We Remember Cannon | ||||
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Live album by Nat Adderley Quintet | ||||
Released | 1991 | |||
Recorded | November 18, 1989 | |||
Venue | Moonwalker Club, Aarburg, Switzerland | |||
Genre | Jazz | |||
Length | 65:56 | |||
Label | In + Out 7012 | |||
Producer | Mike Hennessey | |||
Nat Adderley chronology | ||||
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We Remember Cannon is a live album by Nat Adderley's Quintet recorded in Switzerland in 1989 and released on the In + Out label. [1]
Review scores | |
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Source | Rating |
The Penguin Guide to Jazz | [2] |
AllMusic | [3] |
The Penguin Guide to Jazz states "We Remember Cannon is pretty much state of the art for the late 80s band". [2] In his review for AllMusic, Scott Yanow stated "Cornetist Nat Adderley is in better shape than usual on this spirited live date with his quintet ... there are plenty of witty and informative verbal introductions by Adderley to the audience about the songs, and the rhythm section is quite complementary. A worthy effort". [3]
Julian Edwin "Cannonball" Adderley was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s.
Nathaniel Carlyle Adderley was an American jazz trumpeter. He was the younger brother of saxophonist Julian "Cannonball" Adderley, whom he supported and played with for many years.
Vincent Dwyne Herring is an American jazz saxophonist, flautist, composer, and educator. Known for his fiery and soulful playing in the bands of Horace Silver, Freddie Hubbard, and Nat Adderley in the earlier stages of his career, he now frequently performs around the world with his own groups and is heavily involved in jazz education.
Radio Nights is an album released in 1991 featuring previously unreleased live radio broadcasts by the Cannonball Adderley Quartet, Quintet and Sextet from New York City's Half Note Club jazz club. They were recorded by Alan Grant and broadcast live on radio in the last week of 1967 and the first week of 1968. The montage of Adderley's monologues are taken from a recording made at the Keystone Korner jazz club, San Francisco. At the time of the recordings, Adderley was under contract to Capitol.
Cannonball in Japan is a live recording by the Cannonball Adderley Quintet at the Sankei Hall in Tokyo which was first released on the Japanese Capitol label in 1966 before being more widely released on CD in 1990.
The Cannonball Adderley Quintet in San Francisco is a 1959 album by The Cannonball Adderley Quintet.
Presenting Cannonball is the 1955 debut album by jazz saxophonist Cannonball Adderley, released on the Savoy label, featuring a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke. A 1994 Japanese CD release also included alternate takes of tracks from Adderley's recording debut previously released as Kenny Clarke's Bohemia After Dark (1955).
Cannonball Enroute is an album by the jazz saxophonist Cannonball Adderley, released on the Mercury label, featuring performances with Nat Adderley, Junior Mance, Sam Jones, and Jimmy Cobb. The album was recorded in 1957 but would only be released in 1961.
Cannonball Adderley and the Poll-Winners is an album by jazz saxophonist Julian "Cannonball" Adderley released on the Riverside label, featuring performances by Adderley with Wes Montgomery, Ray Brown, Victor Feldman, and Louis Hayes.
The Cannonball Adderley Quintet at the Lighthouse is a live album by jazz saxophonist Cannonball Adderley released on the Riverside label featuring a performance by Adderley with Nat Adderley, Victor Feldman, Sam Jones and Louis Hayes.
Plus is an album by Cannonball Adderley Quintet released on the Riverside label featuring performances by Adderley with Nat Adderley, Wynton Kelly, Victor Feldman, Sam Jones and Louis Hayes.
Jazz Workshop Revisited is a live album by the jazz saxophonist Cannonball Adderley released on the Riverside label. Alongside Adderley, it features performances by Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. It was recorded at the Jazz Workshop in San Francisco on September 22 & 23, 1962
Inside Straight is a live album by jazz saxophonist Cannonball Adderley recorded at the Fantasy Studios in Berkeley, California in 1973 featuring performances by Adderley's Quintet with Nat Adderley, Hal Galper, Walter Booker and Roy McCurdy with guest percussionist King Errisson.
Pyramid is an album by jazz saxophonist Cannonball Adderley recorded at Fantasy Studios in Berkeley, California in 1974 featuring performances by Adderley's Quintet with Nat Adderley, Hal Galper, Walter Booker and Roy McCurdy with guest appearances by Phil Upchurch, George Duke, and Jimmy Jones.
Phenix is an album by jazz saxophonist Cannonball Adderley recorded in 1975 at the Fantasy Studios in Berkeley, California, featuring performances by Adderley's Quintet with Nat Adderley, keyboardist Michael Wolff, bassist Walter Booker and drummer Roy McCurdy with guest percussionist Airto Moreira and past Quintet members keyboardist George Duke, bassist Sam Jones, and drummer Louis Hayes guesting on select tracks. The program essentially consists of energetic new arrangements of the Quintet's best known pieces from the late 1950s to the early 1970s, including Nat Adderley's “Work Song”.
Work Song is an album by jazz cornetist Nat Adderley, recorded in January 1960 and released on the Riverside label. It features Adderley with Bobby Timmons, Wes Montgomery, Sam Jones, Percy Heath, Keter Betts and Louis Hayes in various combinations from a trio to a sextet, with the unusual sound of pizzicato cello to the fore on some tracks.
The Yokohama Concert is a live album by jazz trombonist J. J. Johnson and trumpeter Nat Adderley recorded in 1977 for the Pablo Live label and originally released as a double LP.
Autumn Leaves is a live album by Nat Adderley's Quintet recorded at the Sweet Basil Jazz Club in 1989 and original released on the Sweet Basil label before being rereleased in the US on the Evidence label.
Work Song: Live at Sweet Basil is a live album by Nat Adderley's Quintet recorded at the Sweet Basil Jazz Club in 1990 and original released on the Sweet Basil label.
"Work Song" is a work song and jazz standard by American trumpeter Nat Adderley and writer Oscar Brown Jr. It was first featured in Adderley's 1960 studio album of the same name, which was met with high praise and acclaim. "Work Song" is one of Adderley's best known compositions.