Catullus' poems can be divided into three groups:[1]
the polymetrics (poems 1–60)
the long poems (poems 61–68)
the epigrams (poems 69–116)
Historical context
Catullus (c. 84 BC - c. 54 BC) lived in the waning days of the Roman Republic, just before the Imperial era that began with Augustus. Catullus is the chief representative of a school of poets known as the poetae novi or neoteroi, both terms meaning "the new poets". Their poems were a bold departure from traditional models, being relatively short and describing everyday occurrences and intense personal feelings; by contrast, traditional poetry was generally large and epic, describing titanic battles among heroes and gods. These avant-garde poets drew inspiration from earlier Greek authors, especially Sappho and Callimachus; Catullus himself used Sapphic meter in two poems, Catullus 11 and 51, the second of which is almost a translation. His poems are written in a variety of meters, with hendecasyllabic verse and elegiac couplets being the most common by far.
Catullus is renowned for his love poems, particularly the 25 poems addressed to a woman named Lesbia, of which Catullus 5 is perhaps the most famous. Scholars generally believe that Lesbia was a pseudonym for Clodia and that the name Lesbia is likely an homage to Sappho, who came from the isle of Lesbos. Catullus is also admired for his elegies, especially Catullus 101 and Catullus 96, for his hymn to his homeland, Sirmio, in Catullus 31, and for his many depictions of everyday life in ancient Rome, such as Catullus 4, Catullus 10, and Catullus 13. Finally, he was well-nigh infamous even in his own time for his fierce, sometimes obscene, invectives against faithless friends (e.g., Catullus 12, Catullus 16, and Catullus 116), faithless lovers (Catullus 8, Catullus 30, Catullus 58, and Catullus 70), corrupt politicians (Catullus 28, Catullus 29), and bad poets (Catullus 14 and Catullus 44).
Catullus was admired in ancient times for his elegantly crafted poems, and inspired many of the next generation of poets, especially Ovid, Tibullus, and Sextus Propertius. Even Virgil and Horace are also known to have adopted some elements of his poetry, although the latter was also critical of his work. Martial seems to be the only later Latin poet to be influenced significantly by Catullus. Catullus is mentioned by a few other Roman scholars, such as Pliny the Younger and Quintilian, and by St. Jerome. Since Catullus' work was not adopted as part of a classical curriculum, it was gradually forgotten over time, although one Bishop Rather of Verona is said to have delighted in reading his poems c. 965 AD. That changed c. 1300 AD, with the discovery of a manuscript that contained 116 poems by Catullus.
Main list
The table below lists all of Catullus' extant poems, with links to the full text, the poetic meter, the number of lines, and other data. The entire table can be sorted according to any column by clicking on the arrows in the topmost cell. The "Type" column is color-coded, with a green font indicating poems for or about friends, a magenta font marking his famous poems about his Lesbia, and a red font indicating invective poems. The "Addressee(s)" column cites the person to whom Catullus addresses the poem, which ranges from friends, enemies, targets of political satire, and even a sparrow.
Gaius Valerius Catullus, known as Catullus, was a Latin neoteric poet of the late Roman Republic. His surviving works remain widely read due to their popularity as teaching tools and because of their personal or sexually explicit themes.
In poetry, a hendecasyllable is a line of eleven syllables. The term may refer to several different poetic meters, the older of which are quantitative and used chiefly in classical poetry, and the newer of which are syllabic or accentual-syllabic and used in medieval and modern poetry.
Sappho was an Archaic Greek poet from Eresos or Mytilene on the island of Lesbos. Sappho is known for her lyric poetry, written to be sung while accompanied by music. In ancient times, Sappho was widely regarded as one of the greatest lyric poets and was given names such as the "Tenth Muse" and "The Poetess". Most of Sappho's poetry is now lost, and what is extant has mostly survived in fragmentary form; only the Ode to Aphrodite is certainly complete. As well as lyric poetry, ancient commentators claimed that Sappho wrote elegiac and iambic poetry. Three epigrams formerly attributed to Sappho are extant, but these are actually Hellenistic imitations of Sappho's style.
The Sapphic stanza, named after Sappho, is an Aeolic verse form of four lines. Originally composed in quantitative verse and unrhymed, since the Middle Ages imitations of the form typically feature rhyme and accentual prosody. It is "the longest lived of the Classical lyric strophes in the West".
Pro Caelio is a speech given on 4 April 56 BC, by the famed Roman orator Marcus Tullius Cicero in defence of Marcus Caelius Rufus, who had once been Cicero's pupil but more recently had become estranged from him. Cicero's reasons for defending Caelius are uncertain, but one motive may have been his hatred of Publius Clodius Pulcher, who two years earlier had passed a law which had forced Cicero into exile, and whose sister Cicero attacks mercilessly in this speech.
Marcus Caelius Rufus was an orator and politician in the late Roman Republic. He was born into a wealthy equestrian family from Interamnia Praetuttiorum, on the central east coast of Italy. He is best known for his prosecution of Gaius Antonius Hybrida in 59 BC. He was also known for his trial for public violence in March 56 BC, when Cicero defended him in the extant speech Pro Caelio, and as both recipient and author of some of the best-written letters in the ad Familiares corpus of Cicero's extant correspondence. He may be the Rufus named in the poems of Catullus.
The history of Latin poetry can be understood as the adaptation of Greek models. The verse comedies of Plautus, the earliest surviving examples of Latin literature, are estimated to have been composed around 205–184 BC.
Lesbia was the literary pseudonym used by the Roman poet Gaius Valerius Catullus to refer to his lover. Lesbia is traditionally identified with Clodia, the wife of Quintus Caecilius Metellus Celer and sister of Publius Clodius Pulcher; her conduct and motives are maligned in Cicero's extant speech Pro Caelio, delivered in 56 BC.
The Neoterikoi or Neoterics were a series of avant-garde Latin poets who wrote in the 1st century BCE. Neoteric poets deliberately turned away from classical Homeric epic poetry. Rather than focusing on the feats of ancient heroes and gods, they propagated a new style of poetry through stories that operated on a smaller scale in regard to themes and setting.
Catullus 51 is a poem by Roman love poet Gaius Valerius Catullus (c. 84 – c. 54 BC). It is an adaptation of one of Sappho's fragmentary lyric poems, Sappho 31. Catullus replaces Sappho's beloved with his own beloved Lesbia. Unlike the majority of Catullus' poems, the meter of this poem is the sapphic meter. This meter is more musical, seeing as Sappho mainly sang her poetry.
Catullus 3 is a poem by Roman poet Gaius Valerius Catullus that laments the death of a pet sparrow (passer) for which an unnamed girl (puella), possibly Catullus' lover Lesbia, had an affection. Written in hendecasyllabic meter, it is considered to be one of the most famous of Latin poems.
Catullus 2 is a poem by Roman poet Gaius Valerius Catullus (c. 84 – c. 54 BCE) that describes the affectionate relationship between an unnamed puella ('girl', possibly Catullus' lover, Lesbia), and her pet sparrow. As scholar and poet John Swinnerton Phillimore has noted, "The charm of this poem, blurred as it is by a corrupt manuscript tradition, has made it one of the most famous in Catullus' book." The meter of this poem is hendecasyllabic, a common form in Catullus' poetry.
Catullus 12 is a poem by the Roman poet Catullus. In it, he chides Asinius Marrucinus for stealing one of his napkins, calling it uncouth and noting the disapproval of his brother, Pollio. Note the reversal of the praenomen and nomen in the first line. While "Asini Marrucine" could be translated simply as "Asinius Marrucinus", the inverted word order introduces the alternative meaning "Marrucinus [son] of a jackass". Napkins in Ancient Rome were handmade and therefore far more valuable than they are today; also, Catullus has a sentimental attachment to the napkins, as they were a gift from two close friends, Fabullus and Veranius. In comparison to Catullus's other invective poetry, this is relatively light: the main point of the poem could be to praise Pollio rather than to chide Marrucinus.
Catullus 5 is a passionate ode to Lesbia and one of the most famous poems by Catullus. The poem encourages lovers to scorn the snide comments of others, and to live only for each other, since life is brief and death brings a night of perpetual sleep. This poem has been translated and imitated many times.
The poetry of Gaius Valerius Catullus was written towards the end of the Roman Republic. It describes the lifestyle of the poet and his friends, as well as, most famously, his love for the woman he calls Lesbia.
Catullus 16 or Carmen 16 is a poem by Gaius Valerius Catullus. The poem, written in a hendecasyllabic (11-syllable) meter, was considered to be so sexually explicit following its rediscovery in the following centuries that a full English translation was not published until the 20th century. The first line, Pēdīcābo ego vōs et irrumābō, sometimes used as a title, has been called "one of the filthiest expressions ever written in Latin—or in any other language".
Poem 68 is a complex elegy written by Catullus, who lived in the 1st century BCE during the time of the Roman Republic. This poem addresses common themes of Catullus' poetry such as friendship, poetic activity, love and betrayal, and grief for his brother. The poem is addressed to his friend, Manius or Allius, and engages with scenes from the myth of Troy.
Sappho 31 is an archaic Greek lyric poem by the ancient Greek poet Sappho of the island of Lesbos. The poem is also known as phainetai moi after the opening words of its first line. It is one of Sappho's most famous poems, describing her love for a young woman.
Marilyn B. Skinner is Professor Emerita of Classics at the University of Arizona. Described as "one of the most sophisticated and accomplished classical scholars today", she specialises in ancient sexualities, gender, feminist theory, and classical poetry, particularly from the Roman Republic and Augustan age.
Wetmore MN (1961). Index Verborum Catullianus (reprint of the 1912 edition published by Yale University Press and by Oxford University Pressed.). Hildesheim: Georg Olms Verlagsbuchhandlung. ASIN B0007ITYOI. A concordance specifying the poem, line and case in which each word appears, e.g., hortulus appears in the ablative case hortulo in line 88 of Catullus' poem 61. Definitions for the words are not given.
Mulroy DD (1986). Comites Catulli: Structured Vocabulary Lists for Catullus 1–60. Lanham, MD: University Press of America. ISBN978-0-8191-5448-4. This book lists the vocabulary, with definitions, needed to read Catullus' polymetric poems. After a general introduction to Catullus' vocabulary, a separate vocabulary list is given for subsets of 2–3 poems, e.g., poems 6–8 and 9–10. The words in each list is grouped by declension and gender for nouns and by conjugation for verbs.
Scholarship
Burl A (2004). Catullus: A Poet in the Rome of Julius Caesar. New York: Carroll and Graf Publishers. ISBN978-0-7867-1472-8.
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