| Calling Out Loud | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1969 | |||
| Recorded | November 19, 21 & December 4, 1968 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
| Genre | Jazz | |||
| Length | 36:26 | |||
| Label | CTI | |||
| Producer | Creed Taylor | |||
| Nat Adderley chronology | ||||
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Calling Out Loud is an album by jazz cornetist Nat Adderley released on the CTI label featuring performances by Adderley with Jerome Richardson, Joe Zawinul, Ron Carter, and Leo Morris and with brass and woodwinds arranged and conducted by Bill Fischer. [1]
The Allmusic review by Richard S. Ginell awarded the album 4½ stars calling it "A fascinating album, beautifully produced". [2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
All compositions by Nat Adderley except where noted
Musicians
Production
Jerome Richardson was an American jazz musician and woodwind player. He played the soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone, bass saxophone, soprano clarinet, alto clarinet, bass clarinet, piccolo, western concert flute, soprano flute, alto flute, tenor flute, and bass flute. He played with Charles Mingus, Lionel Hampton, Billy Eckstine, The Thad Jones/Mel Lewis Orchestra, Kenny Burrell, and later with Earl Hines' small band.
Great Love Themes is an album recorded in April 1966 by jazz saxophonist Julian Edwin "Cannonball" Adderley. It was released on the Capitol label featuring performances of ballads ― mostly Broadway show tunes ― by Cannonball Adderley with Nat Adderley, Joe Zawinul, Herbie Lewis, Roy McCurdy, and with string arrangements by Ray Ellis. AllMusic awarded the album 1 star. The album was produced by Tom Morgan, rather than Adderley's usual producer, David Axelrod. According to Adderley's biographer, Cary Ginell, "Although Cannonball loved to play show tunes, the lush, watered-down arrangements did not excited listeners, who had long since wearied of the jazz-artist-with-strings formula. Axelrod recalled that Cannonball hated the album and convinced Capitol to let him go back to working with Axelrod from then on."
74 Miles Away is an album by jazz saxophonist Cannonball Adderley recorded "live" before an invited audience at Capitol Studios in Hollywood, California in 1967, and features performances by Adderley with Nat Adderley, Joe Zawinul, Victor Gaskin and Roy McCurdy. Following these sessions, it would be almost a year before Cannonball Adderley recorded again, a significant sign that the slump in jazz fortunes of the later 1960s had begun.
In Person is a "live" in-studio album by jazz saxophonist Cannonball Adderley recorded in Hollywood, California in 1968 featuring performances by Adderley with Nat Adderley, Joe Zawinul, Victor Gaskin and Roy McCurdy with guest vocalists Lou Rawls and Nancy Wilson contributing on one song apiece. "The Scavenger" is the product of observation, being written by Zawinul during the previous year's garbage collection strike in New York City. "Sweet Emma" is Nat's tribute to the New Orleans pianist Sweet Emma Barrett.
Accent on Africa is an album by jazz saxophonist Cannonball Adderley recorded in 1968 for the Capitol label featuring performances by Adderley with Nat Adderley and unidentified percussion section, vocalists, and big band.
The Price You Got to Pay to Be Free is an album by the Cannonball Adderley Quintet recorded, in part, at the 1970 Monterey Jazz Festival. A portion of the performance is memorialized in the 1971 Clint Eastwood movie Play Misty For Me. Additional "live in-studio" tracks were recorded the following month at the Capitol Records Tower, in Hollywood, to stretch the Monterey material into a double album. The album features Adderley with brother Nat Adderley, Joe Zawinul, Walter Booker and Roy McCurdy and guest appearances by Bob West and Cannon's 15-year-old nephew Nat Adderley Jr. who wrote and performed the gospel-influenced protest title song.
The Cannonball Adderley Quintet & Orchestra is an album by jazz saxophonist Cannonball Adderley recorded in Los Angeles, California in 1970 featuring performances by Adderley's Quintet featuring Nat Adderley, Joe Zawinul, Walter Booker and Roy McCurdy with an unidentified orchestra conducted by William S. Fischer or Lalo Schifrin.
Domination is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances by Adderley with an orchestra conducted by Oliver Nelson. The CD release added the bonus track "Experience in E" composed by Joe Zawinul and originally released on the 1970 album The Cannonball Adderley Quintet & Orchestra.
The Black Messiah is a live album by jazz saxophonist Cannonball Adderley recorded at The Troubadour in Los Angeles, California in 1971 featuring performances by Adderley's Quintet with Nat Adderley, George Duke, Walter Booker and Roy McCurdy with guest appearances by Airto Moreira, Mike Deasy, Ernie Watts, Alvin Batiste, and Buck Clarke. After many years of being out of print, The Black Messiah was reissued in 2014 by Real Gone Music; the new 2CD reissue included liner notes by music journalist/blogger Bill Kopp.
Salt Song is an album by jazz saxophonist Stanley Turrentine recorded for the CTI Note label featuring performances by Turrentine with an orchestra arranged by Eumir Deodato. The CD rerelease added another track.
You, Baby is an album by jazz cornetist Nat Adderley released on the CTI label featuring performances by Adderley with Jerome Richardson, Joe Zawinul, Ron Carter, and Grady Tate and an orchestra arranged and conducted by Bill Fischer.
Super Hits is a greatest hits album from Miles Davis. Released in 2001, it reached #22 on Billboard's Jazz Albums chart.
Cool & Collected is a compilation album by American jazz musician Miles Davis, released in 2006 by Columbia Records and recorded from 1955 through 1984.
Big Bags is an album by vibraphonist Milt Jackson featuring big band performances arranged by Tadd Dameron and Ernie Wilkins recorded in 1962 and released on the Riverside label.
Betwixt & Between is an album by American jazz trombonists Kai Winding and J. J. Johnson featuring performances recorded in 1968 and released on the CTI label. The album features jazz interpretations of popular tunes linked by brief Baroque interludes.
Stonebone is an album by jazz trombonists Kai Winding and J. J. Johnson featuring performances recorded in 1969 and released by CTI only in Japan.
Summertime is a 1969 album by American jazz saxophonist Paul Desmond featuring performances recorded in 1968 and released on the CTI label.
Time & Love is an album by American vocalists Jackie Cain and Roy Kral featuring performances recorded in 1972 and released on the CTI label.
Giant Box is a double album by American arranger/conductor and composer Don Sebesky recorded in 1973 and released on the CTI label.
The Sound of Feeling is a jazz album featuring two separate groups featuring Oliver Nelson recorded in late 1966 and released on the Verve label. The split album begins with five tracks by the Los Angeles based group The Sound of Feeling, featuring identical twin vocalists Alyce and Rhae Andrece and pianist Gary David with the addition of soloist Nelson. Four tracks are by the Encyclopedia of Jazz All Stars, a big band drawn from the ranks of top New York studio musicians, arranged and conducted by Nelson which were recorded to accompany Leonard Feather's Encyclopedia of Jazz in the Sixties.
