Charles Emil Peterson (1906 – 2004) is an American preservationist. He is known for professionalizing historic preservation in the United States. He is referred to as the "founding father" of the professional advocation of historic preservation, [1] the "godfather of preservation," [2] and an "extraordinary preservationist" [3] who made important contributions to the knowledge of early American building practices, helped create the profession of the preservation architect, and passionately advocated for the retention and restoration of the American built heritage. According to Jacques Dalibard, a professor at McGill University School of Architecture, "with James Marston Fitch, [4] I cannot think of two people who had more influence on historic preservation in North America." [5]
During his long career, Peterson received numerous awards for his service including the National Trust for Historic Preservation's Louise du Pont Crowninshield Award (1966) and the American Institute of Architects (AIA) medal for "vision and determination" (1979) and the Presidential Citation (1990). The AIA inducted him into the College of Fellows in 1962. [6] [7]
Peterson was raised in Madison, Minnesota, and received his bachelor's degree in architecture in the early 1920s from the University of Minnesota. [2] [6] In 1929, he began a thirty-three year tenure with the National Park Service. [6] [7] : 5 In 1931, his efforts were instrumental in saving the Moore House, the site of the British surrender, in Yorktown, Virginia. While documenting this building, Peterson created the prototype for the historic structure report, the basic format of which is still in use. [6] [8]
Peterson is perhaps best remembered for establishing the Historic American Buildings Survey (HABS), a federal documentation program that is still active and which has spawned the Historic American Engineering Record and the Historic American Landscape Survey. On November 13, 1933, while he was the Chief of the Eastern Division for the National Park Service, Peterson wrote a memo to the director which became the charter for the program and successfully garnered funds from the Civil Works Administration the following month. HABS targeted unemployed architects, draftsmen, and photographers to make as complete a record as possible of "the rapidly disappearing examples of early architecture and historic structures throughout the country." This program was credited as "the first major step upon the part of the Federal Government toward the cataloging and preservation of historic structures." [2] [9] : 1 [10] The first HABS survey work began in January 1934 and later that year was formalized as a joint agreement with the American Institute of Architects and the Library of Congress. [9] : 2 The HABS program has continued nearly unabated to the present. [11]
During his life, Peterson constantly advocated for HABS, and was instrumental in restarting the program in 1957 and later saved it from oblivion when the Reagan administration threatened to pull funding. The end result was a stronger program with greatly increased funding. [12]
Peterson and NPS historian Roy E. Appelman were assigned to Philadelphia in early 1947 to advise the Philadelphia National Shrines Park Commission on the national park being proposed for the area surrounding Independence Hall. Peterson was the uncredited primary author and editor of the Shrines Commission's 7-volume final report to Congress (December 1947), which was incorporated into the enabling legislation under which Independence National Historical Park was created.
Peterson returned to Philadelphia in the early 1950s to work at INHP. While there, he helped restore Carpenters' Hall and re-create Library Hall, and directed much of the preservation-related activity of the National Park Service in the region. It was in this era that the Commonwealth of Pennsylvania demolished all the 19th- and early 20th-century buildings on the 3 blocks north of Independence Hall, to create an open European-style mall. (Independence Mall remained a state park until 1974.) Peterson oversaw the moving of the Free Quaker Meetinghouse, the only building spared in the creation of the Mall, to accommodate the widening of 5th Street. He opposed the demolition of important 19th-century buildings within INHP, but did not prevail. He retired from the National Park Service in 1962, but continued to live and work from his row house located on Spruce Street. [1] [2] [6] [13] During Peterson's tenure at the National Park Service, he educated numerous students about historic preservation. [14]
In the 1950s, Philadelphia was in decline and the oldest neighborhoods, dating to the 18th century, were being abandoned and left to decay. It was in such a place that Peterson decided to purchase two row homes in 1954, one of which became his home. The area, which is now known as "Society Hill," is today one of the most desirable areas to live in Philadelphia. Peterson not only helped name the area, but his tireless preservation advocacy secured the revitalization of Society Hill by motivating his friends and acquaintances to buy property there. [1] [6]
The 1960s were an extremely productive time for Peterson. He contributed to many scholarly conferences, including the Second International Congress of Architects and Technicians of Historical Monuments in Venice in 1964. It was at this conference that the enormously influential Venice Charter was created, which established much of preservation philosophy that exists to this day and has become ingrained in the National Park Service's Secretary of the Interior's Standards for preservation. Peterson, along with the entire U.S. delegation rejected the charter, however, due to its European focus and the radical emphasis on preservation instead of restoration. [15] [16] In the 1960s, restoration—defined as the "scraping" of later layers of historic fabric in order to restore the appearance of a building to an arbitrary date—was the status quo and represented the majority of preservation work in the United States. The Venice Charter was a radical shift in preservation philosophy that would not become fully accepted in the United States until the 1980s. Peterson also served on the Committee on Principles and Guidelines for Historic Preservation established by the National Trust which helped influence the future direction of the preservation movement. [17]
In the mid-1960s, Peterson was appointed as an adjunct professor to the fledgling historic preservation program at Columbia University where he taught early-American building technology. He worked closely with James Marston Fitch to build this program into the first graduate degree program in historic preservation in the country. [18] [19] Columbia's program became the model which spawned the tens of graduate and undergraduate programs in historic preservation that now exist across the United States. In 1970, Peterson established the European Traveling Summer School for Restorationists that allowed architects to view and participate in restoration projects outside the United States. [20]
Peterson was a founding member of the Association for Preservation Technology International (APT), which was created in 1968 in an effort to provide better education for the restoration, documentation, and preservation of historic buildings. He became the organization's first president in 1969. [2] [3] APT was enormously influential as it represented the first scholarly outlet for the activities of historic preservation. Peterson's activities through APT helped move preservation from an antiquarian hobby to a professional endeavor.
Throughout his career, Peterson was an avid researcher on the history of American building technology. He is best known for his work on Robert Smith, [7] [21] a colonial-era architect which culminated in the publication of his book Robert Smith (1722-1777): Architect, Builder and Patriot by The Athenaeum of Philadelphia and the Carpenters' Company of Philadelphia in 2000. Other topics that Peterson covered included the early architecture of the Mississippi River valley, the use of iron in roofs, the development of the I-beam, and the recovery of the "lost" history of cement and concrete construction. [22]
In 1983, Peterson established the Charles E. Peterson Prize to be awarded to students displaying superior drawing abilities in documenting HABS buildings. Managed by The Athenaeum of Philadelphia, the prize is awarded by HABS, the Athenaeum, and the AIA. [2] [7] He also donated all of his research papers and books to the University of Maryland in 1998, having in 1981 endowed a substantial fund to support scholarly research in American Architecture prior to 1860 at The Athenaeum of Philadelphia and gifted his Archive and Library of Early American Building Technology and Historic Preservation. [23] [24]
Peterson is credited as an architect of Colonial National Historical Park, Jamestown and Yorktown, Virginia, listed on the National Register of Historic Places [25]
According to many contemporary preservation architects, Peterson "almost singlehandedly invented and developed the profession of historical architect." [26] In a similar vein he is considered to be "the father of modern restoration techniques." [27] From his start with the National Park Service in the 1930s, Peterson continually advocated for training of architects in the proper restoration of buildings that respected their history, technology, and authenticity. A continual theme of his was the inadequacy of most architects' work on historic buildings:
The shortcomings of architects in the field of historical restoration began long ago. It became clear, even in the days of Latrobe, that the most talented designers could not always be trusted around important landmarks. ... Some of our most stylish architects have proposed—and have carried out—gruesome butcheries on historic buildings. ... The architectural profession should police its own ranks, if for no reason than that many laymen have done their homework in history (as a hobby) and are today well ahead of architects. [28] : 2
Peterson explained that there are very few people who understand older buildings and how they are constructed and "as a result, things happen to historic buildings that should not happen to a doghouse." [28] : 4
Architects could not simply learn from books and drawings, but had to experience an old building in all its unrestored, disheveled, shabbiness: "The man who doesn't get his hands dirty on the job will never know enough." [10] Peterson's work in this regard has helped spawn innumerable training programs for architects, such as that offered by the Heritage Conservation Network, that provide hands-on training on a wide variety of techniques from documentation to pointing with lime mortar.
Peterson's legacy can be summed up by his tireless efforts to establish historic preservation as a professional endeavor. He made essential contributions to how old buildings should be documented and architects trained. Every holder of a degree in historic preservation should also credit Peterson for the origins of their education. Lastly, Peterson established a scholarly basis for building interventions. No longer was an antiquarian aesthetic ethic acceptable for historic preservation; all work had to be documented and changes well substantiated with historical records. [29]
Peterson served as the first president of the Association for Preservation Technology International. A 2006 issue of its APT Bulletin featured remembrances by his colleagues.
Heritage Documentation Programs (HDP) is a division of the U.S. National Park Service (NPS) responsible for administering the Historic American Buildings Survey (HABS), Historic American Engineering Record (HAER), and Historic American Landscapes Survey (HALS). These programs were established to document historic places in the United States. Records consist of measured drawings, archival photographs, and written reports, and are archived in the Prints and Photographs Division of the Library of Congress.
Jack E. Boucher was an American photographer for the National Park Service for more than 40 years beginning in 1958. He served as the Chief Photographer for the Historic American Buildings Survey (HABS). In 1966 he left the Park Service for two years to supervise New Jersey's State Historic Preservation program, including the State's roadside marker program, 18 historic museum houses, several lighthouses, and two historic villages. Offered his old job back by the Park Service/HABS in 1970, he left New Jersey to return to NPS/HABS and the highly specialized job of large format photographic architectural documentation. His work took him to 49 States, the Virgin Islands and Puerto Rico. April 2008 was the fiftieth anniversary of his employment with the National Park Service's "HABS" program. He traveled with 900 pounds of photographic equipment.
Roger W. Moss is an historian, educator, administrator and author in Philadelphia, Pennsylvania. Throughout a long career he has also been an aggressive and entrepreneurial advocate for the preservation and authentic restoration of historic buildings. For forty years Moss directed the Athenaeum of Philadelphia, a special collections library near Independence Hall, and for 25 of those years he also taught in the Graduate Program in Historic Preservation at the University of Pennsylvania.
The Woodlands is a National Historic Landmark District on the west bank of the Schuylkill River in Philadelphia. It includes a Federal-style mansion, a matching carriage house and stable, and a garden landscape that in 1840 was transformed into a Victorian rural cemetery with an arboretum of over 1,000 trees. More than 30,000 people are buried at the cemetery. Among the tombstones at Woodlands cemetery is the tombstone of Dr Thomas W. Evans, which at 150 feet (46 m), is both the tallest gravestone in the United States and the tallest obelisk gravestone in the world.
Carpenters' Hall, in Independence National Historical Park in Philadelphia, Pennsylvania, is the official birthplace of the Commonwealth of Pennsylvania and a key meeting place in the early history of the United States. Completed in 1775, the two-story brick meeting hall was built for and is still privately owned by the Carpenters' Company of the City and County of Philadelphia, the country's oldest extant craft guild.
St. Francis de Sales Roman Catholic Church, founded in 1890, is a Catholic church at 4625 Springfield Avenue in Philadelphia, Pennsylvania, part of the Roman Catholic Archdiocese of Philadelphia. Its cornerstone laid in 1907, the Guastavino tiled dome of the de Sales parish has been an icon in its neighborhood. The de Sales parish was designed by Philadelphia architect Henry D. Dagit, built in the Byzantine Revival style and incorporates a Guastavino tile dome modeled on that of Istanbul's Hagia Sophia and elements of the Arts and Crafts movement which was at its peak when the church was built.
Theophilus Parsons Chandler Jr. was an American architect of the late 19th and early 20th centuries. He spent his career at Philadelphia, and is best remembered for his churches and country houses. He founded the Department of Architecture at the University of Pennsylvania (1890), and served as its first head.
The Fisher Fine Arts Library was the primary library of the University of Pennsylvania in Philadelphia from 1891 to 1962. The red sandstone, brick-and-terra-cotta Venetian Gothic giant, part fortress and part cathedral, was designed by Philadelphia architect Frank Furness (1839–1912).
Andalusia, also known as the Nicholas Biddle Estate, is a historic mansion and estate located on the Delaware River, just northeast of Philadelphia, in Bensalem Township, Bucks County, Pennsylvania. The community surrounding it, Andalusia, takes its name from the 225-acre estate.
New Market, as it was originally known, and later also known as Head HouseMarket and Second Street Market, is an historic street market which is located on South 2nd Street between Pine and Lombard Streets in the Society Hill neighborhood of Philadelphia, Pennsylvania. With a history dating to 1745, it is one of the oldest surviving market buildings of its type in the nation.
The Arch Street Meeting House, at 320 Arch Street at the corner of 4th Street in the Old City neighborhood of Philadelphia, Pennsylvania, is a Meeting House of the Religious Society of Friends (Quakers). Built to reflect Friends' testimonies of simplicity and equality, this building is little changed after more than two centuries of continuous use.
The Athenaeum of Philadelphia, located at 219 S. 6th Street between St. James Place and Locust Street in the Society Hill section of Philadelphia, Pennsylvania, is a special collections library and museum founded in 1814. The Athenaeum's purpose, according to its organizational principles, is to collect materials "connected with the history and antiquities of America, and the useful arts, and generally to disseminate useful knowledge" for public benefit.
The John Coltrane House is a historic house at 1511 North 33rd Street in Philadelphia, Pennsylvania, USA. A National Historic Landmark, it was the home of American saxophonist and jazz pioneer John Coltrane from 1952 until 1958. On his death in 1967 the house passed to his cousin, who sold it in 2004. Efforts for restoration and reuse as a jazz venue are struggling. In 2022, two of Coltrane's sons filed a lawsuit contesting the ownership of the home.
The Reynolds-Morris House is an historic house which is located at 225 South 8th Street in the Washington Square West neighborhood of Philadelphia, Pennsylvania. Built between 1786 and 1787 by John and William Reynolds, it is a well-preserved example of a Philadelphia Georgian townhouse.
Morgan W. Phillips (1943–1996) was an American founder of the field of architectural conservation. He is credited with coining the term "architectural conservation" in the early 1970s and was among the first to call himself an architectural conservator. Phillips worked for most of his career at the Society for the Preservation of New England Antiquities (SPNEA) in Boston, now Historic New England, and the organization's Conservation Center was largely built around his research and that of his apprentices.
Albert Simons, had a sixty-year career as an architect and preservationist in Charleston, South Carolina, where he is known for his preservation work and architectural design. He played a key role in the Charleston Renaissance. Simons helped to create many nationally prominent preservation functions such as the zoning ordinance for the historic district, the first such ordinance in America, with municipal austerity, and the first Board of Architectural Review. As a professor at the College of Charleston for over 20 years, he started the School of the Arts whose building is named after him and is honored yearly through the Simons Medal of Excellence.
Carolyn Peterson FAIA is a Texas preservation architect.
The Solitude Mansion is a historic, American, two-and-a-half story Federal-style mansion located in west Fairmount Park, Philadelphia, Pennsylvania. It is situated above the banks of the Schuylkill River on the grounds of the Philadelphia Zoo.
The Association for Preservation Technology International (APT) is a not-for-profit, multidisciplinary, membership organization dedicated to promoting the best technology for conserving and preserving historic structures and their settings. Founded in 1968 by preservationists from Canada and the United States, it now has 1,500 members from 30 countries, with headquarters in Springfield, Illinois. APT’s activities include conferences, training and education programs, and publications on the technical aspects of preservation.
Daniela Holt Voith is an American architect. She is the Founding Partner and Director of Design at Philadelphia-based architecture studio Voith & Mactavish Architects, LLP and is Fellow of the American Institute of Architects (FAIA). She has worked extensively providing planning and design services with schools and universities including the University of Pennsylvania Carey Law School, Yale University, and boarding schools such as Millbrook School, The Lawrenceville School, and St. Andrew's School, where the film Dead Poets Society was shot. The firm's major projects also include preserving, rehabilitating, and additions to National Historic Landmarks such as the Mercer Museum, Bryn Mawr Film Institute, Old Library at Bryn Mawr College, and the former Centennial National Bank, now the alumni center for Drexel University. She is married to economist Richard Patrick Voith, Chairman of Econsultsolutions Inc., who is a fellow at the University of Pennsylvania's Institute of Urban Research and adjunct faculty at Wharton. As of 2019, she is the President of the Philadelphia Chapter of the Institute for Classical Architecture and Art. She sits on the board of the Design Leadership Foundation and is a director of the Carpenter's Company of Philadelphia.
