Camp Unity was a communist-affiliated summer resort for adults located in Wingdale, New York. It was one of the first multiracial camps of its kind in the United States. [1]
Camp Unity was founded in 1927 and described itself as "the first proletarian summer colony." [2] The camp was located in the Berkshire Mountains near the border of New York state and Connecticut, just east of Poughkeepsie. It was one of several "workers' retreats" founded outside of major East Coast urban centers by the Communist Party and related socialist organizations. [3]
The camp began as an outgrowth of the cooperative housing movement of the 1920s, and its founders were members of the International Ladies Garment Workers Union. In the early days guests were predominantly Jewish, but over time Camp Unity drew a more racially and religiously diverse crowd. [4] It was unusual for leisure resorts to be integrated in the early 20th-century United States, and the camp's tolerant atmosphere and proximity to New York City was attractive to vacationers seeking a progressive environment. [3] Broadway producer and former camp staffer Philip Rose later described the integrated clientele as "almost unique among the major Catskills resorts." [5]
The camp offered a full slate of athletic activities like tennis, volleyball, and horseback riding, as well as games like ping-pong and horseshoes. [6] Vacationers also enjoyed boating and swimming in nearby Lake Ellis. [7] Musical and theatrical entertainments were on offer as well, held in a hall that could seat an audience of a thousand. [8]
Camp Unity advertised a no-tipping policy, on the basis that its workers were unionized and paid a fair wage. [7]
Camp Unity was well-known for its cultural programming, which included performances by jazz musicians Sidney Bechet, Dizzy Gillespie, and Frank Newton. [9] Organizers offered free stays at the camp to entertainers in exchange for their work, which made it a popular getaway for big-name actors, directors, and musicians. [3] Many of these artists shared an ideological or political affinity with Camp Unity's leftist origins, but not all – Sidney Bechet's pianist Willie "The Lion" Smith later recalled that it was "the most mixed-up camp I ever saw or heard about ... I couldn't see anything in that Communism stuff." [3]
With so many leading artists and performers passing through, the camp had a lasting cultural influence in leftist circles and beyond. [10] The popular protest song "Joe Hill" was first sung at a 1936 performance at Camp Unity, the product of a collaboration between the camp's musical director Earl Robinson and the poet Alfred Hayes, a camp staffer. [11]
The musicians, directors, and actors hired as summer staff frequently collaborated on original plays and tried out new material on camp audiences. The writer Julian Mayfield debuted his one-act play 417 at the camp before adapting the text into his first novel, The Hit. [3] Camp Unity's theatrical staff even toured a pair of original shows to New York City in the fall of 1949, taking up residence on 14th St as the "Freedom Theatre" and presenting work by Carl Abrams, Elmer Bernstein, and Bob deCormier. [12] The productions featured integrated casts and politically progressive themes. [13]
In 1954, playwright Lorraine Hansberry began working as director of the outdoor Lawn Program entertainment alongside her friend and fellow playwright Alice Childress, the director of drama. [2] As part of her work, Hansberry facilitated a visit to the camp by W.E.B. Du Bois and his wife Shirley Graham Du Bois. [14] Hansberry had previously worked at Camp Unity as a waitress, and it was in that role that she first met and befriended future Broadway producer Philip Rose, who was then working as a singer at the camp. Hansberry's play A Raisin in the Sun would make its Broadway debut in 1959 with Rose as a producer. [15] Other theatrical luminaries who worked at Camp Unity included actors Herschel Bernardi and Lonne Elder, III. [5]
Camp Unity was among the organizations investigated by the House Un-American Activities Committee (HUAC) during the period now known as the Second Red Scare. This was not the first time it had come under federal scrutiny for its Communist Party connections; in 1930 members of the anti-Communist Fish Committee visited the camp for an inspection. They were met with ridicule and protests from camp residents, who escorted the representatives off the grounds while singing the Internationale. [16]
The FBI informer Harvey Matusow, who later recanted the majority of his allegations, testified before HUAC in 1952 about Communist activity he observed during a 1947 stay at Camp Unity, delivering lurid, exaggerated tales of indoctrination and "sexual immorality." [17]
The camp's entertainment director, Elliott Sullivan, was compelled to testify before HUAC in 1955. He refused to cooperate with their questioning about his political and personal associations, and was indicted for contempt of Congress. [18] [19] That same year, Camp Unity was one of the organizations involved in a New York state investigation into possible Communist affiliations among summer camps and resorts. The committee subpoenaed Janet Moore, a onetime camp guest, in an attempt to compel her to name the individuals who had recommended she stay there. Like Sullivan, Moore refused to name names. [20]
In 1957, two black New York City police officers alleged that they had been passed over for promotions because they had vacationed at Camp Unity. [21] One of them, John Hughes, eventually received a promotion to sergeant after a sustained legal battle. [22]
Hazel Dorothy Scott was a Trinidadian jazz and classical pianist and singer. She was an outspoken critic of racial discrimination and segregation. She used her influence to improve the representation of Black Americans in film.
The Apollo Theater is a multi-use theater at 253 West 125th Street in the Harlem neighborhood of Upper Manhattan in New York City. It is a popular venue for black American performers and is the home of the TV show Showtime at the Apollo. The theater, which has approximately 1,500 seats across three levels, was designed by George Keister with elements of the neoclassical style. The facade and interior of the theater are New York City designated landmarks and are listed on the National Register of Historic Places. The nonprofit Apollo Theater Foundation (ATF) operates the theater, as well as two smaller auditoriums at the Victoria Theater and a recording studio at the Apollo.
The Federal Writers' Project (FWP) was a federal government project in the United States created to provide jobs for out-of-work writers and to develop a history and overview of the United States, by state, cities and other jurisdictions. It was launched in 1935 during the Great Depression. It was part of the Works Progress Administration (WPA), a New Deal program. It was one of a group of New Deal arts programs known collectively as Federal Project Number One or Federal One.
Lorraine Vivian Hansberry was an American playwright and writer. She was the first African-American female author to have a play performed on Broadway. Her best-known work, the play A Raisin in the Sun, highlights the lives of black Americans in Chicago living under racial segregation. The title of the play was taken from the poem "Harlem" by Langston Hughes: "What happens to a dream deferred? Does it dry up like a raisin in the sun?" At the age of 29, she won the New York Drama Critics' Circle Award — making her the first African-American dramatist, the fifth woman, and the youngest playwright to do so. Hansberry's family had struggled against segregation, challenging a restrictive covenant in the 1940 U.S. Supreme Court case Hansberry v. Lee.
Budd Schulberg was an American screenwriter, television producer, novelist and sports writer. He was known for his novels What Makes Sammy Run? (1941) and The Harder They Fall (1947), as well as his screenplays for On the Waterfront (1954) and A Face in the Crowd (1957), receiving an Academy Award for the former.
Harvey Job Matusow was an American communist who became an informer for the Federal Bureau of Investigation and subsequently a paid witness for a variety of anti-subversion bodies, including the House Un-American Activities Committee, before eventually recanting the bulk of his testimony. These activities led to his own perjury conviction and a prison sentence. His McCarthy era activities overshadowed his later work as an artist, actor and producer.
Lionel Jay Stander was an American actor, activist, and a founding member of the Screen Actors Guild. He had an extensive career in theatre, film, radio, and television that spanned nearly 70 years, from 1928 until 1994. He was known on-screen for his distinctive raspy voice and tough-guy demeanor, and off-screen for his outspoken left-wing political beliefs.
Nathan Witt, born Nathan Wittowsky, was an American lawyer who is best known as being the Secretary of the National Labor Relations Board (NLRB) from 1937 to 1940. He resigned from the NLRB after his communist political beliefs were exposed, and he was accused of manipulating the Board's policies to favor his own political leanings. He was also investigated several times in the late 1940s and 1950s for being a spy for the Soviet Union in the 1930s. No evidence of espionage was ever found.
The Civil Rights Congress (CRC) was a United States civil rights organization, formed in 1946 at a national conference for radicals and disbanded in 1956. It succeeded the International Labor Defense, the National Federation for Constitutional Liberties, and the National Negro Congress, serving as a defense organization. Beginning about 1948, it became involved in representing African Americans sentenced to death and other highly prominent cases, in part to highlight racial injustice in the United States. After Rosa Lee Ingram and her two teenage sons were sentenced in Georgia, the CRC conducted a national appeals campaign on their behalf, their first for African Americans.
Theresa Hilda D’Alessio, better known as Hilda Terry, was an American cartoonist who created the comic strip Teena. It ran in newspapers from 1944 to 1964. After marriage, she usually signed her name Theresa H. D’Alessio. In 1950, she became the first woman allowed to join the National Cartoonists Society.
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Alice Childress was an American novelist, playwright, and actress, acknowledged as "the only African-American woman to have written, produced, and published plays for four decades." Childress described her work as trying to portray the have-nots in a have society, saying: "My writing attempts to interpret the 'ordinary' because they are not ordinary. Each human is uniquely different. Like snowflakes, the human pattern is never cast twice. We are uncommonly and marvellously intricate in thought and action, our problems are most complex and, too often, silently borne." Childress became involved in social causes, and formed an off-Broadway union for actors.
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The House Committee on Un-American Activities (HCUA), popularly the House Un-American Activities Committee (HUAC), was an investigative committee of the United States House of Representatives, created in 1938 to investigate alleged disloyalty and subversive activities on the part of private citizens, public employees, and those organizations suspected of having communist ties. It became a standing (permanent) committee in 1945, and from 1969 onwards it was known as the House Committee on Internal Security. When the House abolished the committee in 1975, its functions were transferred to the House Judiciary Committee.
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