Charlie Ahearn | |
---|---|
Born | 1951 (age 72–73) [1] |
Nationality | American |
Known for | Film, Painting |
Spouse | Jane Dickson |
Charlie Ahearn (born 1951) is an American film maker [1] living in New York City. Although predominantly involved in film and video art production, he is also known for his work as an author, freelance writer, member of Colab, and radio host. He is married to the painter Jane Dickson and is the twin brother to the sculptor John Ahearn.
Charlie Ahearn moved to New York City in 1973 to attend the Whitney Museum of American Art Independent Study Program (Studio Program). Later he was joined by his brother John and joined the artists' group Colab (aka Collaborative Projects) which was a group determined to go beyond the traditional art world gallery system and find a way to "be creative in a larger sense". [2] : 146
For several years during the 1970s Ahearn, then living in downtown Manhattan, concentrated on making 16 millimeter art films. In 1977, he went to the Alfred E. Smith Projects in the Lower East Side to film local youths practising martial arts with his Super 8 camera, which exposed him to hip-hop for the first time. [3] Ahearn was approached by some of these local youths who wanted to make a martial arts film, and Ahearn agreed despite never having attended film school and not knowing how to make a feature-length film. Yet he took inspiration from some of his favorite kung fu films, such as 36 Chambers , Mad Monkey Kung Fu , and Five Deadly Venoms ; as well as the films of Bruce Lee. [4]
Ahearn showed this martial arts film as part of The Times Square Show in an abandoned massage parlor that Colab had taken over on the corner of 7th Avenue and 41st Street in the then rather shady Times Square area. Ahearn soon after was living nearby on 43rd Street and 8th Avenue (from 1981 to 1993). [5]
As of 2023, Ahearn is a faculty member at the School of Visual Arts in Manhattan. [6]
In the summer of 1980, Ahearn began working with Fred Braithwaite and Lee Quiñones on what was later to become a classic hip-hop feature-length film: Wild Style . The film took its name from the graffiti painting style of the same name: a style that is very symbolically described as an "energetic interlocking construction of letters with arrows and others that signify movement and direction". [7] Also in the movie was karate instructor Nathan Ingram (karate). [8] Wild Style premièred in 1983 in Times Square, breaking records by selling out at all screenings in the three weeks it played. [9] The highly successful soundtrack of the film, which was composed entirely from scratch to avoid copyright clearances, was produced by Fred Braithwaite, in collaboration with Chris Stein of chart-topping rock act Blondie. [2] Grandmaster Theodore mixed the album and Grandmaster Caz wrote the lyrics.
Wild Style and its soundtrack have since been regarded as the most accurate portrait of hip-hop culture [2] and has been cited as the definitive hip-hop film. [10] Its popularity quickly spread throughout the world.
Ahearn transferred his hip-hop archive, including detailed Wild Style production notes, artwork, photographs, and audio and video recordings, to the Cornell University Hip-Hop Collection in 2012. [11]
The National Hip-Hop Museum in Washington, D.C. held a ceremony in Brooklyn in June 2023 honoring Wild Style. [6]
Ahearn has worked on a series of musical shorts. They include:
(These shorts were included on the 25-year anniversary edition of the Wild Style DVD, released in 2007 from Rhino Entertainment)
Yes Yes, Y'all is an oral history of the first decade of hip-hop book by Ahearn published in 2002 by Da Capo Press with over 100 photos. [12]
To celebrate the 25th anniversary of Wild Style , Ahearn also wrote the book Wild Style: The Sampler, published by Powerhouse Books in 2007.
In 2005, Ahearn hosted a weekly talk-music internet radio show on New York's Museum of Modern Art's WPS1.org called Yes Yes, Y'all, with guests such as Biz Markie, Afrika Bambaataa, Rammellzee, Grandmaster Caz, and many more hip-hop icons from 1970 to 1990. [13]
In general, kung fu or kungfu refers to the Chinese martial arts also called quanfa. In China, it refers to any study, learning, or practice that requires patience, energy, and time to complete. In its original meaning, kung fu can refer to any discipline or skill achieved through hard work and practice, not necessarily martial arts. The literal equivalent of "Chinese martial art" in Mandarin would be 中國武術 zhōngguó wǔshù.
Old-school hip hop is the earliest commercially recorded hip hop music and the original style of the genre. It typically refers to the music created around 1979 to 1983, as well as any hip hop that does not adhere to contemporary styles.
Fred Brathwaite, more popularly known as Fab 5 Freddy, is an American visual artist, filmmaker, and hip hop pioneer. He is considered one of the architects of the street art movement. Freddy emerged in New York's downtown underground creative scene in the late 1970s as a graffiti artist. He was the bridge between the burgeoning uptown rap scene and the downtown No Wave art scene. He gained wider recognition in 1981 when Debbie Harry rapped on the Blondie song "Rapture" that "Fab 5 Freddy told me everybody's fly." In the late 1980s, Freddy became the first host of the groundbreaking hip-hop music video show Yo! MTV Raps.
Wild Style is a 1983 American hip hop film directed and produced by Charlie Ahearn. Regarded as the first hip hop motion picture, it includes appearances by seminal figures such as Fab Five Freddy, Lee Quiñones, Lady Pink, The Rock Steady Crew, The Cold Crush Brothers, Queen Lisa Lee of Zulu Nation, Grandmaster Flash and ZEPHYR.
The Cold Crush Brothers are an American hip hop group that formed in 1978 in the Bronx, New York City. They were especially known for their memorable routines which included harmonies, melodies and stage-stomping performances. The Cold Crush Brothers still perform in the United States as of 2023. "A snapshot from hip-hop's 50th summer: A live mixtape"..
Melvin Glover, better known by his stage name Grandmaster Melle Mel or simply Melle Mel, is an American rapper who was the lead vocalist and songwriter of Grandmaster Flash and the Furious Five.
David James Parker, known by the stage name Busy Bee, is an American old-school hip hop musician from New York, NY. First coming on the New York City music scene in 1977, Busy Bee worked with many of hip-hop's founding fathers, including Melle Mel, Afrika Bambaataa, and Kool DJ AJ.
No wave cinema was an underground filmmaking movement that flourished on the Lower East Side of New York City from about 1976 to 1985. Associated with the artists’ group Collaborative Projects, no wave cinema was a stripped-down style of guerrilla filmmaking that emphasized dark edgy mood and unrehearsed immediacy above many other artistic concerns – similar to the parallel no wave music movement in its raw and rapid style.
George Lee Quiñones is a Puerto Rican artist and actor. Quiñones rose to prominence by creating massive New York City subway car graffiti that carried his moniker "LEE". His style is rooted in popular culture and often with political messages.
Colab is the commonly used abbreviation of the New York City artists' group Collaborative Projects, which was formed after a series of open meetings between artists of various disciplines.
Disco King Mario In the 1970s, Mario was a prominent African American DJ and pioneer of Hip Hop, known as a “Founding Father of Hip Hop” in the Bronx, New York. At the time, he lived in the Bronxdale Housing projects, where his parties made him well-known locally. Mario’s family hailed from Edenton, NC, which was the place of his birth.
PowerHouse Books is an independent publisher of art and photography books founded in 1995 by Daniel Power, based near the Brooklyn waterfront of DUMBO in The PowerHouse Arena at 37 Main Street.
Carlos Mandes, also known as DJ Charlie Chase, is a Puerto Rican DJ who played a key role in establishing Latinos as a contributing force in The Bronx's early hip hop culture. Hitting the hip hop scene in 1975, Chase was a founding member of The Cold Crush Brothers along with DJ Tony Tone and members Grandmaster Caz, JDL, EZ AD and Almighty Kay Gee. Chase and Tone were also responsible in forming the first ever MC convention in hip hop history in 1980.
Luis Cedeño, more commonly known as DJ Disco Wiz is an American DJ.
Lamar Hill, also known as LA Sunshine is an American old-school hip hop artist, and member of the Treacherous Three.
Joseph Robert Saddler, known by his stage name Grandmaster Flash, is an American musician and DJ. He created a DJ technique called the Quick Mix Theory. This technique serviced the break-dancer and the rapper by elongating the drum breaks through the use of duplicate copies of vinyl. This technique gave birth to cutting and scratching. It also gave rappers better music with a seamless elongated bed of beats to speak on. He also invented the slipmat.
Curtis Brown, better known by the stage names Grandmaster Caz and Casanova Fly, is an American rapper, songwriter, and DJ. He was a member of the hip hop group The Cold Crush Brothers from 1979 to the mid-1980s. He is best known as the (uncredited) main writer of Big Bank Hank's raps on the seminal 1979 hip hop single by The Sugarhill Gang, "Rapper's Delight".
Wild Style Original Soundtrack is the official soundtrack to the 1983 hip hop film Wild Style. It was originally released in 1983 via Animal Records, and re-released twice: in 1997 via Rhino Entertainment, and in 2007 as 25th anniversary edition via Mr Bongo Records. The album was produced by Charlie Ahearn and Chris Stein with Fab 5 Freddy, who served as musical director of the project. It featured appearances from Busy Bee, Cold Crush Brothers, DJ Charlie Chase, Grandmaster Caz, Grand Mixer DXT, Grand Wizzard Theodore & the Fantastic Five, Double Trouble, Prince Whipper Whip, Rammellzee, AJ Scratch, D.J. Stieve Steve and Shockdell.
Contact High: A Visual History of Hip-Hop is a 2018 photography book created and written by Vikki Tobak and ongoing exhibition series. The volume features contact prints from analog photography sessions of hip hop artists during roughly forty-years, from the beginnings of the genre in the late 1970s until the late 2000s.
The Times Square Show was an influential collaborative, self-curated, and self-generated art exhibition held by New York artists' group Colab in Times Square in a shuttered massage parlor at 201 W. 41st and 7th Avenue during the entire month of June in 1980. The Times Square Show was largely inspired by the more radical Colab show The Real Estate Show, but unlike it, was open 24 hours a day, 7 days a week, in what was then a Times Square full of porno theaters, peep shows, and red light establishments. In addition to experimental painting and sculpture, the exhibition incorporated music, fashion, and an ambitious program of performance and video. For many artists the exhibition served as a forum for the exchange of ideas, a testing-ground for social-directed figurative work in progress, and a catalyst for exploring new political-artistic directions.