Alsatian conductor Charles Munch was one of the most widely recorded symphonic conductors of the twentieth century. Here is a partial list of his recordings.
The Suppraphon recordings were part of "45" record that was a bonus insert in a booklet-length biography(?) of Munch in Czech issued by Suppraphon. The Boston Symphony Orchestra Archives has the booklet and recording with the details.
Isaac Stern was an American violinist.
Sergiu Celibidache was a Romanian conductor, composer, musical theorist, and teacher. Educated in his native Romania, and later in Paris and Berlin, Celibidache's career in music spanned over five decades, including tenures as principal conductor of the Munich Philharmonic, the Berlin Philharmonic, the RAI National Symphony Orchestra, the Orchestre de Radio France, the Swedish Radio Symphony Orchestra and many other European orchestras such as the Stuttgart Radio Symphony Orchestra, the Danish National Symphony Orchestra or the London Symphony Orchestra.
Henryk Bolesław Szeryng was a Polish-Mexican violinist.
Leon Fleisher was an American classical pianist, conductor and pedagogue. He was one of the most renowned pianists and pedagogues in the world. Music correspondent Elijah Ho called him "one of the most refined and transcendent musicians the United States has ever produced".
Robert Marcel Casadesus was a renowned 20th-century French pianist and composer. He was the most prominent member of a distinguished musical family, being the nephew of Henri Casadesus and Marius Casadesus, husband of Gaby Casadesus, and father of Jean Casadesus.
Ruth Laredo was an American classical pianist.
William Steinberg was a German-American conductor.
Rudolf Firkušný was a Moravian-born, Moravian-American classical pianist.
Yeol Eum Son is a world renowned South Korean classical pianist. She is an interpreter of the Classical era of composers, especially Haydn, Mozart, Beethoven, as well as such later composers as Mendelssohn, Schumann, Liszt, Rachmaninoff and Ravel. Over the past fifteen years, Son has achieved global acclaim for her performances of Mozart’s piano concertos.
Ivan Moravec was a Czech concert pianist whose performing and recording career spanned nearly half a century. Media and critics worldwide often called Moravec "a poet of the piano" or "pianist supreme". He is considered one of the greatest interpreters of Chopin.
This is the discography of Simon Rattle and other produced works by the English conductor.
Josef Suk was a Czech violinist, violist, chamber musician and conductor. In his home country he carried the title of National Artist.
The Grand Prix du Disque for Instrumental and Symphonic Music is awarded by the Académie Charles Cros, L'Abbaye, 02570 Chézy sur Marne, France. Categories vary from year to year, and multiple awards may be given in the same year in the same exact category. Instrumental and Symphonic music may include solo & orchestra (concerto) or pure symphonic music. Other subcategories have included classical symphonic music, contemporary symphonic music and modern concerto.
This is a complete list of recordings by the Los Angeles Philharmonic, shown alphabetically by conductor, and then by recording label.
Dezső Ránki is a Hungarian virtuoso concert pianist with a broad repertoire and a significant discography of solo, duo and concerto works.
The Pasdeloup Orchestra is the oldest symphony orchestra in France.
The Belgian-born French conductor André Cluytens (1905–1967) was a prolific recording artist. His recording career ran from May 1943 to December 1965. Many of Cluytens recordings have since been re-issued.
The conductor Pierre Monteux made a large number of recordings throughout his career. His first recording was as a violist in "Plus blanche que la blanche hermine" from Les Huguenots by Meyerbeer in 1903 for Pathé with the tenor Albert Vaguet. His first recording as a conductor was the first of his five recordings of Stravinsky's The Rite of Spring. His last studio recordings were with the London Symphony Orchestra in works by Ravel at Wembley Town Hall at the end of February 1964. He recorded works by more than fifty composers. However, he disliked recording, saying of studio sessions,
You may give an excellently played, genuinely felt performance of a movement, but because the engineer is not satisfied because there is some rustling at one point, so you do it again and this time something else goes wrong. By the time you get a "perfect" take of the recording the players are bored, the conductor is bored, and the performance is lifeless and boring. … I detest all my own records.
The conductor Bernard Haitink recorded works, especially symphonies and other orchestral works, with different orchestras. He made recordings for several labels, including Philips Records, EMI Classics, Columbia Records, LSO Live, RCO Live, and CSO Resound.