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I love winning the award ( Producer of the Year ) because I am glad that people pays attention to my work. But the awards are relative, there is no better producer of the year, because it is not like the hundred meter sprint that turns the clock and wins who finishes first.
Cachorro López, La Argentinidad al Palo [1]
While in Mexico working with Mateos, López produced the first album for Mexican rock band Caifanes and also worked on their second album, El diablito , along Gustavo Santaolalla. [4] [5] López produced in 1993 Ave María for Mexican singer Stephanie Salas. The album earned a Gold certification in Mexico. [6] In 1997, Lopez was the executive producer for the album Tributo a Queen, a tribute disc to British band Queen, that featured Spanish-language versions of songs such as "We Are the Champions", "Save Me", "Some Day One Day" and "These Are the Days of Our Lives", performed by Soda Stereo, Fito Páez and Illya Kuryaki and the Valderramas. [2] [7] The project became highly successful in Latin America. [2] About the album, López said: "The 'Tribute' was very interesting because it put me in contact with a vast diversity of musicians from different countries and styles." [2] The album included his favorite work as a producer: Molotov's "Bohemian Rhapsody/Rap, Soda y Bohemia". [2] In 1998, along with artists such as Molotov, Cafe Tacuba, Julieta Venegas, Moenia, Beto Cuevas, and Aleks Syntek, he worked in another tribute, this time to José José in the successful album Un Tributo .
In Argentina, López worked with Argentinean singer songwriter Diego Torres. Their first collaboration, Tratar de Estar Mejor (1994), sold 700,000 units worldwide. [8] [9] López also produced Tal Cual Es (1999) and Un Mundo Diferente (2001) for Torres, the latter included the song "Color Esperanza", written by Torres, Coti Sorokin and López, which became an anthem of hope in Argentina, since it was released in the midst of the political and economical crisis in the country. [10] The track was performed by children at most elementary schools back to back with the national anthem. Un Mundo Diferente became the best-selling album of 2002 in Argentina, selling 160,000 units and earned a Grammy Award nomination. [10] [11]
López produced Sí for Mexican singer-songwriter Julieta Venegas. [4] The album became very successful and Venegas managed to combine commercial success with the critical acclaim that had always adorned her solo career. [12] The album received the Latin Grammy Award for Best Rock Solo Vocal Album in 2004. [13] In 2006, López and Venegas worked together again for Limón y Sal , an album of "well-crafted pop songs that demand adoration." [14] The album was awarded the Grammy Award for Best Latin Pop Album and the Latin Grammy Award for Best Alternative Music Album. [14] [15] López earned the Latin Grammy Award for Producer of the Year for his work on the albums Limón y Sal, Días Felices by Cristian Castro, the self-titled debut of Vanessa Colaiutta, and Belanova's, Dulce Beat . [16] [17] According to the Allmusic review of the album Dulce Beat, López brought a "key sense of vibrancy to these songs". [18] López and Belanova worked together again in 2008 for Fantasía Pop . [19] The album received the Latin Grammy Award for Best Pop Vocal Album, Duo or Group and peaked at number-one in Mexico. [20] In 2008, López produced La Lengua Popular for his longtime friend Andrés Calamaro and received four Latin Grammy Award nominations, winning for Best Rock Solo Vocal Album. [21]
López received his second award as Producer of the Year at the 10th Latin Grammy Awards for his work with Alex Ubago, Los Pericos, Los Amigos Invisibles, Miranda!, Reik, Manuel Carrasco and Paulina Rubio. [22] López produced Ananda (2006) and Gran City Pop (2009) for Paulina Rubio, and received Latin Grammy nominations for songs included on both albums. [22] [23] He has recently worked with singer Debi Nova on her second studio album Soy and produced Hasta la Raíz by Natalia Lafourcade in 2015, which earned him Latin Grammy Award nominations for Album of the Year and Record of the Year. [24]
López defines his musical style as eclectic. [4] "Los Abuelos were an eclectic group... I feel totally responsible for the musical direction of an album, but sometimes I have to write songs, play bass, arrange songs, so I don't have problems working with very different artists." [4] He has two different approaches when writing his music, "many times I collaborate with the artists who I am producing. When we are choosing songs to include on the discs, I sometimes sit with them, as happened with Julieta, Andres Calamaro and Belanova." [2] Also recognizes that when writing a song, "I don't write lyrics, I just write the music, I start with a riff or a simple melodic structure and build from that," changing his system according to the musical style he is working on. [2] About the "Cachorro López sound", he stated that he works on every album as something individual, trying not to repeat the formula on different artist, in order to avoid being boring and repetitive. [4]
The Grammy Award for Best Latin Pop Album is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for releasing albums in the Latin pop genre. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".
Julieta Venegas Percevault is a Mexican singer, songwriter, instrumentalist, and producer who specializes in pop-rock-indie music in Spanish. She embarked on her musical journey by joining several bands, including the Mexican ska band Tijuana No!. Venegas is proficient in playing 17 instruments, including the acoustic guitar, accordion, and keyboard.
Miranda! is an Argentine electropop band formed in Buenos Aires in 2001. Original band members include Alejandro Sergi, Juliana Gattas, Lolo Fuentes (guitar), Bruno de Vincenti (programming), and Nicolás Grimaldi (bass). It is currently a duo between Sergi and Gattas.
Andrés Calamaro is an Argentine musician, composer and Latin Grammy winner. He is considered one of the greatest and most influential rock artists in Spanish. He is also one of the most complete artists for his wide range of musical styles, including funk, reggae, ballads, boleros, tangos, jazz. His former band Los Rodríguez was a major success in Spain and throughout Latin America mainly during the 1990s. He is multi-instrumentalist and became one of the main icons of Argentine rock, selling over 1.3 million records to date.
Diego Antonio Caccia, known as Diego Torres, is an Argentine pop singer, songwriter, musician, and actor. His music is generally categorized as Latin pop, tropical, and rock and roll. He is a member of the Latin Songwriters Hall of Fame, and the son of the Argentine icon Lolita Torres.
Miguel Angel Peralta, known by his artistic name Miguel Abuelo, was an Argentine rock musician and singer.
Limón y Sal is the fourth studio album released by Mexican singer-songwriter Julieta Venegas. Recorded in Buenos Aires, Argentina, it was first released in Mexico on May 30, 2006 and in the United States on June 6, 2006. The album's overall themes deal with the general ups and downs of life and relationships. All the songs were composed by Venegas, with the exception of three songs, where she had the help of Coti Sorokin, Dante Spinetta and Cachorro López. Some notable songs are "Primer Día" with its reggae rhythm, sung in a duet with Dante Spinetta, "De Qué Me Sirve", where she plays the accordion in a tango and "bolero" fashion and "Eres Para Mí", a pop duet with Chilean singer Anita Tijoux.
Sí ("Yes") is the third album by the Mexican singer-songwriter Julieta Venegas. She co-produced the album with Cachorro López and Coti Sorokin. Sí is considered Venegas’ mainstream breakthrough. After the success of this album, it was re-released in 2005 including 9 new tracks and a DVD. The album won the Latin Grammy Award for Best Rock Solo Vocal Album and received a nomination for Grammy Award for Best Latin Rock/Alternative Album. Worldwide, the album has sold 3.5 million copies.
"Me Voy" is a song by Mexican singer Julieta Venegas and is the first single from her fourth studio album, Limón y Sal (2006). Thus far, it is Venegas' most successful song.
Fantasía Pop is the third studio album by Mexican electropop band Belanova. It was released worldwide on September 2007. The album was recorded in Argentina. The lead single, "Baila Mi Corazón" premiered on July 2 on Mexican radio station Los 40 Principales.
The 9th Annual Latin Grammy Awards took place on Thursday, November 13, 2008, at the Toyota Center in Houston, Texas and were aired on Univision. The Brazilian Field awards were presented on the same day at the Ibirapuera Auditorium in São Paulo. The Latin Recording Academy Person of the Year was Gloria Estefan. Juanes was the night's big winner, winning 5 awards including Album of the Year. He now has 17 Latin Grammy awards which is more than any other recording artist. The show was watched by an average of 5.8 millions.
The seventh annual Premios MTV Latinoamérica 2008 took place on October 16, 2008 in Guadalajara, Mexico at the Auditorio Telmex for the first time.
Los Abuelos de la Nada were an Argentine rock band formed in Buenos Aires in 1967. The group underwent several incarnations throughout its history, with all of them led by its founder and frontman, singer-songwriter Miguel Abuelo. The group produced numerous hit singles in the 1980s as "Sin Gamulán", "Costumbres argentinas", "Mil horas", "Himno de mi corazón", "Lunes por la madrugada" and "No te enamores nunca de aquel marinero bengalí".
Otra Cosa is the title of the fifth studio album by Mexican singer-songwriter Julieta Venegas, released worldwide on March 16, 2010. iTunes sold two versions of this album, the standard version and an iTunes LP, and it became the first iTunes LP released by a Latin artist. The deluxe iTunes release includes the music video for the single "Bien o Mal," as well as a remix by the Mexican Institute of Sound. The album was also released exclusively in Mexico in format of vinyl.
"El presente" is a song by Julieta Venegas and is the first single from her album MTV Unplugged Julieta Venegas. Released on April 15, 2008. It is categorized as "A Worldwide Hit". The next song was placed in the top of Mexican radio, and Latin America and spent 11 weeks in the first place. The song was nominated for the Latin Grammy Award for Record of the Year and Song of the Year in 2008.
MTV Unplugged: Los Tigres del Norte and Friends is a live album by Regional Mexican band Los Tigres del Norte. It was recorded before a live audience at the Hollywood Palladium in Los Angeles, California, on February 8, 2011 and released by Fonovisa Records on May 24, 2011. The album includes featured performances by Andrés Calamaro, Calle 13, Zack de la Rocha, Juanes, Paulina Rubio and Diego Torres.
Peligro is the fourth studio album from Mexican Latin pop group Reik, released on July 5, 2011, through Sony Music Latin. According to the band, the album has a more aggressive, experimental and electronic sound than their previous productions.
"Costumbres argentinas" is a song by Argentine band Los Abuelos de la Nada. It was written by Andrés Calamaro and is included on the live album Los Abuelos en el Ópera, released in 1985. It was recorded during three sessions between June 14 and 16, 1985. The song was released as a single that same year and has since been ranked at No. 59 in the 100 great songs from the 80s in Spanish, according to VH1 Latin America, and No. 14 in the 100 top songs of the Argentine rock.
Algo Sucede is the seventh studio album by Mexican singer and songwriter Julieta Venegas, released on August 14, 2015, through Ohanian and Sony Music Mexico. It was produced by Venegas alongside Cachorro López and Yamil Rezc.
El Disco de Tu Corazón is the third studio album by Argentine band Miranda!, released on May 1, 2007, by Pelo Music. Produced entirely by Cachorro López and composed by Alejandro Sergi, it is a post-disco, dub and pop rock record.