordings described the recording as "an album to savour slowly," and stated: "at moments this recalls nothing more than a freer and more classically aligned version of Dolphy's work with bassist/cellist Ron Carter... this release... is immaculately recorded and mastered, allowing every delicate inflection... to come through." [6]
John Eyles of All About Jazz commented: "At times, this is almost chamber improv. However, although the anarchy may be controlled, it is still definitely anarchy... The Schlippenbach pieces form the backbone of the album, providing a series of concentrated free improvisations that will reveal their merits over years, not months... By contrast to these, the other compositions almost come as light relief." [5] AAJ's Andrey Henkin remarked: "this is actually an album of moods... this is avant-garde slowly and thoroughly percolated... The album as a whole can propel a listener who can then go back and assess the merit of the individual ideas presented. Certainly there are few better versions of Dolphy material extant than these." [7]
Writing for One Final Note, Jay Collins stated that the album "focuses on 'compositions' grounded in free improv that venture into the churning, swishing, building of tensions that followers of these musicians have come to expect." He commented: "The record is one for fans of loose structures and/or Schlippenbach's work in general... it is a fine opportunity to check out what Schlippenbach has been up to lately." [8]
Eric Allan Dolphy Jr. was an American jazz multi-instrumentalist and bandleader. Primarily an alto saxophonist, bass clarinetist, and flautist, Dolphy was one of several multi-instrumentalists to gain prominence during the same era. His use of the bass clarinet helped to establish the unconventional instrument within jazz. Dolphy extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists.
Han Bennink is a Dutch drummer and percussionist. On occasion his recordings have featured him playing soprano saxophone, bass clarinet, trombone, violin, banjo and piano.
Paul Lovens is a German musician. He plays drums, percussion, singing saw, and cymbals. He has performed with the Aardvark Jazz Orchestra and Berlin Contemporary Jazz Orchestra.
The Globe Unity Orchestra is a free jazz ensemble.
Alexander von Schlippenbach is a German jazz pianist and composer. He came to prominence in the 1960s playing free jazz in a trio with saxophonist Evan Parker and drummer Paul Lovens, and as a member of the Globe Unity Orchestra. Since the 1980s, Von Schlippenbach has explored the work of more traditional jazz composers such as Jelly Roll Morton or Thelonious Monk.
Aki Takase is a Japanese jazz pianist and composer.
Philipp John Paul Wachsmann is an African avant-garde jazz/jazz fusion violinist born in Kampala, Uganda, probably better known for having founded his own group Chamberpot. He has worked with many musicians in the free jazz idiom, including Tony Oxley, Fred van Hove, Barry Guy, Derek Bailey and Paul Rutherford, among many others. Wachsmann is especially known for playing within the electronica idiom.
The Berlin Contemporary Jazz Orchestra is a large German jazz ensemble led by Alexander von Schlippenbach. The orchestra performs orchestral jazz and experimental big band music and has included in its ranks such leading musicians as Misha Mengelberg and Kenny Wheeler. The orchestra, which performs rather infrequently, was founded in 1988 by Schlippenbach and has commissioned works by Carla Bley, Manfred Schoof, and Willem Breuker, among others.
Rudi Mahall is a contemporary jazz bass clarinetist.
Always a Pleasure is a live album by Cecil Taylor recorded during the Workshop Freie Musik at the Akademie der Kunste, Berlin on April 8, 1993, and released in 1996 on the FMP label. The album features a concert performance by Taylor with Longineu Parsons, Harri Sjöström, Charles Gayle, Tristan Honsinger, Sirone and Rashid Bakr.
Pakistani Pomade is an album by German free jazz pianist Alexander von Schlippenbach's Trio, featuring saxophonist Evan Parker and percussionist Paul Lovens, recorded in Germany in 1972 for the FMP label.
Swinging the Bim is a live album by German free jazz pianist Alexander von Schlippenbach's Trio with saxophonist Evan Parker and percussionist Paul Lovens recorded in Amsterdam in 1998 for the FMP label.
Instant Composers Pool (ICP) is an independent Dutch jazz and improvised music label and orchestra. Founded in 1967, the label takes its name from the concept that improvisation is "instant composition". The ICP label has published more than 50 releases to date, with most of its releases featuring the ICP Orchestra and its members.
So Long, Eric! – Homage to Eric Dolphy is an album by Aki Takase and Alexander von Schlippenbach.
Lifting the Bandstand is a live album by Cecil Taylor recorded during the Tampere Jazz Happening in Tampere, Finland, on October 30, 1998, and released in 2021 by Fundacja Słuchaj!. On the album, Taylor is joined by saxophonist Harri Sjöström, cellist Tristan Honsinger, bassist Teppo Hauta-aho, and drummer Paul Lovens. The album consists of a single group improvisation.
Map of Moods is a live album by cellist Tristan Honsinger. It was recorded in April 1994 at the Workshop Freie Musik at the Straßenbahndepot in Berlin, and was released by FMP in 1996. On the album, Honsinger is joined by violinists Aleksander Kolkowski and Stephano Lunardi, bassist Ernst Glerum, and drummer Louis Moholo.
The Morlocks and Other Pieces is an album by Alexander von Schlippenbach and the Berlin Contemporary Jazz Orchestra. It was recorded in July 1993 at RIAS Studio 10 in Berlin, and was released in 1994 by FMP. It features six compositions by Schlippenbach with dates ranging from 1983 to 1993.
Live in Japan '96 is a live album by the Berlin Contemporary Jazz Orchestra. One track was recorded in July 1996 at Nakano Public Hall in Tokyo, while the remaining tracks were recorded in August 1996 at Shin-Kobe Oriental Theatre in Kobe. The album was released in 1997 by DIW. The music was conducted by Alexander von Schlippenbach and Aki Takase.
The Bishop's Move is a live album that combines two trios, one led by saxophonist Evan Parker, and the other led by saxophonist Peter Brötzmann. It was recorded on May 19, 2003, at the Festival International de Musique Actuelle de Victoriaville in Quebec, Canada, and was released in 2004 by Les Disques Victo. Parker is accompanied by pianist Alexander von Schlippenbach and drummer Paul Lytton, while Brötzmann is joined by bassist William Parker and drummer Hamid Drake.
Iskra³ is an album by trombonist Paul Rutherford. It was recorded on September 26, 2004, at Lawrence Electronic Operations in the Chilterns, England, and was released in 2005 by Psi Records. On the album, Rutherford is joined by computer musicians Robert Jarvis and Lawrence Casserley.