A Little New York Midtown Music | ||||
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Studio album by | ||||
Released | 1979 | |||
Recorded | September 18–19, 1978 | |||
Studio | Fantasy Studios, Berkeley, CA | |||
Genre | Jazz | |||
Length | 48:23 | |||
Label | Galaxy GXY-5120 | |||
Producer | Orrin Keepnews | |||
Nat Adderley chronology | ||||
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A Little New York Midtown Music is an album by jazz cornetist Nat Adderley, recorded in 1978 and released on the Galaxy label. [1]
Review scores | |
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Source | Rating |
AllMusic | [2] |
DownBeat | [3] |
The Penguin Guide to Jazz | [4] |
The Bay State Banner wrote that "Adderly's crisp season cornet solos and able melodic playing are soulful and enjoyable." [5]
The AllMusic review by Scott Yanow noted "The music is essentially modern hard bop and is as well-played as one would expect from this strong personnel". [2] The Penguin Guide to Jazz criticized the recording quality, but praised the contributions of Adderley, Feldman, and Griffin. [4]
All compositions by Nat Adderley except where noted.
Nathaniel Carlyle Adderley was an American jazz trumpeter. He was the younger brother of saxophonist Julian "Cannonball" Adderley, whom he supported and played with for many years.
Radio Nights is an album released in 1991 featuring previously unreleased live radio broadcasts by the Cannonball Adderley Quartet, Quintet and Sextet from New York City's Half Note Club jazz club. They were recorded by Alan Grant and broadcast live on radio in the last week of 1967 and the first week of 1968. The montage of Adderley's monologues are taken from a recording made at the Keystone Korner jazz club, San Francisco. At the time of the recordings, Adderley was under contract to Capitol.
Bohemia After Dark is an album by jazz drummer Kenny Clarke, featuring the earliest recordings with Cannonball Adderley and Nat Adderley. It was released by Savoy Records in September 1955.
Presenting Cannonball is the 1955 debut album by jazz saxophonist Cannonball Adderley, released on the Savoy label, featuring a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke. A 1994 Japanese CD release also included alternate takes of tracks from Adderley's recording debut previously released as Kenny Clarke's Bohemia After Dark (1955).
Sophisticated Swing is the fifth album by jazz saxophonist Cannonball Adderley, and his fourth released on the EmArcy label, featuring performances with Nat Adderley, Junior Mance, Sam Jones and Jimmy Cobb. The front cover photograph was by Chuck Stewart taken at the Ulysses S. Grant Monument, Chicago, Illinois.
Cannonball Adderley and the Poll-Winners is an album by jazz saxophonist Julian "Cannonball" Adderley released on the Riverside label, featuring performances by Adderley with Wes Montgomery, Ray Brown, Victor Feldman, and Louis Hayes.
The Cannonball Adderley Quintet at the Lighthouse is a live album by jazz saxophonist Cannonball Adderley released on the Riverside label featuring a performance by Adderley with Nat Adderley, Victor Feldman, Sam Jones and Louis Hayes.
Plus is an album by Cannonball Adderley Quintet released on the Riverside label featuring performances by Adderley with Nat Adderley, Wynton Kelly, Victor Feldman, Sam Jones and Louis Hayes.
The Complete Riverside Recordings is a box set of American jazz guitarist Wes Montgomery's early recordings on the Riverside label. It is a twelve-CD box set and was released in 1992. It contains 157 songs and includes 15 previously unissued performances, six re-edited versions of previously issued numbers and 29 alternate takes. The extensive liner notes by producer Orrin Keepnews and Jim Ferguson, session notes, and photographs. Keepnews and Ferguson received a Grammy Award nomination for Best Album Notes.
Branching Out is an album by jazz cornetist Nat Adderley released on the Riverside label featuring performances by Adderley with Johnny Griffin, and The Three Sounds.
Little Big Horn is an album by jazz cornetist Nat Adderley released on the Riverside label featuring performances by Adderley with Junior Mance, Kenny Burrell/Jim Hall Bob Cranshaw, and Mickey Roker.
Sayin' Somethin' is an album by jazz cornetist Nat Adderley released on the Atlantic label featuring four performances by Adderley with an 11-piece orchestra and four by Adderley's Quintet with Joe Henderson, Herbie Hancock, Bob Cranshaw, and Roy McCurdy.
The Chant is the second album by bassist and cellist Sam Jones featuring performances recorded in early 1961 and originally released on the Riverside label.
Blues for Dracula is the debut album by American jazz drummer Philly Joe Jones which was recorded in 1958 for the Riverside label.
A Double Dose of Soul is the second album by saxophonist/flautist James Clay featuring performances recorded in 1960 and originally released on the Riverside label.
White Gardenia is an album by jazz saxophonist Johnny Griffin with brass and strings which was recorded in 1961 and released on the Riverside label. Intended as a tribute album to jazz singer Billie Holiday, who had died two years earlier, she had sung all of the songs, except for the title track, which is the only original composition by Griffin on the album. The white gardenia was the flower Holiday often wore in her hair. The orchestral arrangements were written by Melba Liston and Norman Simmons.
We Remember Cannon is a live album by Nat Adderley's Quintet recorded in Switzerland in 1989 and released on the In + Out label.
Red Alert is an album by pianist Red Garland which was recorded in 1977 and released on the Galaxy label in the following year.
Return of the Griffin is an album by saxophonist Johnny Griffin, recorded in 1978 and released on the Galaxy label in the following year.
Philly Mignon is an album by drummer Philly Joe Jones, recorded in 1977 and released on the Galaxy label.