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Gaius Valerius Catullus, often referred to simply as Catullus, was a Latin poet of the late Roman Republic who wrote chiefly in the neoteric style of poetry, focusing on personal life rather than classical heroes. His surviving works are still read widely and continue to influence poetry and other forms of art.
The Neoterikoi or Neoterics were a series of avant-garde Latin poets who wrote in the 1st century BCE. Neoteric poets deliberately turned away from classical Homeric epic poetry. Rather than focusing on the feats of ancient heroes and gods, they propagated a new style of poetry through stories that operated on a smaller scale in regard to themes and setting.
Catullus 1 is traditionally arranged first among the poems of the Roman poet Catullus, though it was not necessarily the first poem that he wrote. It is dedicated to Cornelius Nepos, a historian and minor poet, though some consider Catullus's praise of Cornelius's history of the Italians to have been sarcastic.
Catullus 3 is a poem by Roman poet Gaius Valerius Catullus that laments the death of a pet sparrow (passer) for which an unnamed girl (puella), possibly Catullus' lover Lesbia, had an affection. Written in hendecasyllabic meter, it is considered to be one of the most famous of Latin poems.
Catullus 2 is a poem by Roman poet Gaius Valerius Catullus (c. 84 – c. 54 BCE) that describes the affectionate relationship between an unnamed puella ('girl', possibly Catullus' lover, Lesbia), and her pet sparrow. As scholar and poet John Swinnerton Phillimore has noted, "The charm of this poem, blurred as it is by a corrupt manuscript tradition, has made it one of the most famous in Catullus' book." The meter of this poem is hendecasyllabic, a common form in Catullus' poetry.
Catullus 101 is an elegiac poem written by the Roman poet Gaius Valerius Catullus. It is addressed to Catullus' dead brother or, strictly speaking, to the "mute ashes" which are the only remaining evidence of his brother's body.
Catullus 7 is a poem by Catullus addressed to his mistress Lesbia. Similar to Catullus 5, this poem revels in counting kisses, with a touch of stellar voyeurism.
Catullus 6 is a Latin poem of seventeen lines in Phalaecean hendecasyllabic metre by the Roman poet Catullus.
Catullus 8 is a Latin poem of nineteen lines in choliambic metre by the Roman poet Catullus, known by its incipit, Miser Catulle.
Catullus 9 is a Latin poem of eleven lines in Phalaecean metre by the Roman poet Catullus.
Catullus 10 is a Latin poem of thirty-four lines in Phalaecean metre by the Roman poet Catullus.
A catalectic line is a metrically incomplete line of verse, lacking a syllable at the end or ending with an incomplete foot. One form of catalexis is headlessness, where the unstressed syllable is dropped from the beginning of the line.
The poetry of Gaius Valerius Catullus was written towards the end of the Roman Republic. It describes the lifestyle of the poet and his friends, as well as, most famously, his love for the woman he calls Lesbia.
Catullus 86 is a Latin poem of six lines in elegiac couplets by the Roman poet Catullus.
Catullus 63 is a Latin poem of 93 lines in galliambic metre by the Roman poet Catullus.
Catullus 42 is a Latin poem of twenty-four lines in Phalaecean metre by the Roman poet Catullus.
Catullus 58b is a poem written by the Roman poet Catullus. In this poem he tells that even if he had the power of mythological figures, such as Perseus and Pegasus, still he would he grow weary of searching for his friend, the Camerius of Catullus 55. The meter is hendecasyllabic, the same as Catullus 55. There is debate as to the provenance of the poem. Some scholars have tried to tie it to Catullus 55, though the only connection may be that the writer chose to cut it out of 55. Others believe that it was an earlier draft of the poem. Still others feel it was a separate poem entirely and that it stands well as such. A discarded view is that Catullus did not write 58B.
Eclogue 6 is a pastoral poem by the Latin poet Virgil. In BC 40, a new distribution of lands took place in North Italy, and Alfenus Varus and Cornelius Gallus were appointed to carry it out. At his request that the poet would sing some epic strain, Virgil sent Varus these verses.
Idyll XVIII, also titled Ἑλένης Ἐπιθάλαμιος, is a poem by the 3rd-century BC Greek poet Theocritus. The poem includes a re-creation of the epithalamium sung by a choir of maidens at the marriage of Helen and Menelaus of Sparta. The idea is said to have been borrowed from an old poem by Stesichorus.
