Catherine Jansen

Last updated
Catherine Jansen
Born(1950-12-14)December 14, 1950
Nationality American
Education Cranbrook Academy of Art and Tyler School of Art
Known for Photography

Catherine Jansen has been inventing, exploring and creating photographic processes that merge state of the art technology with traditional photography since the late 1960s.

Contents

Work

"Soft Silver Tea Set".jpg
Soft Silver Tea Set
"The Blue Room".jpg
The Blue Room

Soft sculpture

Cyanotype

In 1969 Jansen created the Soft Tea Set, a scaled to life, photographic, three-dimensional object using a formula of potassium ferrocyanide and citric acid, which she developed specifically for cloth material. Stitching the imaged fabric together and stuffing it, she was the first to use this photographic process in a sculptural format.

Jansen’s innovations with this blue print formula culminated in the first use of photography to create a scaled to life room environment using cyanotype on cloth. [1] The Blue Room is part of the permanent collection at the Michener Museum of Art in Doylestown, Pennsylvania.

"Erika".jpg
Erika, life-size portrait on cloth
"The Children's Room".jpg
Children's Room, one of five rooms from Soft House Project

Color copier

Jansen was the first artist to extensively explore the potential of the electronic color copier process using electronically generated images that preceded the digital camera and computer technology. Her first scaled to life room environment using this process was The Bathroom with Satin Sink and Taffeta Toilet. [2] This installation is part of the permanent collection at the Honolulu Museum of Art Museum in Hawaii.

This process using the color copier, the precursor to the digital age, evolved into the Soft House Project, a five-room scaled to life house environment, utilizing thousands of photographic images. [3] While developing this protocol Jansen developed a method for photographing the figure full scale on cloth, as well as rendering three-dimensional objects on cloth. The life size portrait on cloth, Erika, is in the permanent collection at the Center for Creative Photography in Tucson, Arizona.

Between 1971-1976 Jansen was awarded a National Endowment for the Arts grant and two Pennsylvania Council on the Arts grants to complete a scaled to life five room house using color copier technology.

Kirlian.jpg
One of Jansen's Kirlian photographs
Three Dimensional.jpg
An example of Jansen's process to make multiple layered images appear as one three-dimensional photograph

Other photographic processes

In 1977 Jansen built a Kirlian photographic gold screen unit and spent several years exploring, generating, and utilizing Kirlian photography on cloth as a fine art expression.

In 1985, by photographing the same object from multiple vantage points and stitching layers of cloth together, she created a protocol for making a photographic image appear three-dimensional.

Throughout the 1990s Jansen was involved with the ongoing Thirsty River project, in which she utilized 77 yards of fabric strategically laid it out in the landscape to reflect the light of the rising sun. [4] In the light of the sun the fabric takes on a new form and connects with the landscape. The River has been taken in a suitcase to dozens of countries on five continents. [5]

In 1995 Jansen, with a team of students, created 75 costumes for the Copernicus Project. [6] These innovative cloth costumes, also considered wearable sculpture, used photographic imagery to express content as well provide decorative elements [7] They were exhibited at the Philadelphia Museum of Art and are part of the permanent collection at the Michener Museum of Art.

"Thirsty River".jpg
The Thirsty River at one of its many destinations
Copernicus Project.jpg
One of the costumes from the Copernicus Project

Digital

From the late 1990s to today, Jansen has been working with a digital camera and Adobe Photoshop to create a visual vocabulary that builds photographs into a long format that can express psychological and emotional time and space within the image. This work has coincided with 15 trips to India, and is an ongoing project called The Nada Series. [8]

From The Nada Series 2.jpg
From The Nada Series.jpg
Photographs from The Nada Series

Jansen presently lives in Wyncote, Pennsylvania and spends three and a half months out of every year in India. While there, she spends her time volunteering at Little Stars School for street children and orphans, as well as working on her Nada Series.

Education

Recognition

Grants and awards

Selected exhibitions

Individual

  • 2005 - Owen Patrick Gallery, Philadelphia, PA
  • 1999 - Fine Arts Museum, Melbourne, FL
  • 1998 - Owen Patrick Gallery, Philadelphia, PA
  • 1997 - Villanova University, Philadelphia, PA
  • 1995 - Michner Museum of Art, Doyelstown, PA
  • 1991 - The Center for Creative Photography, Tucson, AZ
  • 1990 - Spaces Gallery, Cleveland, OH
  • 1989 - Photographic Resource Center, Boston, MA
  • 1989 - University of Virginia, Charlottesville, NC

Group

  • 2009 -10 Common Ground: Eight Philadelphia Photographers in the 1960s and 1970s, Philadelphia Museum of Art, Philadelphia, PA
  • 2009 -10 An Evolving Legacy, Twenty Years of Collecting, Michener ArtMuseum, Doylestown, PA
  • 2008 - Alternative Photography, Moore College of Art, Philadelphia, PA
  • 2006 - Hololulu Museum of Art, Honolulu, HI
  • 2004 - Alternative Photographic Processes, Boston, MA
  • 2001 - Imaging the Inner Eye, Allens Lane Art Center, Philadelphia, PA
  • 2000 - Imaging the Inner Eye, Allens Lane Art Center, Philadelphia, PA
  • 1998 - Woodmere Art Museum, Germantown, PA
  • 1998 - Photographic Alternatives, Hong Kong Art Center, Hong Kong
  • 1997 - Conspicuous Display, Rutgers University, Rutgers, NJ
  • 1996 - Bernice Steinbeckk Gallery, New York, NY

Collections

Sources

Related Research Articles

Xerox art is an art form that began in the 1960s. Prints are created by putting objects on the glass, or platen, of a copying machine and by pressing "start" to produce an image. If the object is not flat, or the cover does not totally cover the object, or the object is moved, the resulting image is distorted in some way. The curvature of the object, the amount of light that reaches the image surface, and the distance of the cover from the glass, all affect the final image. Often, with proper manipulation, rather ghostly images can be made. Basic techniques include: Direct Imaging, the copying of items placed on the platen ; Still Life Collage, a variation of direct imaging with items placed on the platen in a collage format focused on what is in the foreground/background; Overprinting, the technique of constructing layers of information, one over the previous, by printing onto the same sheet of paper more than once; Copy Overlay, a technique of working with or interfering in the color separation mechanism of a color copier; Colorizing, vary color density and hue by adjusting the exposure and color balance controls; Degeneration is a copy of a copy degrading the image as successive copies are made; Copy Motion, the creation of effects by moving an item or image on the platen during the scanning process. Each machine also creates different effects.

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References

  1. Frontiers of Photography. New York: Time-Life Books, 1972: 92-93. Article and photograph, Blue Room
  2. Snyder, Norman, ed. The Photography Catalog. New York: Harper & Row, 1976: 189. Half page article and photograph of Soft Bathroom
  3. Sorlien, Sandy. "Women's Work: Catherine Jansen." Photo Review Winter 1994: 14-15. Article on Soft House Project, Photographs of Sewing Space
  4. Ryesky, Helene. "Catherine Jansen." Photo Review Winter 2000: 21-22. Article, Photographs of Soft House, Thirsty River, Mythical Landscape
  5. Images of Thirsty River
  6. Robert Marcelonis Robert Marcelonis
  7. Images of Copernicus costumes
  8. Images of The Nada Series