Cabretta | ||||
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Studio album by | ||||
Released | 1977 | |||
Studio |
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Genre | R&B, rock, soul | |||
Length | 35:06 | |||
Label | Capitol | |||
Producer | Jack Nitzsche | |||
Mink DeVille chronology | ||||
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Cabretta, known as Mink DeVille in the United States, was the 1977 debut album by Mink DeVille. It peaked at number 186 on the Billboard 200 chart and was voted the 29th best album of 1977 in the Village Voice's Pazz & Jop critics' poll. [1] A single from the album, "Spanish Stroll", was a top-20 hit in the UK. [2]
Cabretta was produced by Jack Nitzsche, who would help shape Mink DeVille's sound and collaborate with lead singer and composer Willy DeVille for many years to come. Joining the band on saxophone was Steve Douglas, who, like Nitzsche, is a member of the Rock and Roll Hall of Fame and who would also play on many Mink DeVille albums.
The album gets its name from a type of leather jacket (a cabretta leather jacket was worn by Ben Edmonds, the Capitol Records A&R man who signed Mink DeVille in 1976). Willy DeVille said the Cabretta leather was like his band's music, tough but tender. [3]
Review scores | |
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Source | Rating |
AllMusic | [4] |
Christgau's Record Guide | B [5] |
American Hit Network said of the album, "Under-promoted, under-appreciated and ultimately under-sold, Cabretta is a sleeper masterpiece that sounds as good today as it did in 1977." They added:
Trouser Press described the Mink DeVille of this era as follows:
"Little Girl" was recorded originally by the Crystals in 1964 under the title "Little Boy."
Willy DeVille said about the song "Mixed Up, Shook Up Girl": "I know Mick Jagger likes it. It's about a woman I know who was drug addict. She was mixed up and she was shook up. That's what it's about." [8]
In liner notes to the 2001 compilation album Cadillac Walk: The Mink DeVille Collection, Ben Edmonds relates how Mick Jagger dropped by the Hollywood recording studio where Jack Nitzsche was producing Cabretta:
"Mixed Up, Shook Up Girl" is not a cover of the song of the same name by Patty & the Emblems.
Boz Scaggs covered "Mixed Up, Shook Up Girl" and "Cadillac Walk" on his 2013 album Memphis .
Unless otherwise noted, all songs by Willy DeVille.
Chart (1978) | Peak position |
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Australia (Kent Music Report) [10] | 86 |
Between the Buttons is the fifth British and seventh American studio album by the English rock band the Rolling Stones, released on 20 January 1967 in the UK and 10 February in the US. Reflecting the band's brief foray into psychedelia and baroque pop balladry during the era, the album is among their most eclectic works; multi-instrumentalist Brian Jones frequently abandoned his guitar during the sessions in favour of instruments such as organ, marimba, dulcimer, vibraphone, kazoo, and theremin. Keyboard contributions came from two session players: former Rolling Stones member Ian Stewart and frequent contributor Jack Nitzsche. Between the Buttons would be the last album produced by Andrew Loog Oldham, who had, to this point, acted as the band's manager and produced all of their albums.
Bernard Alfred "Jack" Nitzsche was an American musician, arranger, songwriter, composer, and record producer. He came to prominence in the early 1960s as the right-hand-man of producer Phil Spector, and went on to work with the Rolling Stones, Neil Young, and others. He worked extensively in film scores for the films Performance, The Exorcist and One Flew Over the Cuckoo's Nest. In 1983, he won the Academy Award for Best Original Song for co-writing "Up Where We Belong" with Buffy Sainte-Marie.
Willy DeVille was an American singer and songwriter. During his thirty-five-year career, first with his band Mink DeVille (1974–1986) and later on his own, DeVille created original songs rooted in traditional American musical styles. He worked with collaborators from across the spectrum of contemporary music, including Jack Nitzsche, Doc Pomus, Dr. John, Mark Knopfler, Allen Toussaint, and Eddie Bo. Latin rhythms, blues riffs, doo-wop, Cajun music, strains of French cabaret, and echoes of early-1960s uptown soul can be heard in DeVille's work.
Crazy Horse is the debut album by Crazy Horse, released in 1971 by Reprise Records. It is the only album by the band to feature Danny Whitten recorded without Neil Young, and it peaked at No. 84 on the Billboard 200 album chart.
Mink DeVille was a rock band founded in 1974, known for its association with early punk rock bands at New York's CBGB nightclub and for being a showcase for the music of Willy DeVille. The band recorded six albums in the years 1977 to 1985, after which it disbanded the next year. Except for frontman Willy DeVille, the original members of the band played only on the first two albums. For the remaining albums and for tours, Willy DeVille assembled musicians to play under the name "Mink Deville". After 1985, when Willy DeVille began recording and touring under his own name, his backup bands were sometimes called "The Mink DeVille Band", an allusion to the earlier Mink Deville name.
Coup de Grâce is the fourth album by the rock band Mink DeVille, released in 1981. The album represented a departure for the band, as frontman Willy DeVille dismissed the only other remaining original member of the band, guitarist Louis X. Erlanger, and hired Helen Schneider's backup band to record the album. Moreover, the album was recorded for Atlantic.
Le Chat Bleu is the third album by the rock band Mink DeVille, released in 1980. The album received critical acclaim and elevated lead singer and composer Willy DeVille to star status. The Rolling Stone critics' poll ranked Le Chat Bleu the fifth best album of 1980, and music historian Glenn A. Baker declared it the tenth best rock album of all time. The album cover is a photo of Willy's first wife Toots Deville's tattoo on her shoulder.
Return to Magenta, issued in 1978, is the second album by the rock band Mink DeVille. The album was the last to feature all the original members of the band. For this album the band was joined by Rock and Roll Hall of Fame member Steve Douglas on sax and Dr. John on piano, who would later collaborate with leadsinger Willy DeVille after his move to New Orleans.
Where Angels Fear to Tread is the fifth studio album by the rock band Mink DeVille. It was released in 1983, and was the second album Mink DeVille recorded for Atlantic Records, and Atlantic brought in two in-house producers, Howard Albert and Ron Albert, to produce the album.
Sportin’ Life is the sixth and final studio album by the rock band Mink DeVille, released in 1985. Since the band's third album, 1981's Le Chat Bleu, when the original members of the band departed, lead singer and composer Willy DeVille had been assembling musicians to record and tour under the name Mink DeVille. After Sportin’ Life, Willy DeVille began recording and touring under his own name.
Miracle is an album by Willy DeVille. Recorded in 1987, it was the first album that Willy DeVille recorded under his own name. Prior to Miracle, DeVille recorded six albums with the band Mink DeVille, the last four of which were really solo albums by Willy DeVille in that no members of the original band played on the four albums.
Louis X. Erlanger is an American rock and roll and blues guitarist best known for his work with the band Mink DeVille. Erlanger recorded three albums with the band: Cabretta (1977), Return to Magenta (1978), and Le Chat Bleu (1980). He also appeared on Live at CBGB's (1976), an album of bands that pioneered punk rock at the venerable nightclub CBGB in the mid-1970s.
Victory Mixture is a 1990 album by Willy DeVille. The album consists of cover versions of New Orleans R&B and soul classics by DeVille’s musical idols. Trouser Press said about the album, “A rootsy covers collection, Victory Mixture provides a welcome antidote to Miracle's misguided modernity, making the most of the singer's relocation to New Orleans with backup from such local legends as Allen Toussaint, Eddie Bo and Dr. John.”
Willy DeVille Live is a live recording of Willy DeVille and the Mink DeVille Band. It was recorded on June 16–17, 1993 at The Bottom Line in Greenwich Village, New York City, and in October 1993, at the Olympia Theatre in Paris. It was released in Europe on December 1, 1993 in Europe by the French label Fnac Music and re-issued in 2012 under title Live in Paris and New York.
Big Easy Fantasy is an album by Willy DeVille and the Mink DeVille Band. It was released in Europe on the French New Rose label in 1995. The album is a mixture of studio tracks and concert recordings made in New York and Paris. The "big easy" of the album's title refers to New Orleans. As the album cover says, the inspiration for the album was "Jump City, the Crescent City, the city that care forgot, New Orleans...The Big Easy!" All songs on the album are standards by New Orleans musicians or are original compositions by Willy DeVille about some aspect of New Orleans.
Horse of a Different Color is a 1999 album by Willy DeVille. The album consists of original compositions and remakes of traditional Black music titles such as Fred McDowell's “Going over the Hill,” and Andre Williams' "Bacon Fat."
Acoustic Trio Live in Berlin is a 2002 album by Willy DeVille. The album consists of concert recordings made in Berlin to celebrate DeVille’s 25 years of performing, and concert recordings made in Stockholm. Buscadero, the Italian music magazine, named Acoustic Trio Live in Berlin one of the top-ten albums of 2002 in its critics' poll; its readers' poll named the album the 21st best album of 2002.
Performance is a 1970 soundtrack album to the film Performance by Donald Cammell and Nicolas Roeg. It features music from Randy Newman, Merry Clayton, Ry Cooder, Jack Nitzsche, Buffy Sainte-Marie, The Last Poets and Mick Jagger.
The discography of American singer and songwriter Willy DeVille includes, as well as his solo recordings, recordings released by his band Mink DeVille in the period from 1977 to 1985. It consists of fourteen studio albums, three live albums, fifteen compilation albums, twenty-two singles, and one extended play (EP).
Spanish Stroll is a 1977 single by American rock band Mink DeVille, off their debut album Cabretta. It features a spoken word section by bassist Rubén Sigüenza during the break, adding a Latin flavor to it.