Little Big Horn | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1963 | |||
Recorded | September 23 & October 4, 1963 | |||
Genre | Jazz | |||
Length | 39:05 | |||
Label | Riverside | |||
Nat Adderley chronology | ||||
|
Little Big Horn (also released as Natural Soul) is an album by jazz cornetist Nat Adderley released on the Riverside label featuring performances by Adderley with Junior Mance, Kenny Burrell/Jim Hall Bob Cranshaw, and Mickey Roker. [1]
The Allmusic review by Scott Yanow states "A fine obscurity recorded at a time when Nat was one of the stars of his brother Cannonball Adderley's Sextet". [2] The Penguin Guide to Jazz awarded the album 4 stars stating, "it's hard to understand why such a quiet gem has slipped through the net". [3]
Review scores | |
---|---|
Source | Rating |
Allmusic | [2] |
The Penguin Guide to Jazz | [3] |
The Rolling Stone Jazz Record Guide | [4] |
Encyclopedia of Popular Music | [5] |
Horn Culture is an album by jazz saxophonist Sonny Rollins, his second to be released on the Milestone label, featuring performances by Rollins with Walter Davis Jr., Yoshiaki Masuo, Bob Cranshaw, David Lee and Mtume.
Bohemia After Dark is an album by jazz drummer Kenny Clarke, featuring the earliest recordings with Cannonball Adderley and Nat Adderley. It was released by Savoy Records in September 1955.
Presenting Cannonball is the 1955 debut album by jazz saxophonist Cannonball Adderley, released on the Savoy label, featuring a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke. A 1994 Japanese CD release also included alternate takes of tracks from Adderley's recording debut previously released as Kenny Clarke's Bohemia After Dark (1955).
In the Land of Hi-Fi with Julian Cannonball Adderley is the fourth album by jazz saxophonist Cannonball Adderley, and his third released on the EmArcy label, featuring a nonet with Nat Adderley, Jerome Richardson, Ernie Royal, Bobby Byrne, Jimmy Cleveland, Danny Bank, Junior Mance, Keter Betts, and Charles "Specs" Wright.
Sophisticated Swing is the fifth album by jazz saxophonist Cannonball Adderley, and his fourth released on the EmArcy label, featuring performances with Nat Adderley, Junior Mance, Sam Jones and Jimmy Cobb. The front cover photograph was by Chuck Stewart taken at the Ulysses S. Grant Monument, Chicago, Illinois.
Cannonball's Sharpshooters is the seventh album by jazz saxophonist Cannonball Adderley, and his second released on the EmArcy label, featuring performances with Nat Adderley, Junior Mance, Sam Jones, and Jimmy Cobb.
African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.
Phenix is an album by jazz saxophonist Cannonball Adderley recorded in 1975 at the Fantasy Studios in Berkeley, California, featuring performances by Adderley's Quintet with Nat Adderley, keyboardist Michael Wolff, bassist Walter Booker and drummer Roy McCurdy with guest percussionist Airto Moreira and past Quintet members keyboardist George Duke, bassist Sam Jones, and drummer Louis Hayes guesting on select tracks. The program essentially consists of energetic new arrangements of the Quintet's best known pieces from the late 1950s to the early 1970s, including Nat Adderley's “Work Song”.
In Pursuit of the 27th Man is an album by jazz pianist Horace Silver released on the Blue Note label in 1973, featuring performances by Silver with David Friedman, Randy Brecker, Michael Brecker, Bob Cranshaw, and Mickey Roker.
Hustlin' is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label and performed by Turrentine with Shirley Scott, Kenny Burrell, Bob Cranshaw, and Otis Finch.
The Spoiler is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with Blue Mitchell, James Spaulding, Pepper Adams, McCoy Tyner, Julian Priester, Bob Cranshaw, and Mickey Roker with arrangements by Duke Pearson.
Branching Out is an album by jazz cornetist Nat Adderley released on the Riverside label featuring performances by Adderley with Johnny Griffin, and The Three Sounds.
Work Song is an album by jazz cornetist Nat Adderley, recorded in January 1960 and released on the Riverside label. It features Adderley with Bobby Timmons, Wes Montgomery, Sam Jones, Percy Heath, Keter Betts and Louis Hayes in various combinations from a trio to a sextet, with the unusual sound of pizzicato cello to the fore on some tracks.
Sayin' Somethin' is an album by jazz cornetist Nat Adderley released on the Atlantic label featuring four performances by Adderley with an 11-piece orchestra and four by Adderley's Quintet with Joe Henderson, Herbie Hancock, Bob Cranshaw, and Roy McCurdy.
Junior's Blues is an album by jazz pianist Junior Mance which was recorded in 1962 and released on the Riverside label.
Happy Times is an album by jazz pianist Junior Mance which was recorded in 1962 and released on the Jazzland label.
Goodbye is the final album by saxophonist Gene Ammons recorded in 1974 and released on the Prestige label.
Gene Ammons and Friends at Montreux is a live album by saxophonist Gene Ammons recorded at the Montreux Jazz Festival in 1973 and released on the Prestige label.
Lucille "Billie" Poole was an American jazz and blues singer.
Better Than Anything is an album by vocalist Irene Kral performing with Junior Mance's Trio that was recorded in 1963 and originally released on the Äva label.